Ken Ludwig’s Sherwood: The Adventures of Robin Hood – Play – Village Theatre

Elevator Thoughts (aka Tweet): Ken Ludwig’s Sherwood: The Adventures of Robin Hood light play at Village Theatre starring Ricky Spaulding & directed by Adam Immerwahr. Lots of good fight choreography. Neat stage magic to make the arrows “fly.” #robinHood

Synopsis from the Theatre: Robbing from the rich has never been so fun! A greedy prince has taken control of England, and it is up to Robin Hood and his band of Merry Men—and women!—to fight for justice and champion for the underdog. From comic mastermind Ken Ludwig (Lend Me a Tenor, Crazy for You) comes this rollicking and inventive play, packed with delightful thrills, amorous exploits, contagious laughs, and great beloved heroes like Little John, Friar Tuck, and Maid Marian. So, get ready to dodge an arrow or two—you won’t want to miss a moment of this swashbuckling adventure!

Attended Performance Date: 9/16/23 (Opening Weekend)

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static Set: Yes, but there was a rotating component to the stage

Prior Exposure/Knowledge Required: No, but you would probably enjoy this more if you’re familiar with the major elements of the Robin Hood tales. All my knowledge comes from a Wishbone book and an MS-DOS game Conquests of the Longbow: The Legend of Robin Hood.

Defined Plot/Storyline: Yes

Equity Actors: 6 – Surprisingly, an Equity actor didn’t fill the lead role Robin Hood. That being said, Ricky Spaulding has always been great in the roles I’ve seen him play.

Total Number of Actors: 8

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.25 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: Probably not

Recommendation: See it, especially if you’re familiar with the Robin Hood tales or if you enjoy English-style slapstick-like comedy

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Fight Choreography: I was reviewing the b-roll video the theatre sent to me for my TikToks and I realized the actors really could have been injured if they mistimed the fight choreography!

Other Musing(s) and Observation(s)

  • Breaking Character: I think I missed an interaction between Nathaniel Tenenbaum (who I often see in flamboyant roles) and the other actors where he did something so funny that they were near breaking character. FOMO!

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address:

  • Issaquah: 303 Front Street North, Issaquah, WA 98027
  • Everett: 2710 Wetmore Avenue, Everett, WA 98201

Price: Medium

Ticket Affordability Options: Check out their discount tickets page. TodayTix and Goldstar usually offer good options too, but I can’t seem to find any tickets for this show on their websites.

Dates:

  • Issaquah: September 12 to October 15, 2023
  • Everett: October 21 – November 12, 2023

Seating: Assigned Seating

Parking:

  • Issaquah: Free street parking and some free parking lot. Lot parking availablity is pretty difficult to find though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, I think you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that most non-locals don’t know about.
  • Everett: Free street parking and some paid parking lots/garages.

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Other Video +/- Pictures: See pictures in video and under video by Elise Bakketun

