Pretty Guardian Sailor Moon: The Super Live musical national tour at the Paramount Theatre brought by Seattle Theatre Group. Next up in Spokane (3/27/25) & Portland (3/29/25). Stay tuned for my full review! #SailorScouts
Elevator Thoughts (aka Tweet): Black Nativity Christmas concert musical by Intiman Theatre & The Hansberry Project. Truely a worthy yearly tradition of the Seattle holiday season. That black gospel church choir was dynamite! Closes this weekend.
Recommendation: See it, especially if you love black gospel choir music.
Was This the First Time I Attended a Production of this Show? No, I attended the same production last year, and this year’s version felt 85% identical. They also seemed to have improved how the second act addressed the 4th wall. I’m curious how much the script and songs differ in productions by other theatre companies since there seems to be so much inherent leeway for deviation.
Would I See It Again 3 Years from Now? Yes, in fact, I’d probably attend next year again!
Mainstream Appeal: Medium to high
If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes
My Synopsis (No Spoilers): The first act was a church concert-style musical reenactment of the Biblical nativity story. The second act was mostly an interactive sing-along with some non-sing-along numbers.
Synopsis from the Licensor or Theatre Company: Langston Hughes’ Gospel Song-Play returns in this newly reimagined production! Celebrate the season with a cast of more than 30 actors, dancers, soaring vocalists, a live band, and a rousing city-wide gospel choir. Audiences will have the chance to raise your voice and sing-along during this stirring and joyful holiday musical for families of all backgrounds and beliefs. Don’t miss your chance to experience this treasured Seattle tradition as Intiman presents the second year of the new Black Nativity.
Type: Concert Musical and Sing-along
World Premiere: No
Several or Few Scenes: Several, but they weren’t presented as traditional live theatre since it was more of a concert than a musical.
Several or Few Settings/Locations: Several, but they weren’t presented as traditional live theatre since it was more of a concert than a musical.
Static (Stationary) or Dynamic Set: Static
Prior Exposure/Knowledge Required: You’ll probably appreciate this more if you grew up in the Christian church.
Defined Plot/Storyline: No, since it was more of a concert than a musical.
Live Band/Orchestra: Yes
Union Actors: 5
Total Actors: 5 main actors + 5 dancers + 16 choir members
Perceived Pace of the Show: Medium to fast speed
Was there an intermission? Yes
Length (Including Any Intermission): 2 hours
Other Rave(s) Not Mentioned Above
Unlikely Theatre Fan: I already shared my initial thoughts on this show in my review last year, but this year, I attended with my sister and experienced the performance through her fresh eyes. Now, she can’t stop thinking about it, and we both agreed we should have brought her kids along so they could experience church in a way that’s rare to find since Seattle is so homogenous and the least churched city in the USA. Now, she’s eager to make Black Nativity an annual tradition with me, which is surprising given that she’s not usually a fan of musicals or live theater.
Choir: Even though the choir was relatively small (16 members), they were on fire!
Interactivity: I usually don’t prefer interactive elements in live theatre, but it felt fitting for this Christmas performance. There was a singalong, an offertory, kids decorating a tree, opportunities to share our holiday traditions, and even a fun lesson on how to clap/sway in a black church.
Rant(s)
Audience: The audience could have used a bit more energy. You can’t fully capture the spirit of Black church with amazing performers and a tepid crowd. Kudos to the performers for maintaining their energy despite the lack of audience enthusiasm. Oh Seattle…
Other Musing(s) and Observation(s)
Pregnancy Belly: It was weird not seeing a pregnancy belly on Mary (played by DaeZhane Day) … but it probably would have been equally as weird to see a pregnant woman dancing as energetically.
Song List Highlights:
“Mary Did You Know”: My sister was moved to tears during this song. Then we laughed when Mary nodded in response to the question, “Mary, did you know?” The choir later joined in with an unexpectedly dynamite burst of energy.
“The Night That Christ Was Born”: Kearia Keke Duncan’s arms must be incredibly strong to support her graceful angel wings dance. Additionally, the soloist was outstanding.
“Jesus Oh What a Wonderful Child”: Obviously when emulating the style of Mariah Carey’s version, this song was crowd pleaser.
“Oh Holy Night”: The acapella harmony at the lyrics “fall on your knees” was incredible.
“Have Yourself a Merry Little Christmas”: Josephine Howel was an amazingly effortless powerhouse with an interesting voice.
“Total Praise” + “Hallelujah, Salvation and Glory”: I love that they included these black gospel staples even though the songs weren’t Christmas themed.
Theatre Company: Intiman Theatre & The Hansberry Project
Venue: Seattle Central College’s Broadway Performance Hall
Venue Physical Address: 1625 Broadway, Seattle, WA 98122
Price Range: $65-110
Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. They also offer 20 free rush tickets 1 hour in-person before each performance.
Dates: December 4 to 29, 2024
Seating: Assigned Seating
Parking: Ironically, the uncovered parking lots on Harvard Avenue across Seattle Central College are cheaper than street parking.
