Allan – Page 10 – Shows I've Seen

Company – Musical – Review – Paramount Theatre

@showsiveseen @CompanyBway #Sondheim #musical at the Paramount Theatre from @Seattle Theatre Group & @broadwaycom. Insights that #single aging #millennials can appreciate. Great scenic design. Gender twist starring @britneycoleman. Surprisingly enjoyed it. Closes on 7/28. #millennial #NYC #newYork #theatre #showsiveseen #company Review: showsiveseen.com/9162 Director: Marianne Elliott Conductor: @altermancharlie Stage Mangers: @Jay ♬ You Could Drive a Person Crazy – Richard Fleeshman & Matthew Seadon-Young & George Blagden

Ticket Giveaway: I’m giving away a free ticket to this production. Click here to read more details! (Update 7/28/24: Congrats to Katt!)

Elevator Thoughts (aka Tweet): Company Sondheim musical at the Paramount Theatre from Seattle Theatre Group & Seattle Broadway. Insights that single aging millennials can appreciate. Great scenic design. Gender twist starring Britney Coleman. #NYC #newYork

Recommendation
See it if either you enjoy 1) Sondheim music 2) shows that are more dialogue/vignettes than story 3) or musicals that are more like a play than a traditional musical. Bonus points if you’re currently an aging millennial.

My Synopsis (No Spoilers): A hip New York woman faces the existential crisis of turning 35 while still single. She experiences this disaster in a series of vignettes as a third wheel with her coupled friends.

Synopsis from the Licensor or Theatre Company: PHONE RINGS, DOOR CHIMES, IN COMES COMPANY. Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell.” (Variety). Helmed by three-time Tony Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious. It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy. COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive.” Let’s all drink to that!

Attended Performance Date: Opening Night 7/23/24 – Buy your tickets now since the show closes on 7/28/24.

Type: Musical, but it felt more like a play with singing, dancing, and music.

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? No

Prior Exposure/Knowledge Required: You should be in your 30s or past your 30s. I saw Companyin my 20s and I definitely did not appreciate the script as much as I do now with more life experience. It’s kind of like watching Sex and the City in your 20s vs your 30s … without as much humor.

Defined Plot/Storyline: No, it a series of dialogue-filled vignettes and musings similar to Songs for a New World, You’re a Good Man Charlie Brown, and even Schoolhouse Rock!

Live Band/Orchestra: Yes

Equity Actors: All

Total Number of Actors: 15

Perceived Pace of the Show: Slow to medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.75 hours

Was This the First Time I Attended a Production of this Show? No, I previously saw this at the Music Box Theatre in Houston about 10 years ago in my 20s.

Would I See It Again 3 Years from Now? Maybe. With the many gender reversals in this production, I’m so curious to compare the relationship dynamics with the original gender intent reversed back.