Cast and Production Team: See after pictures and video below

@showsiveseen #KenLudwig's "#Sherwood: The Adventures of Robin Hood" light #play at Village Theatre starring Ricky Spaulding & directed by @Adam Immerwahr. Lots of good fight choreography. Neat stage magic to make the arrows "fly." Videos: @Nyhuis Creative. Review: showsiveseen.com/6770 #robinHood #theatre #showsiveseen ♬ Oo De Lally (From "Robin Hood") – Geek Music
Mark Emerson, Billy Finn, and Nathaniel Tenenbaum in Ken Ludwig’s Sherwood: The Adventures of Robin Hood at Village Theatre. Photo by Elise Bakketun (2023).
Alegra Batara and Ricky Spaulding in Ken Ludwig’s Sherwood: The Adventures of Robin Hood at Village Theatre. Photo by Elise Bakketun (2023).
Brandon O’Neill in Ken Ludwig’s Sherwood: The Adventures of Robin Hood at Village Theatre. Photo by Elise Bakketun (2023).
RoleName
Maid Marian and others Alegra Batara
Little John and others Quinlan Corbett*
Sheriff of Nottingham and others Mark Emerson*
Sir Guy of Gisbourne and others Billy Finn*
Deorwynn and others (Dance Captain) Arika Matoba*
Friar Tuck and others (Fight Captain) Brandon O’Neill*
Robin Hood Ricky Spaulding
Prince John and othersNathaniel Tenenbaum*
Understudy for Little John, Prince John, and others Kyle Henick
Understudy for Friar Tuck, Sheriff of Nottingham, and others Jason Marr
Understudy for Robin Hood, Sir Guy of Gisbourne, and others Michael Nevarez
Understudy for Maid Marian, Deorwynn, and others Chelsey Sheppard
Director Adam Immerwahr
Choreographer Cy Paolantonio
Fight Director J. Allen Suddeth
Stage Managers Ruth Eitemiller*
Susannah Butler*
Scenic Designer Misha Kachman
Sound Designer and Composer Nick Kourtides
Original Costume Designer Jess Goldstein
Costumes Reimagined ByChelsea Cook
Lighting Designer Nancy Schertler
Production AssistantNicola Krause
Assistant Stage Manager Brigid Ridge
Associate DirectorJasmine Joshua
Associate Fight DirectorGeoffrey Alm
Associate Scenic DesignerBrandon Riel
Associate Lighting DesignerCasey Price
Associate Sound DesignerAndrew Rovner
DramaturgEllen Peltz
Casting DirectorJes Spencer
Intimacy DirectorKathryn Van Meter
Dialect CoachGin Hammond
Head ElectricianPaul Arnold (Issaquah)
Brandon Cullinan (Everett)
Head Sound EngineerEvan Duckworth (Issaquah)
Steven Younkins (Everett)
Head Stage CarpenterWhitman Paylor (Issaquah)
Chris Mikolaizik (Everett)
Lead Deck, AutomationJustin Babbitt
Lead Deck, PropsOlof Sander (Issaquah)
Kyle Morgan (Everett)
ProgrammerZac Andersen (Issaquah)
Meghan McNeal (Everett)
Wardrobe HeadKate Simpson (Issaquah)
Lead WardrobeMalena Langlie
StitchersKali Pohle
Michelle Grimm
Katy Morrison
* Member of the Actors’ Equity Association, the Union of the Professional Actor and Stage Managers in the United States

Preview Post – Cambodian Rock Band – Musical – ACT Theatre and The 5th Avenue Theatre

Cambodian Rock Band Dengue Fever musical opening night at ACT Theatre w/ 5th Avenue Theatre. Performing until 11/5/23. Stay tuned for my full review! #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian

Tickets: https://acttheatre.org/2023-24-season/cambodian-rock-band/

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Dog Man: The Musical – Seattle Children’s Theatre & TheaterWorksUSA

Elevator Thoughts (aka Tweet): Dog Man: The Musical at Seattle Children’s Theatre by TheaterWorksUSA starring Brandon James Butorovich. Directed by Jen Wineman. Impressive pipes from Sadie Jayne Kennedy. Good way to introduce young kids to musicals. Corny humor like Disney Channel or ABC Family.

Synopsis from the Theatre: Dog Man: The Musical is based on the worldwide bestselling series from Dav Pilkey, the creator of Captain Underpants and Cat Kid Comic Club. Best buds George and Harold have been creating comics for years, but now that they’re in 5th grade, they figure it’s time to level up and write a musical based on their favorite character, Dog Man, the crime-biting sensation who is part dog, part man, and ALL HERO!! How hard could it be? With the head of a dog and the body of a policeman, Dog Man loves to fight crime and chew on the furniture. But while trying his best to be a good boy, can he save the city from Flippy the cyborg fish and his army of Beasty Buildings? Can he catch Petey, the world’s most evil cat, who has cloned himself to exact revenge on the doggy do-gooder? And will George and Harold finish their show before lunchtime?? Find out in this epic musical adventure featuring the hilarity and heart of Dav Pilkey’s beloved characters. The show is written by Kevin Del Aguila and Brad Alexander, who collaborated on the Emmy-winning series Peg + Cat on PBS, TheaterWorksUSA’s Click, Clack, Moo, and Clifford The Big Red Dog on PBS and Amazon. Jen Wineman directs and choreographs.

