& Juliet – Jukebox Musical – Review – Paramount Theatre

@showsiveseen Max Martin and David West Read's "& Juliet" jukebox #musical at Paramount Theatre from Broadway Seattle and @Seattle Theatre Group. Starring @lois. understudying for @Rachel. The song list packed with millennial & genZ pop hits took me back to my teens and 20s. Last Seattle performance on 8/3/25! Review: showsiveseen.com/13428 Director: Luke Sheppard Choreo: Jennifer Weber Music Director: Andre Cerullo Music Supervisor: Bill Sherman Stage Mgr: Annelise Castleberry, Joel Rosen, Chloe Rose Schweizer #romeoandjuliet #shakespeare #musicaltheatre #theatre @& Juliet on Broadway ♬ Since U Been Gone – Lorna Courtney & Original Broadway Cast of & Juliet

Elevator Thoughts (aka Tweet): Max Martin and David West Read’s & Juliet jukebox musical at Paramount Theatre from Broadway Across America and Seattle Theatre Group. Starring Lois Ellise understudying for Rachel Simone Webb. The song list packed with millennial pop hits took me back to my teens and 20s. #romeoAndJuliet #shakespeare #genZ

Recommendation:
See it, especially if you enjoy jukebox musicals like Moulin Rouge! The Musical.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Yes

Mainstream Appeal: High

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): What if Juliet hadn’t died? William Shakespeare and his wife Anne Hathaway overhaul the classic Romeo and Juliet tale, giving Juliet a second chance and a voice of her own.

Synopsis from the Licensor or Theatre Company: Created by the Emmy®-winning writer from Schitt’s Creek, this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way. Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone‚” “Roar,” “Baby One More Time,” “Larger Than Life‚” “That’s The Way It Is,“ and “Can’t Stop the Feeling!”—all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it.

Type: Jukebox Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: A working knowledge of Romeo and Juliet is essential. Familiarity with Shakespearean references and the Billboard top 40 hits from the past three decades will also help significantly enrich your experience.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actors: All

Total Actors: Too many to count

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Millennial Jukebox Fever Dream: This musical uniquely leaned hard into millennial nostalgia. It was packed with hits many of us grew up hearing on the radio or burning onto mix CDs. The soundtrack focused primarily on late ’90s and 2000s pop, with some minor attention to Gen Z favorites. Watching it must be like how Baby Boomers feel seeing Motown: The Musical or Gen Xers experiencing Rock of Ages. In other words, this is how we know we elder millennials are aging! :'( Few shows have taken on this level of millennial pop royalty … they must be paying royalties out the wazoo! The musical was bursting at the seams with iconic songs, especially from the 1990s boy band era. They even featured a group called “De Bois Band” dressed in the Backstreet Boys’ iconic glittery silver metallic outfits. It was pure Y2K pop fantasy on stage. You can find the full robust song list at the end of this review in the pictures, but below are some highlights:
    • “Larger Than Life” (Backstreet Boys): A powerhouse opening number
    • “…Baby One More Time” (Britney Spears): Reimagined as a slowed-down ballad with surprising emotional weight
    • “I’m Not a Girl, Not Yet a Woman” (Britney Spears): A moving, introspective moment that gave the song new meaning when a non-binary character May (played by Nick Drake) wrestled with the realization that his straight crush wouldn’t return his feelings.
    • “It’s My Life” (Bon Jovi): Heart-pounding, exciting, feast for the senses that revealed a pivotal character at the cliffhanger twist
    • “Blow” (Ke$ha): I’m not a fan of Ke$ha’s original song but this musical’s rendition won me over. Think strobe lights, dazzling choreography, and swinging from a chandelier.
    • Mashups: Channeling the trend popularized by the TV show Glee, the production occasionally featured clever mashups pairing songs like “Teenage Dream” (Katy Perry) with “Break Free” (Ariana Grande) or blending “Problem” (Ariana Grande) with “Can’t Feel My Face” (The Weeknd).
  • Romeo: Michael Canu’s portrayal of Romeo subverted the typical romantic lead ideal. He was less of the traditional devoted star-crossed lover and more of a goofy fuckboi douchebag. Canu summed up the character’s blend of angst and absurdity as he moaned, “All I’ve ever been is a sexy young man with a tight body and a lot of feelings,” which was less Shakespearean longing and more Tinder bio. Additionally, costume designer Paloma Young interestingly styled Romeo like a beta anime softboi making his bravado feel both ridiculous and oddly endearing.