Like/Comment/Share my Social Media Posts About this Performance:
Pictures: See production pictures below by Joe Moore.
Cast and Production Team: See pictures below.
Rontrell J. Brimmer, Antwoin Parmer, and DaeZhane Day. Photo by Joe Moore.Shaunyce Omar, Yusef Seevers, Felicia Loud, and Esther Okech. Photo by Joe Moore.Rontrell J Brimmer. Photo by Joe Moore.The cast of Black Nativity. Photo by Joe Moore.The cast of Black Nativity. Photo by Joe Moore.DaeZhane Day. Photo by Joe Moore.Ayanna Omar. Photo by Joe Moore.Credits from Encore program.
Black Nativity concert musical w/ singalong from Intiman Theatre and The Hansberry Project. Performing till 12/29/24. Stay tuned for my full review of this year’s production or read my review of last year’s production now. #blackChurch #xmas #christmas
Elevator Thoughts (aka Tweet): Sunset Boulevard concert musical at Cornish Playhouse by Showtunes Theatre Company. Powerful excentric diva portrayal from Billie Wildrick. Rich tenor from Matthew Kacergis. Epic songs followed by long applauses. Glorious string section/score. Tragically beautiful story. I’m downloading the soundtrack!
Recommendation See it, especially if you enjoy musicals performed as concerts.
Synopsis from the Theatre: The plot revolves around Norma Desmond, a faded star of the silent screen era, living in the past in her decaying mansion on the fabled Los Angeles street. When young screenwriter Joe Gillis accidentally crosses her path, she sees in him an opportunity to make her return to the big screen, with romance and tragedy to follow.
Attended Performance Date: Opening Night 2/3/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen. Get your tickets now since this show’s entire run is only 4 performances!
Type: Musical performed as a concert
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set? N/A – There was no set since this was a musical performed as a concert.
Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’ve either seen original the film or seen the full non-concert production of the original musical. However, I haven’t seen either and I still enjoyed this production. It just required a little more imagination than usual.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes, a 25-person orchestra
Equity Actors: 5
Total Number of Actors: 23
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Absolutely!
Other Rave(s) Not Mentioned Above
Favorite Lines:
Something like “If I lose my car, it’s like having my legs cut off.” What a poignant testament to American life especially in LA!
“There’s nothing tragic about being 50, not unless you try to be 25.”
Epic Songs: This musical was filled with epically-performed songs. I’m definitely downloading the soundtrack! The audience went wild with long applause and some standing ovation after the following memorable songs.
“New Ways to Dream”
“With One Look” – What a hook!
“Sunset Boulevard”
“As If We Never Said Goodbye”
Score and Strings: Andrew Lloyd Webber’s score allowed the orchestra string section to shine. The glorious overture reminded me of the high-quality orchestras that 5th Avenue Theatre is known for.
Norma Desmond: It was a joy to watch Billie Wildrick dramatically portray the excentric melancholic diva Norma Desmond, clinging to sanity and delusional fantasy.
Costumes: Despite this show being a concert version of a musical, Norma Desmond was still decked in glamourous statement pieces.
Universal Themes: This beautifully tragic story was filled with several relatable themes. Norma Desmond painfully, desperately grasped for her youth and the glory of her past life. In an effort to preserve her sanity, she desperately clung to lies from others or lies from herself. Joe Gillis (played by Matthew Kacergis) struggled with the allure of riches and selling out. This show was a painfully alluring depiction of the human experience.
Rant(s)
Microphones: Sometimes, the microphones turned on a couple milliseconds too late. Additionally, I think some of the cast was also not mic’ed. I’m not sure if it was because of sound board operation or because they didn’t have the budget for more microphones.
Other Musing(s) and Observation(s)
Career Continuity: Let this show be a cautionary tale to those temporarily taking a career sabbatical! When you come back, the workforce won’t welcome you with open arms.
Memory Play: Norma Desmond’s introduction scene exhibited a fantastical element that reminded me of the memory play genre.
Andrew Lloyd Webber: I try to attend shows with a blank slate knowing as little about the premise as possible. In fact, I typically only read the synopsis immediately before publishing my review. Throughout this musical, I kept thinking how it reminded me of The Phantom of the Opera like with the vibrato. Everything clicked when I discovered Andrew Lloyd Webber wrote Sunset Boulevard. Speaking of The Phantom of the Opera, I definitely prefer Sunset Boulevard more. It doesn’t help that Phantom strikes me pumpkin-spiced basic.
Showtunes Theatre Company Production Runs: It’s such a shame that Showtunes Theatre Company performances are typically only 1-2 weekends. But I it makes sense since musicals in concert format aren’t very mainstream.
Theatre Company: Showtunes Theatre Company
Venue: Cornish Playhouse
Venue Physical Address: 201 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Like/Comment/Share my Social Media Posts About this Performance:
Sunset Boulevard concert musical opening night by Showtunes Theatre Company at the Cornish Playhouse. Don’t wait for my full review to buy tickets. There’re only 3 more performances left ending on 2/11/24! #sunsetBoulevard #showsiveseen #theatre #NormaDesmond #diva #hollywood