Attended Performance Date: 9/23/23 (Opening Weekend)

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but kids would probably enjoy this more if they’re familiar with the graphic book series.

Defined Plot/Storyline: Yes

Live Band/Orchestra: No

Equity Actors: All

Total Number of Actors: 6

Perceived Pace of the Show: Medium to fast

Length (Including Any Intermission): 65 minutes

Was there an intermission?: No

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: No

Recommendation: See it if you want to take kids to the theatre especially if they’re familiar with the series

Rant(s)

  • “Why?” Scenes: As I’ve mentioned in a previous review, I loathe on-stage or on-screen scenes where a kid inscenantly asks “why?” to an adult. Young audience members probably like it though.
Other Musing(s) and Observation(s)

  • Vocals: It felt less like a musical when they sang in unison. The score should include more harmony to feel more like a musical.
  • Cultural References: There were many references from (pop) culture like Hamilton, A Tale of Two Cities, and Annie that only adults would understand. It’s a shame these references fly over the young audience members’ heads.

Theatre Company: TheaterWorksUSA

Venue: Seattle Children’s Theatre

Venue Physical Address: 201 W Thomas St, Seattle, WA 98109

Price: Cheap to Medium

Ticket Affordability Options: Each performance has a value option available online. Also check out the theatre’s discount page.

Dates: September 21 to October 22, 2023

Seating: Assigned Seating

Parking: Paid street parking or various paid parking lots/garages. Street parking is sparse when there’s a major Seattle Center or Climate Pledge Arena event. I usually have good luck finding street parking around Lenny Wilkins Way next to the theatre on non-event days. I try to take the bus on event days since even the event street parking costs more than $12.

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Other Video +/- Pictures: See pictures in video and under video by Jeremy Daniel.

Cast and Production Team: See after pictures and video below

@showsiveseen "Dog Man: The Musical" at Seattle Children's Theatre + @TheaterWorksUSA starring @Hey it’s Brandon by Kevin Del Aguila & @Brad Alexander. Based on Dav Pilkey's books. Directed by Jen Wineman. Impressive pipes from @sadie jayne. Good way to introduce young kids to musicals. Corny humor like Disney Channel or ABC Family. Photos: Jeremy Daniel. Review: showsiveseen.com/6741 #theatre #showsiveseen #dogman #musical ♬ The Perfect Mashup – Forest Van Dyke & Dan Rosales & Jamie Laverdiere & Brian Owen & Crystal Sha'nae & L.R. Davidson & Kadrea Dawkins & Milo J. Marami
TheaterWorksUSA’s Dog Man: The Musical. Photo by Jeremy Daniel. L-R: L.R. Davidson, Crystal Sha’nae, Brian Owen, Forest VanDyke, Jamie LaVerdiere, Dan Rosales. 2019
TheaterWorksUSA’s Dog Man: The Musical. Photo by Jeremy Daniel. L-R: L.R. Davidson, Brian Owen, Dan Rosales, Forest VanDyke 2019
TheaterWorksUSA’s Dog Man: The Musical. Photo by Jeremy Daniel. L-R: Forest VanDyke, Brian Owen 2019
RoleName
Dog Man & Others Brandon James Butorovich
Flippy & Others Glory Yepassis-Zembrou
George & Others Chase Pittman
Li’l Petey & Others Sadie Jayne Kennedy
Harold & OthersGage Thomas
Petey & Others Jake Wernecke
Director & Choreographer Jen Wineman
ComposerBrad Alexander
Playwright & Lyricist Kevin Del Aguila
Author of the Book SeriesDav Pilkey
Tour Music Director Matt Castle
MusicBrad Alexander
Set Designer Timothy R. Mackabee
Costume Designer Heidi Leigh Hanson
Orchestrations Lloyd Kikoler
Sound Designer Emma Wilk
Stage Manager Roe Manzo