Mainstream Appeal: Low to medium

Other Rave(s) Not Mentioned Above

Unexpected Surprise: I must confess that I was initially not as excited as usual to see Company. Out of Broadway Seattle’s entire 2023-2024 season lineup, this show was my least anticipated, especially because I don’t like Sondheim music/musicals. Blasphemy, I know. Also, as I previously mentioned, I already saw Company before and I hated it. I might have even left early at intermission back then! But the first production I attended was a lower budget (non-professional?) show. So, I figured I should give the musical a second chance in this high budget professional national touring production. I was subsequently surprised to appreciate/enjoy it more, especially as the show progressed. I hypothesize this is due to a combination of higher production value and more life experience.
Gender Twist: The original Company script featured Bobby, a man, as the main character. This production reimagined the main character as Bobbie, a woman. They also changed other cast members’ genders like Bobbie’s heterosexual romantic interests. Often when gender reimagining a musical, the “new” characters are unable to adequately sing the original vocal range. They usually either sing an octave too high or too low. Fortunately, vocal range was not a problem in this production. I suspect they transposed a couple songs to accommodate the gender reversal. Side note, with all the gender reimagining, could they not have switched one of the heterosexual couples to lesbians?
Scenic Design: This production relied heavily on a nice minimalist shadow box and neon light motif with simple clean lines.
- Shadow Boxes The shadow boxes reminded me of the scenic design in Village Theatre’s Cinderella. This also allowed partitioning the stage into multiple apartment rooms.
- Letters and Numbers: The “Company” neon Hollywood-Sign-like giant letters featured in PJ’s (played by Matthew Christian) “Another Hundred People” song about New York uniquely rearranged to spell “NYC.” Also, the age “35” was featured several places like party balloons and large foreboding bouncy characters. The “35” street addresses were a nice touch, demonstrating attention to detail.
Significant Statements and Insights: There were several universal-like observations about singledom and/or your 30s scattered throughout the show like “Marry me and then everyone will finally leave us alone” or something like “Phones and divorce are similar. They make you feel both connected and disconnected.”
Gay Couple: My friend Justin and I agree that the “Getting Married Today” scene/song was amazing. The door, cupboard, and cake entrances were funny surprises. The flamboyantly jittery Jaime (played by Kenneth Quinney Francoeur) reminded me of Nathan Lane in The Birdcage.
Introduction to Love Interests: “You Could Drive a Person Crazy” was a light cute barbershop-style song sung by Bobbie’s three love interests Andy, PJ, and Theo (played by Jacob Dickey, Matthew Christian, and David Socolar respectively).
Flight Attendant: Speaking of Andy, he was a delightfully airheaded hot male flight attendant. Why are hot dumb people so desirable? He was likable even before he gratuitously stripped down to his sexy skivvies.
Relationship Montage: I absolutely love the red dress body doubles in the hypothetical montage where Bobbie accepts the mediocrity of living a conventional coupled life with children. There was so much overlapping action! It was the visual equivalent of a song with rounds.
Marijuana: I usually don’t enjoy observing actors portray getting high or drunk on-stage or on-screen. It’s a patronizing gratuitous way to extract low brow laughs from the audience. That being said, it was amusing to watch “the square” David (played by Christopher DeAngelis) getting high.
Flashes: This production generously shined alluring flash-like effects throughout the show. This was usually during camera phone flashes. It was much better than generating the flashs from props.

Rant(s)

Phone Overuse: Speaking of phones, this production overused phone props way too much as a crutch to enhance modern relatability. Excessive phone use in the theatre on-stage (and in the audience) is one of my theatre pet peeves. It reminds me of my rants from Village Theatre’s Sense and Sensibility play.

Other Musing(s) and Observation(s)

Voicemail Prompt: Who leaves a voicemail prompt about their birthday these days? It’s pretty antiquated and a bit narcissistic. It probably made sense in the 1970s Company production and I admit that it’s probably difficult to translate this practice from 1970 to 2024. Maybe Bobbie should have posted that birthday message on social media instead of creating a voicemail prompt.
Alcohol: I suspect another relic from the 1970s was the number of times the script glorified alcohol, which doesn’t translate well for today’s 30-40 somethings. Don’t get me wrong. My friends and I binged drank too many times in our 20s, but we grew up and realized our bodies can’t handle alcohol as well in our 30s. Sobriety is sometimes even considered trendy these days, what with “California sober.” Maybe I’m a Pollyanna, but the script’s obsession with alcohol doesn’t match today’s elder millennials’ consumption.
First Act Finale: Like most other Sondheim musicals, I thought the end of the first act was the end of the entire show.
Moral of the Story: What was the ultimate message at the end of the show? Be single or be coupled? Personally, I thought Bobbie seemed a bit needy. Gurl, “a woman without a man is like a fish without a bicycle.” She needs to find fulfillment in herself independent of her romantic relationships. She’s a strong independant woman who don’t need no man! If anything, she was in desperate need of Sex and the City single friends. No wonder she feels inadequate when she’s surrounded by couples. I’m so curious how different I would have interpreted this needy dynamic if Bobbie (woman) was portrayed as the original Bobby (man).

Theatre Company: National tour brought by Seattle Theatre Group and Broadway Across America

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price Range: $40 to 125 plus the insane Ticketmaster fees. Buy your ticket at the box office to avoid most of the Ticketmaster fees. Down with the Ticketmaster Live Nation monopoly!

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees/students are eligible for an organization discount.

Dates: July 23 to 28, 2024

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

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Pictures: See pictures below Matthew Murphy from MurphyMade.

The North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

Britney Coleman as Bobbie, Jacob Dickey as Andy, David Socolar as Theo and Tyler Hardwick as PJ in the North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

Britney Coleman as Bobbie (center) and the North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

Britney Coleman as Bobbie and Jacob Dickey as Andy in the North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

Tyler Hardwick as PJ and Britney Coleman as Bobbie in the North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

James Earl Jones II as Harry, Kathryn Allison as Sarah, Britney Coleman as Bobbie and Judy McLane as Joanne in the North American Tour of COMPANY. Photo by Matthew Murphy for MurphyMade.