Other Musing(s) and Observation(s)

  • Youthful Tone: Beyond the music, the production was loudly millennial-coded, with a light sprinkle of Gen Z flair. It got to the point that the millennial-coded energy occasionally verged on excess. That said, I was pleasantly surprised and relieved by the restraint in showcasing cell phones (I don’t think I saw one) because cell phone props are a commonly overused crutch in many productions trying to appear modern, young, and relevant. The overall vibe was reminiscent of light pop-culture-savvy shows like New Girl, Emily in Paris, Younger, Brooklyn Nine-Nine, and How I Met Your Mother.
  • Vocal Suitability: At times, a few songs didn’t seem perfectly suited to the performers’ vocal ranges. The delivery occasionally lacked the vocal ease and polish typically associated with national tours or Broadway productions. Sometimes the vocals felt slightly too low or underpowered, which made me wonder if the demands of this particular performance involving last-minute cast changes might have played a role.
  • Jukebox Musical Formula: As expected from a Broadway national tour, the performance was polished, impressive, and amazing. However, it gratuitously relied too heavily on the jukebox musical formula, feeling more like a millennial playlist than a meaningful narrative. While jukebox musicals often struggle with substance, this production felt particularly hollow and pandered more to top 40 hit music nostalgia. That said, the straightforward plot was easy to follow, which is always something I always value in a live production with no subtitles. Give me Legally Blonde, not Checkov … and not old Shakespearian English for that matter!
  • British vs American Musical Theatre: Something about this musical weirdly reminded me of Six. Maybe it’s because both blended concert-style staging with theatrical storytelling and similar vibrant pop energy. Or perhaps it’s the fact that both are British-born pop musicals. I can’t quite put my finger on it. But despite the high-octane vibe, there was a certain “je ne sais quoi” from these two shows that doesn’t quite match American Broadway energy. & Juliet feels like the British response to the American Moulin Rouge! jukebox musical. I’m headed to the London West End for the first time next month and I’m so curious to observe the difference with American Broadway. Stay tuned for my London reviews. Let me know in my social media comments your thoughts on American vs British musical theatre!

Theatre Company: National tour courtesy of Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine Street, Seattle, WA 98101

Price Range: $55-210

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees/students are still eligible for an organization discount.

Dates: July 29 – Aug. 3, 2025

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the former Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

Like/Comment/Share my Social Media Posts About this Performance:

Buy a Ticket or Learn More:

Pictures: See production pictures below by Matthew Murphy from MurphyMade.

Cast and Production Team: See after pictures below.

Teal Wicks, Rachel Simone Webb, Nick Drake and Kathryn Allison in the North American Tour of & JULIET – Photo Credit Matthew Murphy
Rachel Simone Webb and the company of the North American Tour of & JULIET – Photo Credit Matthew Murphy
Rachel Simone Webb and Michael Canu in the North American Tour of & JULIET – Photo Credit Matthew Murphy
Michael Canu and the company of the North American Tour of & JULIET – Photo Credit Matthew Murphy
Mateus Leite Cardoso and Nick Drake in the North American Tour of & JULIET – Photo Credit Matthew Murphy
Kathryn Allison and Paul-Jordan Jansen in the North American Tour of & JULIET – Photo Credit Matthew Murphy
Corey Mach and Teal Wicks in the North American Tour of & JULIET – Photo Credit Matthew Murphy
Credits from the Encore printed program
Credits from the Encore printed program
Credits from the Encore printed program
Credits from the Encore printed program
Song list from the Encore printed program
Song list from the Encore printed program

Mini Review – A Wrinkle in Time – Musical – Arena Stage

Happy closing show to the stage musical adaptation of A Wrinkle in Time at Arena Stage, starring Taylor Iman Jones. Fantastical sci-fi production reminiscent of an abstract experimental with dissonant harmonies and memory play-like imagination.

Info: https://awrinkleintimemusical.com/ or https://www.arenastage.org/tickets/a-wrinkle-in-time/

Like/Comment/Share my Social Media Preview Posts About this Show:

Credits from the printed program.
Credits from the printed program.
Credits from the printed program.
Credits from the printed program.

The Color Purple – Musical – Review – Village Theatre

@showsiveseen "The Color Purple" #musical at Village Theatre starring @Mariah Lyttle. Strong cast and voices. The church lady gossips (@Melany, @Kataka, & Crystal Hairston) were the highlight of the show! Closes next weekend.  #Review: showsiveseen.com/13329 Production Clips: Nyhuis Creative Director: Timothy McCuen Piggee Stage Mgr: Miranda Mikolaizik Conductor: Tim Symons Choreo: @Nikki Womac #theatre #musicaltheatre #thecolorpurple ♬ Miss Celie's Pants – Original Broadway Cast Of The Color Purple

Elevator Thoughts (aka Tweet): The Color Purple at Village Theatre starring Mariah Lyttle. Strong cast and voices. The church lady gossips (Melany Bell, Kataka J. Mackenzie, & Crystal Hairston) were the highlight of the show!

Recommendation:
See it, especially if you enjoy melodramatic Lifetime TV scripts depicting abusive relationships.


Was This the First Time I Attended a Production of this Show? No, I’ve seen the national tour twice

Would I See It Again 3 Years from Now? Probably not. Three times already might be enough for me!

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Life dealt Celie a harsh hand in intersectionality. She’s Black (in the Deep South), female, ugly, queer, and poor. Despite these compounded barriers, her journey illustrates resilience, self-discovery, empowerment, and reclaiming one’s agency. Against all odds, she finds her own voice in a world determined to silence her. Beauty is found in unexpected places.