Preview Post – Passengers – Seattle Rep

Passengers cirque show opening weekend at Seattle Rep with The 7 Fingers. Performing until 10/15/23. Stay tuned for my full review! #showsiveseen #theatre #circus #acrobat #acrobatics

Tickets: https://www.seattlerep.org/plays/202324-season/passengers/

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Disney’s The Little Mermaid – Musical – The 5th Avenue Theatre

Elevator Thoughts (aka Tweet): Disney’s The Little Mermaid musical at The 5th Avenue Theatre starring Diana Huey & Colman Cummings. Directed by Glenn Casale and music directed by RJ Tancioco. Vibrant set/costumes. Quality rivaled the national tour (which I’ve seen twice). It’s times like these that I wish I had kids to bring to the theatre. #Ariel

Synopsis from the Theatre: One of the most successful Disney musicals of all time returns to The 5th Avenue Theatre in celebration of the 35th Anniversary of the original film. Ariel, King Triton, Flounder, Scuttle, Ursula, and Prince Eric tell the story of dreams, love, family, and friendship that has delighted generations. Dive under the sea with Ariel and her friends as they sing some of the best-known songs of the last century.

Attended Performance Date: 9/15/23 (Opening Night)

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with the original Disney movie.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes, there was a glorious orchestra

Equity Actors: All

Total Number of Actors: Too many to count

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.5 hours

Intermission Included: Yes

Was This the First Time I Attended a Production of this Show: No, I’ve attended the national tour production twice

Would I See It Again 3 Years from Now: Of course!

Recommendation: See it, especially if you’ve watched the original Disney movie or if you want to show your kids the magic of live theatre (but it’s not just for kids!)

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Aerial Flying Effects: This production included many aerial flying effects to realistically simulate swimming. It must have required some serious core strength and pilates. I don’t remember this much aerial flying in the national tour. I wonder if there’s ever any risk of tangling the cables like in puppetry. Side note, during the show, I wondered how Ariel and Prince Eric unharnessed so quickly between their flying scenes. After reading in the program that Joel Domenico and Megan Felise were Ariel/Eric doubles, it made more sense. Stage magic!
  • “Under the Sea” Song: The bubbles and lights in the audience was a nice touch during “Under the Sea.” However, I was surprised how little costumes of traditional fish appeared in this number.
  • Ursula: Shaunyce Omar was a wonderful choice for Ursula with her inherently rich voice with an attitude.
  • Electric Eels: Cassi Q Kohl and Ethan Carpenter worked well in-sync as Ursula’s minions Flotsam and Jetsam.
  • Costumes: Obviously, as a 5th Avenue Theatre production, the costumes were gorgeous with the vibrant colors and billowing dresses. Ariel’s flowy mermaid dress was designed to also occasionally double as a water splash.
  • Trident Effect: When King Triton wielded his magical trident, the projections shook giving the illusion of the stage shaking.
  • Tap Dance: I don’t remember the “Positoovity” number from the national tour but it was a good artistic decision to include tap dancing in this song since Ariel was just getting used to her legs. I’m always a huge fan of tap dancing in musicals!
  • Scuttle: John David Scott was a delight to watch as Scuttle. I would have liked his character featured more.
  • Favorite Line: “You can’t blame all humans for a few wicked ones.”

Rant(s)

  • White Noise: There was weird audio feedback during one of the ship scenes and one of Ursula’s scenes.
Other Musing(s) and Observation(s)

  • Differences from the National Tour: While watching this production, I couldn’t help but compare it to the national touring production I saw twice in Houston, TX.
    • Different Songs: There were some songs missing in this production from the tour and vice versa. For example, this local production didn’t include “I Want the Good Times Back.”
    • Illusion of Water: The mermaid actors in the national tour bobbed their body/arms up and down more to portray the illusion of floating underwater. But I feel like this tour relied more on aerial flying effects, which is more realistic than bobbing. Additionally, the national tour mermaid actors skated more on-stage. However, in this local production, I think only the eels skated and Flounder (played by Keoni Dilay) rode a hoverboard.
    • Flounder’s Age: The national tour flounder was a kid actor, but the 5th Avenue production character was Keoni Dilay who was around the same age as the Ariel actor. I prefer an adult actor for Flounder since it feels weird when a pre-pubescent kid is in love with Ariel. But young audience members probably prefer flounder to be a kid actor. Since the original role was a kid actor, there were unfortunate times in the “She’s in Love” song when Keoni sang an octave lower.
  • Differences from the Movie:
    • Vanessa: Ursula didn’t transform into a human (Vanessa) that sang with Ariel’s voice.
    • Savior: The character who saved the day wasn’t the same person in the movie. I appreciate the modernized messaging to young girls watching the show, but it deviates from the classic Disney story … not that the classic Disney story has been true to the original Hans Christian Andersen tale. I guess we don’t want kids seeing Ariel giving away her tongue and trying to stab the prince!

Theatre Company: The 5th Avenue Theatre

Venue: The 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: $30 day-of-show tickets are available for the general public to purchase in person, starting at noon the day of the show you wish you attend! Valid only in Zones 3 (blue), 4 (orange), and 5 (pink). Goldstar or TodayTix usually offer good options too.

Dates: September 8 to October 8, 2023

Seating: Assigned Seating

Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif hotel NW of the theatre. The entrance is on 5th Ave. Do NOT park in the Hilton garage (entrance on 6th ave). That’s where most of the audience parks, so it’s a nightmare to leave. However, the Hilton garage is the closest garage to the theatre and you can access the theatre underground if you want to avoid the elements. But this benefit is not worth the time wasted leaving in my opinion.

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Other Video +/- Pictures: See pictures in video and under video by Tracy Martin and Mark Kitaoka.

Cast and Production Team: See after pictures and video below

@showsiveseen @Disney "The Little #Mermaid" #musical at @The 5th Avenue Theatre starring @Diana Huey & @Coleman Cummings. Directed by Glenn Casale & music directed by RJ Tancioco. Vibrant set/costumes. Quality rivaled the national tour (which I've seen twice!). It's times like these that I wish I had kids to bring to the #theatre. Photos: Tracy Martin & Mark Kitaoka. Review: showsiveseen.com/6680 #Ariel #showsiveseen #Disney #theLittleMermaid #littlemermaid ♬ Under the Sea – Daveed Diggs & Cast – The Little Mermaid & Disney
John David Scott, Gabriel Corey, Kayden Oliver, Diana Huey, and Jordan King in The 5th Avenue Theatre’s production of Disney’s The Little Mermaid. Photo Credit: Mark Kitaoka.
Coleman Cummings and Diana Huey in The 5th Avenue Theatre’s original production of Disney’s The Little Mermaid. Photo Credit: Mark Kitaoka.
Cassi Q Kohl, Shaunyce Omar, and Ethan Carpenter in The 5th Avenue Theatre’s original production of Disney’s The Little Mermaid. Photo Credit: Mark Kitaoka.
The cast of Disney’s The Little Mermaid at The 5th Avenue Theatre. Photo Credit: Mark Kitaoka.
Cassi Q Kohl, Diana Huey, and Shaunyce Omar in The 5th Avenue Theatre’s Production of Disney’s The Little Mermaid. Photo Credit: Tracy Martin.
Jason Weitkamp and Kevin Smith Kirkwood in The 5th Avenue Theatre’s original production of Disney’s The Little Mermaid. Photo Credit: Tracy Martin.
RoleName
Ariel Diana Huey
Pilot Jason Weitkamp
SailorsGabriel Corey
Joel Domenico
Sheldon Henry
Nehemiah Hooks
Kayden Oliver
Prince Eric Coleman Cummings
Grimsby Rob Burgess
Flounder Keoni Dilay
Scuttle John David Scott
King Triton Terence Kelley
Sebastian Kevin Smith Kirkwood
Aquata (Mersister)Nalica Hennings
Andrina (Mersister)Kristin Burch
Arista (Mersister)Carly Corey
Atina (Mersister)Bethanie Willis
Adella (Mersister)Mackenzie Neusiok
Allana (Mersister)Shelby Willis
UrsulaShaunyce Omar
Gulls Gabriel Corey
Jordan King
Kayden Oliver
MaidsKristin Burch
Carly Corey
Megan Felise
Nalica Hennings
Mackenzie Neusiok
Bethanie Willis
Chefs Gabriel Corey
Joel Domenico
Sheldon Henry
Nehemiah Hooks
Jordan King
Kayden Oliver
Princesses Kristin Burch
Carly Corey
Nalica Hennings
Mackenzie Neusiok
Bethanie Willis
Shelby Willis
Ensemble Kristin Burch
Carly Corey
Gabriel Corey
Joel Domenico
Megan Felise
Nalica Hennings
Sheldon Henry
Nehemiah Hooks
Jordan King
Mackenzie Neusiok
Kayden Oliver
Jason Weitkamp
Bethanie Willis
Shelby Willis
Swings Cy Paolantonio
Christopher Sweet
Madison Willis,
Josh Zacher
Flotsam Cassi Q Kohl
Jetsam Ethan Carpenter
Chef Louis Jason Weitkamp
Prince Eric Double Joel Domenico
Ariel DoubleMegan Felise
Scuttle (Understudy) Gabrlel Corey
Ursula (Understudy) Ann Cornelius
Flotsam/Jetsam (Understudy) Joel Domenico
Sebastian (Understudy)Nehemiah Hooks
King Triton/Grimsby (Understudy) Sheldon Henry
Prince Eric (Understudy) Kawika Huston
Chef Louis (Understudy) Jordan King
Flounder (Understudy)Kayden Oliver
Ariel (Understudy) Caitlin Sarwono, Carly Corey
SwingsCy Paolantonio
Christopher Sweet
Madison Willis
Josh Zacher
Dance Captain Josh Zacher
Flight Captain Cy Paolantonio
DirectorGlenn Casale
Music Director/ConductorRJ Tancioco
Choreographer John Macinnis
Composer Alan Menken
Lyricists Howard Ashman & Glenn Slater
Playwright Doug Wright
Orchestrations Danny Troob
Incidental Music & Vocal Arrangements Michael Kosarin
Dance Arrangements David Chase
Scenic Designer Kenneth Foy
Associate Director Michael Heitzman
Charlie Johnson
Costume Designers Amy Clark
Mark Koss
Costume Coordinator Taya Payne
Director of Production Joan Toggenburger
Costume Associate Heidi Zamora
Lighting Designer Charlie Morrison
Associate Choreographer Josh Zacher
Associate Lighting Designer Thorn Michaels
Associate Sound Designer Lawrence Schober
Sound Designer Ed Chapman
Production Manager Ryan Gastelum
Casting Director Dedra D. Woods
Associate Music Director Michael Nutting
Hair/Wig and Makeup Designer Kelley Jordan
Costume, Wardrobe, and Hair Director Shannin Strom
Assistant Hair/Wig & Makeup Designer Juliette Lewis
Production Stage Manager Jeffrey K. Hanson
Assistant Stage ManagersRachael Dorman
Laurel Nichols
Swing Stage ManagerErin B. Zatloka
Flying Sequences Choreographer Paul Rubin
Associate Music Director/Keyboard 1 Michael Nutting
Keyboard 2 Benjamin Bentler
Keyboard 3Rebecca Smith
Bass Chris Jones
Horn Jill Jaques
Trumpet Brian Shaw
Drums Alec Wilmart
Percussion Brian Kirk
Reed 1 Dane Andersen
Reed 2 Koryn Orcutt
Reed 3 Derek Smith
Violin 1 Kimberly Rosenberg
Violin 2 Rachel Nesvig
Cello Emily Hu
Keyboard Coordinator Brendan Hogan
Music Assistant Andrew Pang
Rehearsal Pianists Benjamin Bentler, Michael Matlock