June is the First Fall – Play – Review – Yun Theatre and Theatre Off Jackson

@showsiveseen Yilong Liu's "June is the First Fall" #play by Yun Theatre at Theatre Off Jackson starring @Seba. Finally, a show with a #gaysian perspective! Lots of "awws" from the audience. Closes 6/27. #gay #lgbt #theatre #showsiveseen #asian #chinese ♬ Fly Me To The Moon – 林培鈞

Elevator Thoughts (aka Tweet): Yilong Liu’s June is the First Fall play by Yun Theatre at Theatre Off Jackson starring Sebastian Wang. Finally, a show with a gaysian perspective! Lots of “awws” from the audience. #gay #lgbt

Recommendation
See it if you want to support Asian theatre or gay-themed theatre.

My Synopsis (No Spoilers): The prodigal gaysian son comes home from the Big Apple and confronts the past that he left behind.

Synopsis from the Licensor or Theatre Company: Written by Lilong Liu, June is the First Fall tells the story of Don, a gay Chinese man, who returns home to Hawaii to rediscover missing memories of his family that he moved away from. This return opens up wounds that never healed, revealing the struggles in this family to find love, acceptance, and belonging.

Attended Performance Date: Opening Night 7/11/24

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Most of the story took place in the living room of a childhood home

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this play more if you’re gay or Asian.

Defined Plot/Storyline: It veered more toward a dialogue play than an action play.

Equity Actors: 0

Total Number of Actors: 5

Perceived Pace of the Show: Slow to medium speed

Was there an intermission? No

Length (Including Any Intermission): 100 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Low to medium

Other Rave(s) Not Mentioned Above

Favorite Line: Something like “Grindr is Facebook for gays.” “But they don’t have any faces!”
Bombshell: The “relationship” reveal in the second half of the play was a good bombshell for traditional parents.

Rant(s)

A/C: I don’t think Theatre Off Jackson has “air con.” It was a bit warm what with the well-sized audience and the spotlights.
Translation: The lines spoken in Chinese needed English subtitles.

Other Musing(s) and Observation(s)

Main Character Relatability: I’m torn regarding my feelings about the main character Don (played by Sebastian Wang), who was a gay Asian. As a gaysian myself, I mostly did not identify with his character. Maybe it’s because I live a more conservative lifestyle than Don or the typical gay guy. Or maybe it’s because my coming out experience was good. But honestly, his coming out experience wasn’t that bad in my book. In fact, his coming out experience was pretty tame other than a senseless tragedy that was only associated because of temporal sequential proximity. I felt like Don was unnecessarily maudlin, bitter, angsty, sensitive, and self-isolated. Wait … on second thought, maybe I can actually relate to him and I’m just projecting! 😛
Tension: On a similar note, the tensions felt throughout the play didn’t seem merited. The conflicts didn’t substantiate why the characters treated each other so apprehensively. Like, can the playwright add an unforgivable scandalous betrayal somewhere to make things more interesting?
Mooncakes: I’m not sure what they served at concessions, but it would have been so fitting if they handed out mooncakes after the opening night performance.

Theatre Company: Yun Theatre and Theatre Off Jackson

Venue: Theatre Off Jackson

Venue Physical Address: 409 7th Ave S, Seattle, WA 98104

Price Range: $30

Ticket Affordability Options: You can self-select the $20 “access” ticket option on the ticketing website.

Dates: July 11 to 27, 2024

Seating: General Admission

Parking: Paid street parking is usually available north of the theatre on the hill close to the park. You can also try free parking on Jackson Street under/past the I-5 bridge, though it’s a dodgier area. As usual, there are paid parking lots nearby as well.

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Pictures: See pictures below and in video by Elodie Li.

Clue: Live on Stage! – Play – Review – The 5th Avenue Theatre

@showsiveseen Happy opening weekend to the "Clue: Live on Stage!" #murderMystery #comedy #play national tour at @The 5th Avenue Theatre. Light, short, quick-witted play full of #amusing caricatures & delightful choreographed scene transitions. Loved John Shartzer's portrayal of the slightly flamboyant Mr. Green. Closes on 7/21. #mystery #whodunit #showsiveseen #theatre #clue Review: showsiveseen.com/9041 Photos: @Evan Zimmerman Director: Casey Hushion Stage Mgr: Margot Whitney, Emily Kritzman, & @Maria DiVittorio ♬ PRETTY PLEASE – Dutch Melrose & benny mayne

Elevator Thoughts (aka Tweet): Happy opening weekend to the Clue: Live on Stage! murder mystery comedy play national tour at The 5th Avenue Theatre. Light, short, quick-witted show full of amusing caricatures and delightful choreographed scene transitions. Loved John Shartzer’s portrayal of the slightly flamboyant Mr. Green. Closes on 7/21.

Recommendation
See it if you enjoy murder mystery whodunit comedies like The Musical Comedy Murders of 1940 or Something’s Afoot

Synopsis from the Licensor or Theatre Company: Murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the fan-favorite 1985 Paramount Pictures movie and inspired by the classic Hasbro board game, Clue is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist.

My Synopsis (No Spoilers): Someone is murdering guests in a mysterious manor. Who’s the killer?

Attended Performance Date: Opening Night 7/10/24 – Buy your tickets now since the show closes on 7/21.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several rooms in a manor

Static (Stationary) Set? Mostly no. The background of the stage was stationary, but the walls occasionally expanded to reveal additional rooms. Also, set backgrounds descended from the ceiling to depict other rooms.

Prior Exposure/Knowledge Required: No, but I imagine you might enjoy this play more if you saw the movie. I never saw the movie, and I still enjoyed the show.

Defined Plot/Storyline: Yes, but the story encompassed a single evening. It did not span multiple days like a typical plot.

Equity Actors: All

Total Number of Actors: 11

Perceived Pace of the Show: Fast speed

Was there an intermission? No

Length (Including Any Intermission): 75 minutes – it was so short that the sun was still out when I exited the theatre.

Was This the First Time I Attended a Production of this Show? No, I previously saw Clue in a community production at The Pheonix Theatre.

Would I See It Again 3 Years from Now? No. It’s a good script, but twice is enough for me.

Mainstream Appeal: Medium

Other Rave(s) Not Mentioned Above

Caricatures: The show was filed with a plethora of funny caricatures. My favorite was the cute, closeted (total bottom for sure), and nimble Mr. Green (played by John Shartzer). He reminded me of a dainty, flexible, un-buff Clark Kent. Also, a dumb brute (Colonel Mustard played by John Treacy Egan) is always a crowd pleaser. Colonel Mustard was actually the most memorable character from the previous Clue production I attended.
Funny Script: The script was quick-witted with some slapstick. The audience needed to think fast to not miss any punch lines. I remember someone behind me suddenly exclaimed “Oh Shit!” because of something hilarious.

Other Musing(s) and Observation(s)

Mystery Shows: I’m surprised The 5th Avenue Theatre decided to produce two whodunit mystery shows (Clue: Live on Stage! and Something’s Afoot) this season. I would expect just one (if any) to ensure show genre diversity. While both shows were well-written and well-executed, I’m generally not a fan of the whodunit genre.

Theatre Company: National tour brought by The 5th Avenue Theatre

Venue: The 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price Range: $49-200

Tickets: https://www.5thavenue.org/shows/2023-2024/clue/

Ticket Affordability Options: The 5th Avenue Theatre often partners with organizations you’re affiliated with for discount tickets. For example, they sometimes offer a discount for my employer affiliation. Rush tickets are also available day-of at the box office.

Dates: July 9 to 21, 2024

Seating: Assigned Seating

Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif Hotel northwest of the theatre. The entrance is on 5th Ave. Do NOT park in the Hilton garage (entrance on 6th Ave). That’s where most of the audience (and I think the subscribers) parks, so it’s a nightmare to leave. However, the Hilton garage is the closest garage to the theatre and you can access the theatre through a tunnel if you want to avoid the elements. But, in my opinion, this benefit is not worth the time wasted leaving the garage.

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Pictures: See pictures below and in video by Evan Zimmerman for MurphyMade.

The Company of the North American tour of CLUE. Photo by Evan Zimmerman for MurphyMade.

John Shartzer and Tari Kelly in the North American tour of CLUE. Photo by Evan Zimmerman for MurphyMade.

Elisabeth Yancey and John Shartzer in the North American tour of CLUE. Photo by Evan Zimmerman for MurphyMade.

Preview Post – Sister Act – Musical – Taproot Theatre

Happy opening weekend to Taproot Theatre’s Sister Act musical production. Performing until 8/10. Stay tuned for my full review! #nun #nuns #disco #sisterAct

Final Full Review (Posted 7/29/24): https://www.showsiveseen.com/sister-act-musical-review-taproot-theatre/

Tickets: https://taproottheatre.org/shows/2024/sister-act/

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53% Of – Play – Review – Sound Theatre Company

@showsiveseen Steph Del Rosso's "53% Of" #play by @Sound Theatre Company at @Seattle Center Theatre. Funny parody of social justice warriors. And I always love a portrayal of conservative WASPy suburban housewives. Good dialogue & execution. Show closes on 6/30! #whitePeople #whiteGuilt #caucasians #showsiveseen #theatre Review: showsiveseen.com/8997 Photos: @giaoo2 Directors: @Mona_Lisa_Turtle ♬ Blue Butterfly – Neon Dreams

Elevator Thoughts (aka Tweet): Steph Del Rosso’s 53% Of play by Sound Theatre Company at Seattle Center Theatre. Funny parody of social justice warriors. And I always love a good portrayal of conservative WASPy suburban housewives. #whitePeople #whiteGuilt #caucasians

Recommendation
See it if you’re okay with plays that are more dialogue than action.

Synopsis from the Licensor or Theatre Company: Named for the percentage of white women who (according to initial exit polls) voted for Trump in 2016, 53% Of skewers different voter demographics: a conservative Pennsylvania moms group, their husbands, an enclave of progressive 20-something New Yorkers planning a march–as long as it doesn’t interfere with their yoga. This election year satire, set during 2016-17 with an all-female-presenting cast, holds an unfiltered mirror while asking us how truthfully we see ourselves.

My Synopsis (No Spoilers): Listen to conversations between white Americans on the right and left of the political spectrum. None are in the center.

Attended Performance Date: Opening Night 6/15/24 – Keep your eyes peeled for preview posts on my website and social media if you want earlier notification of shows I’ve seen. Buy your tickets now since the show closes on 6/30.

Type: Play

World Premiere: No

Several or Few Scenes: 4 scenes

Several or Few Settings/Locations: 4 locations

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: You should be aware of the American political zeitgeist before and after the 2016 election.

Defined Plot/Storyline: No, it was more dialogue than plot. Usually, I don’t enjoy dialogue plays as much, but this one was actually alright.

Equity Actors: 1

Total Number of Actors: 6

Perceived Pace of the Show: Medium to fast speed. Usually, I frequently check the clock in dialogue plays, but this time I did not.

Was there an intermission? No

Length (Including Any Intermission): 100 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium to Low

Other Rave(s) Not Mentioned Above

Social Justice Warrior Scene: Coming from a Texan living in woke Seattle, I enjoyed the parody of holier-than-thou Brooklyn social justice warriors one-upping each other and finding new ways to be triggered/offended. I had to look up what the heck “intersectionality” meant after the show! Were the necklaces made of tampons? The scene culminated into a bizarre white guilt frenzy reminiscent of Pentecostals speaking in tongues.
Conservative Suburban Housewives: I always love a good portrayal of WASP-y suburban (desperate) housewives. The more “Stepford,” the better. Bring in the marshmallow salad and PTA mom cat fights! Clutch those pearls and let the red wine flow in the Real Housewives of Bethlehem, Pennsylvania.

Rant(s)

Male Portrayal: The male characters played by female actors didn’t seem very realistic. I’m not sure if it was the script or the execution.

Other Musing(s) and Observation(s)

Message from the Playwright: The play was entertaining, but I couldn’t decipher the moral of the story. Was it just “Both conservatives and liberals are crazy?”
Title: I rarely read the synopsis of a show before I attend it. Throughout watching this this play, I continued to wonder why the playwright named it 53% Of. I still don’t understand why even after the seeing show and after reading the synopsis. The play wasn’t about the 53% of white women Trump supporters.

Theatre Company: Sound Theatre Company

Venue: Center Theatre at Seattle Center

Venue Physical Address: 305 Harrison St, Seattle, WA 98109

Price: $25

Tickets: https://ci.ovationtix.com/36643/production/1199127

Ticket Affordability Options: You can self-select the $5 inclusion price level on the ticketing website.

Dates: June 15 to June 30, 2024

Seating: General Admission

Parking: Paid street parking or paid lot/garage parking. I usually park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though. In that case, I might take the bus or park in South Lake Union around Dexter Avenue and Harrison Street.

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Pictures: See pictures below and in video by Giao Nguyen.