Synopsis from the Licensor or Theatre Company: A testament to the healing power of love. With a soul-raising, Grammy Award-winning score infused with jazz, gospel, ragtime and the blues, The Color Purple is a triumphant musical adapted from the Pulitzer Prize-winning novel by Alice Walker (later turned into films directed by Stephen Spielberg and Blitz Bazawule). In the early 1900s in rural Georgia, a teenage Celie is ripped from her life and forced into an abusive marriage. Despite the anguishing circumstances she endures, she comes to discover her voice, find herself, and celebrate life. This stirring and inspiring show explodes with music, beauty, and hope. Director Timothy Piggee’s (Hello, Dolly!) soaring new production of The Color Purple promises to fill your heart and awaken your soul.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Predominantly dynamic, though austere. The understated scenic design by Carey Wong provided an open canvas that highlighted the performers’ skills, free from the distraction of flashy visuals.

Prior Exposure/Knowledge Required: No, but you’d probably appreciate this show more if you read the book. I haven’t read the book and I remember that the story was difficult to follow the first time I saw the musical more than 10 years ago.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actors: 9

Total Actors: 17

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Church Ladies: The narrating gossips stole the show with their tight harmonies, facial expressions, and poses with attitude. Kataka J. Mackenzie’s powerhouse vocals were reminiscent of Mercedes from the Glee TV show, delivering each belt with flair and conviction.
  • Gospel Music: I don’t remember either of the two national tours I saw delivering a Sunday church service quite like this one. Again, the church ladies brought it. However, it was weird to witness such a spirited, high-energy Sunday church service when I saw the musical on an otherwise sleepy Wednesday evening.
  • Jahmaul Bakare: Jahmaul Bakare (as “Mister” Albert) skillfully shifted his voice between a rich operatic tenor and a smooth, R&B-like tone. He certainly showcased his impressive effortless vocal range.

Other Musing(s) and Observation(s)

  • Pantheism: Every time I see The Color Purple, the show’s overtly pantheistic themes are increasingly apparent. In “The Color Purple” song, Celie declares, “God is inside me and everyone else” which underscores the spiritual worldview where the divine is immanent in all things. I can’t think of another mainstream show that glaringly embraces pantheism. It always strikes me as strange. But I guess the theme is perfect for “woo woo” Seattle. I wonder if pantheism is as pervasive in the original book. If you’ve read the book, let me know what your thoughts in my social media comments!

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address:

  • Village Theatre’s Francis J. Gaudette Theatre: 303 Front Street North, Issaquah, WA 98027
  • Everett Performing Arts Center: 2710 Wetmore Avenue, Everett, WA 98201

Price Range: $75-128

Ticket Affordability Options: See the theatre’s official page about discounts and pay-what-you-can performances

Dates:

  • Issaquah: May 27 – June 29, 2025
  • Everett: July 5—27, 2025

Seating: Assigned Seating

Parking:

  • Issaquah: Free street parking and certain free parking lots. Lot parking availability is very difficult to find though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that mostly only locals know about.
  • Everett: Free street parking and some paid parking lots/garages.

Like/Comment/Share my Social Media Posts About this Performance:

Buy a Ticket or Learn More:

Pictures: See production pictures below by Auston James.

Cast and Production Team: See after pictures below.

Brandi Birdsong (Nettie) and the company of The Color Purple at Village Theatre. Photo by Auston James (2025).
Jesimiel R. Jenkins (Harpo) and Shermona Mitchell (Sofia) in The Color Purple at Village Theatre. Photo by Auston James (2025).
Mariah Lyttle (Celie) in The Color Purple at Village Theatre. Photo by Auston James (2025).
Claudine Mboligikpelani Nako (Shug Avery) and the company of The Color Purple at Village Theatre. Photo by Auston James (2025).
Mariah Lyttle (Celie) in The Color Purple at Village Theatre. Photo by Auston James (2025).
Aniah Long and the company of The Color Purple at Village Theatre. Photo by Auston James (2025).
Credits from the printed Encore program.
Credits from the printed Encore program.
Credits from the printed Encore program.

BOOP! The Musical – Mini Review – Broadhurst Theatre

Happy closing show to BOOP! The Musical at the Broadhurst Theatre starring Jasmine Amy Rogers as Betty Boop. High octane celebration of color. Showstoppers filled with glitz & glamor. Incredible choreography. Ensemble was on fire!

Info: https://boopthemusical.com/

Like/Comment/Share my Social Media Preview Posts About this Show:

Preview Post – Murder on the Links – Play – Taproot Theatre

Congrats to Taproot Theatre on the opening night of their Murder on the Links play production. Extended through 8/16/25. Look out for my full review! #agathaChristie #mystery #comedy #herculePoirot

Tickets: https://taproottheatre.org/shows/2025/murder-on-the-links/

Like/Comment/Share my Social Media Preview Posts About this Show: