Disney in Concert: The Sound of Magic by Seattle Symphony at Benaroya Hall. Don’t wait for my full review to buy tickets since there’s only one more performance left on 10/29/23!
Elevator Thoughts (aka Tweet): Bloodletting play by Pork Filled Productions at Theatre Off Jackson directed by Zenaida R. Smith. Filipino story about Aswangs with a queer spin. I felt like I was back in the Philippines! #Aswang #showsiveseen #theatre #palawan
Recommendation
See it if you want to reminisce about the Philippines
Synopsis from the Theatre: Under the watchful moon, estranged siblings Farrah and Bosley reunite in the Philippines to spread their father’s ashes in Palawan’s treasured underground river. They take shelter from a storm in a local café, where they open old family wounds and encounter an aswang, a Filipino vampire, who awakens in Farrah an ancient, terrifying, and innate power. Will she embrace her new-found power? Or let it destroy herself and her brother?
Attended Performance Date: 10/20/23 (Opening Weekend) – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Few
Several or Few Settings/Locations: Few
Static (Stationary) Set: Yes
Prior Exposure/Knowledge Required: You should be familiar with Aswangs. The program contains a good explanation. People who don’t know what Aswangs are (sadly me) and who didn’t read the Aswangs article (me again) might struggle understanding what an Aswangs is when watching this play. The theatre’s synopsis touts them as “vampires,” but that word is too limiting. But I guess there isn’t a western term that encompasses this Filipino concept.
Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur with few scenes/locations
Equity Actors: 0
Total Number of Actors: 4
Perceived Pace of the Show: Slow, especially with the large amount of dialogue. However, it did help to have fight scenes where the Aswang used their power.
Length (Including Any Intermission): 2 hours
Was there an intermission?: Yes
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: No
Other Rave(s) Not Mentioned in Elevator Thoughts
Scenic Design: The stage accurately portrayed what a typical eatery might look like in the Philippines in the middle of nowhere. It had thatch-like bahay kubo flair.
LeeLee: I probably enjoyed Anna Mulia’s portrayal of LeeLee the most. She portrayed mystery, youthful energy, and a good impression of a Pinay born in the Philippines.
Audio: The sound effects were well-timed and well-chosen.
Other Musing(s) and Observation(s)
Blood: For a play called “Bloodletting,” I thought there would be more blood!
Theatre Company: Pork Filled Productions
Venue: Theatre Off Jackson
Venue Physical Address: 409 7th Ave S, Seattle, WA 98104
Ticket Affordability Options: You can self-select “access pricing” on the ticketing website.
Dates: October 19 to November 4, 2023
Seating: General Admission
Parking: Paid street parking is usually available north of the theatre on the hill close to the park. You can also try free parking on Jackson Street closer to the I-5 bridge. As usual, there are paid parking lots nearby as well.
Islander Scottish musical opening night of the national tour at Seattle Rep. Performing until 11/19/23. Stay tuned for my full review! #showsiveseen #theatre #Scotland
Elevator Thoughts (aka Tweet): Lauren Yee’s Cambodian Rock Band musical at ACT Theatre w/ 5th Avenue Theatre featuring music from Dengue Fever, directed by Chay Yew, starring Brooke Ishibashi & the talented Joe Ngo. Good dialogue, difficult decisions, & poetic/artistic story. Music was so Seattle. #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian #karma
Recommendation See it, especially if you like rock music reminiscent of Seattle
Synopsis from the Theatre: Guitars tuned. Mic checked. Get ready to rock! This darkly funny, electric new play with music tells the story of a Khmer Rouge survivor returning to Cambodia for the first time in thirty years, as his daughter prepares to prosecute one of Cambodia’s most infamous war criminals. Backed by a live band playing contemporary Dengue Fever hits and classic Cambodian oldies, this thrilling story toggles back and forth in time as father and daughter face the music of the past. Lauren Yee brings us an intimate rock epic about family secrets set against a dark chapter of Cambodian history.
Attended Performance Date: 10/5/23 (Opening Night) – See my previous preview posts here.
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: No
Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with Cambodian history or Dengue Fever songs.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes, the actors were the band
Equity Actors: 6
Total Number of Actors: 6
Perceived Pace of the Show: Slow, especially with the heavy dialogue
Length (Including Any Intermission): 2.75 hours
Was there an intermission?: Yes
Was This the First Time I Attended a Production of this Show?: Yes
Would I See It Again 3 Years from Now?: Probably not, but it was good
Other Rave(s) Not Mentioned in Elevator Thoughts
Versatile Talent: Almost all the actors were also part of the band. Special shout out to Joe Ngo (who played Chum) with his many character personas.
Well-written Dialogue: I especially enjoyed the argument at the twist reveal, which BTW I’m proud to have predicted!
Asian Representation: I’m always thrilled to see shows that feature Asian actors or Asian stories since we’re so underrepresented in entertainment. This musical realistically depicted the interactions between first- and second-generation Asian family members, especially with the parental disapproval!
Rant(s)
Subtitles: The songs were in desperate need of subtitles since some lyrics were in Cambodian and the music genre was that muffled grungy Seattle-esque rock. The audience needs to understand the lyrics in a musical, so the songs add significance to storyline. Imagine how much the audience would miss if they didn’t understand the lyrics to “Part of Your World” in The Little Mermaid.
Hook: The musical began like a rock concert with two songs. In my eyes, this was akin to two musical overtures where you start losing the audience at the second song especially if they don’t even know the song. I suggest cutting or moving the second song.
Other Musing(s) and Observation(s)
Dancers: Who were the random people that danced on-stage at the end of the show?
Preventable Problems: It’s a bit unsatisfying when a major calamity the main character experienced was easily preventable. But I guess a story often needs a calamity to be interesting!
Loose Ends: I feel like the Comrade Duch’s story was left unresolved.
Theatre Company: National Tour Brought by ACT Theatre and 5th Avenue Theatre
Venue: The Falls Theatre at ACT Theatre
Venue Physical Address: 700 Union St, Seattle, WA 98101
Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.
Dates: September 29 to November 5, 2023
Seating: Assigned Seating
Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre walking through the old convention center.
The Thanksgiving Play by Tacoma Arts Live at the Tacoma Armory. Performing until 11/5/23. Stay tuned for my full review! #showsiveseen #theatre #nativeAmerican