Blithe Spirit – Play – Review – Seattle Rep

@showsiveseen Noël Coward’s "Blithe #Spirit" #play at @Seattle Rep. Unique interaction between the living & the dead. Beautiful set (by Carey Wong), neat stage magic, & funny astral bigamy! Closes next weekend. Review: showsiveseen.com/10771 Director: @Allison Narver Stage Manager: Jamie J. Kranz #theatre #showsiveseen #medium #ghost ♬ death of the party (sped up) – Amanda Frances

Elevator Thoughts (aka Tweet): Blithe Spirit play at Seattle Rep. Unique interaction between the living and dead characters. Beautiful set, neat stage magic, and hilarious astral bigamy! Closes next weekend.

Recommendation:
See it.


My Synopsis (No Spoilers): A séance gone wrong summons the spirit of a remarried man’s dead wife and chaos ensues.

Synopsis from the Licensor or Theatre Company: When Charles arranges a séance in his home as research for his upcoming novel, scatterbrained psychic Madame Arcati accidentally summons the spirit of his late wife, Elvira—which infuriates his current wife, Ruth. Charles suddenly finds himself caught in a supernatural love triangle and his attempts to fix the situation only make things worse. Filled with sparkling wit and hysterical hauntings, Noël Coward’s irreverent classic comedy will provide an otherworldly alternative to your usual holiday fare, and appeal to anyone who ever longed to see “Downton Abbey” go completely off the rails.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Just a living room

Static (Stationary) or Dynamic Set: Stationary

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Yes, but it was heavy on the dialogue

Union Actors: All

Total Actors: 7

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good.

Mainstream Appeal: Medium

Other Rave(s) Not Mentioned Above

  • Stage Magic: I’m still wondering how the feather duster and fireplace poker came to life. I didn’t see any cables!
  • Cross-astral Communication: The actors uniquely and hilariously depicted how ghosts selectively haunt their chosen victims. For instance, when a living character tried to communicate with an invisible ghost, the actor often avoided eye contact with the ghost character and spoke to the wrong direction. It took great skill for the actors to switch between interacting with the living characters and the dead characters.
  • Scenic Design: Carey Wong designed a beautiful living room set that evoked a greener-toned version of the Tiffany jewelry aesthetic, with added ornamentation and elegant accents. Unfortunately, the dining room at the back was mostly out of the audience’s view and was used only sparingly in scenes.
  • Medium: Anne Allgood portrayed an entertainingly eccentric medium with quirky trance moves.
  • Lobby Amusements: Similar to Seattle Rep’s previous The Skin of Our Teeth, the theatre provided an assortment of games in the lobby to pass the time before the show and during intermission like Jenga, chess, billiards, tic tac toe, and connect four. The automatic piano was also a nice touch inspired by the play’s ghost theme.

Rant(s)

  • Fast-paced Dialogue: The play hit the ground running with its rapid-fire dialogue reminiscent of Gilmore Girls. Interestingly, I overheard other audience members making the same comparison with the Gilmore Girls. The play’s dialogue was so fast that I struggled to keep up during half of the first act. I remember this problem also plagued Seattle Rep’s previous major production The Skin of Our Teeth.
  • Randomness and Inconsistencies: There were several moments that felt random, disjointed, or out of place. For example, why spend several minutes watching the maid clean, when it didn’t seem to advance the plot in any way? Similarly, the montage of the exorcism didn’t align with the tone or energy of the play. There were also times when the ghost suddenly was invisible to the audience, which undermined the consistency of its visual representation. If a ghost will appear on stage to the audience, its visual presence should remain consistent throughout the show.
  • Maid: The audience seemed to enjoy the maid character, played by Sophie Kelly-Hedrick, but I was not amused. The character pandered too heavily on exaggerated, slapstick humor, often reduced to a simpleton with a babyish voice, random screaming outbursts, primitive grunting, and overly subservient responses like ‘yes-um.’ Her actions felt more barbaric than comedic. Plus, we don’t need comedic relief in a comedy play. While I didn’t find her amusing, the character’s resolution in the second act provided some redemption. On a side note, Sophie’s appearance reminded me of Alex Dunphy from TV’s Modern Family.

Other Musing(s) and Observation(s)

  • Seasonality: While I applaud Seattle Rep for not producing a cliche holiday-themed show (the grinch in me thinks Christmas shows are typically dreadful), this play would be better-suited for October’s Halloween season.

Theatre Company: Seattle Rep

Venue: Bagley Wright Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price Range: $20-108

Ticket Affordability Options: See the theatre’s official pages about discounts and pay-what-you-can performances

Dates: November 29 to December 22, 2024

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Pictures: See production pictures below by Nate Watters.

Cast and Production Team: See pictures below.

Gin Hammond, Kirsten Potter, and Arlando Smith in Blithe Spirit (2024). Photo by Nate Watters.
Kirsten Potter in Blithe Spirit (2024). Photo by Nate Watters.
Sara Waisanen, Gin Hammond, Anne Allgood, Arlando Smith, and Nate Tenenbaum in Blithe Spirit (2024). Photo by Nate Watters.
Arlando Smith, Anne Allgood, Gin Hammond, Sara Waisanen, and Nate Tenenbaum in Blithe Spirit (2024). Photo by Nate Watters.
Gin Hammond, Sara Waisanen, Sophie Kelly-Hedrick, Nate Tenenbaum, and Arlando Smith in Blithe Spirit (2024). Photo by Nate Watters.
Anne Allgood, Sara Waisanen, and Gin Hammond in Blithe Spirit (2024). Scenic design by Carey Wong. Photo by Nate Watters.
Kirsten Potter, Arlando Smith, and Anne Allgood in Blithe Spirit (2024). Photo by Nate Watters.
Production credits from Encore program.
Production credits from Encore program.

Preview Post – Blithe Spirit – Play – Seattle Rep

Congrats Seattle Rep on the opening night of their Blithe Spirit play production. Closes 12/22/24. Look out for my full review soon! #medium #psychic #ghost #poltergeist #seance #exorcism #comedy #supernatural

Final Full Review: https://www.showsiveseen.com/blithe-spirit-play-review-seattle-rep/

Tickets: https://www.seattlerep.org/plays/202425-season/blithe-spirit/

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Preview Post – Happy Christmas, Jeeves – Play – Taproot Theatre

Congrats to Taproot Theatre on the opening night of their Happy Christmas, Jeeves world premier play. Performing until 12/31/24. Stay tuned for my full review! #xmas #holiday #holidays

Tickets: https://taproottheatre.org/shows/2024/happy-christmas-jeeves/

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Primary Trust – Play – Review – Seattle Rep

@showsiveseen Eboni Booth’s "Primary Trust" #play by @Seattle Rep. Starring Stephen Tyrone Williams. Featuring @Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like @Andrew. Script w/ heart & beautiful characters portraying universal human experiences. Only 4 more performances left till 11/27 closing. Review: showsiveseen.com/10431 Director: Kaytlin McIntyre Stage Manager: @Melissa Hamasaki #theatre #showsiveseen #growth #friendship #connection #babySteps ♬ Only Human – Acoustic – Ryan Mack

Elevator Thoughts (aka Tweet): Eboni Booth’s Primary Trust play by Seattle Rep. Starring Stephen Tyrone Williams. Featuring Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like Andrew Lee Creech. Script with heart and beautiful characters portraying universal human experiences.

Recommendation:
See it.


My Synopsis (No Spoilers): An awkward man in a sad lonely repetitive existence with an imaginary friend is forced to take baby steps to grow and come out of his shell.

Synopsis from the Licensor or Theatre Company: Kenneth has lived his entire life in the same small town. Every day he works at the bookstore, then shares happy hour Mai Tais with his best friend. And so what if his best friend is imaginary? Every day is the same, just the way Kenneth likes it—until he is laid off and his world is turned upside down. Thrown out of his comfort zone, Kenneth must find the courage to face his biggest fear: change. This 2024 Pulitzer Prize winner and intimate, offbeat new comedy by Eboni Booth tells a surprising story about one man’s leap of faith and the friends he makes along the way.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly dynamic

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Mostly yes

Live Band/Orchestra: Yes, there was live instrumental music from Justin Huertas

Union Actors: All

Total Actors: 4

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 90 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Mainstream Appeal: Medium

Other Rave(s) Not Mentioned Above

  • Imaginary Friend: Although it was a coping defense mechanism (and honestly a mild psychotic break), having an imaginary friend like Bert (played by Andree Lee Creech) must be nice – a personal cheerleader and confidant all in one.
  • Cast Doubling: Allyson Lee Brown and Rob Burgess masterfully curated a diverse range of characters to life. Rob first portrayed a grumpy boss with a heart of gold, then shifted to a kind supervisor bank manager still stuck reminiscing about his college football days, before switching gears to play a dainty waiter. One of the funniest moments was when Allyson had a lively argument with herself, seamlessly switching between her roles as Corrina and her coworker Duncan.
  • Script: At first, the script seemed to meander about nothing, but it gradually blossomed into a beautiful exploration of universal human experiences—loneliness, loss, grief, trauma, separation anxiety, and fear of change. I loved was how it encouraged taking baby steps toward growth, stepping out of your comfort zone, and putting yourself out there in the hope of genuine human connection, fulfillment, and success.
  • Live Music: The live instrumental music was a nice touch to the play, and of course, I’d always prefer it instead of a recorded track. Additionally, Justin Huertas is incredibly talented with his many musical abilities. But I question whether the live music was a necessary expense for this production. Honestly, the experience wouldn’t have been diminished without it. And I say this as someone who hates attending musicals without live accompaniment.
  • Favorite Line: “That man [Stephen King] doesn’t want me to sleep with the lights off.”

Rant(s)

  • Bell: The bell sound effect between scenes might have been slightly overplayed.

Theatre Company: Seattle Rep

Venue: Leo Kreielsheimer Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price Range: $60-85

Ticket Affordability Options: See the theatre’s official pages about discounts and pay-what-you-can performances

Dates: October 24 to November 27, 2024

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Pictures: See production pictures below by Bronwen Houck.

Cast and Production Team: See pictures below.

Justin Huertas in Primary Trust (2024) at Seattle Rep. Scenic design by An-lin Dauber. Photo by Bronwen Houck.
Stephen Tyrone Williams and Allyson Lee Brown in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Justin Huertas and Stephen Tyrone Williams in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Andrew Lee Creech, Stephen Tyrone Williams, and Rob Burgess in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Stephen Tyrone Williams, Andrew Lee Creech, and Rob Burgess in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Andrew Lee Creech, Stephen Tyrone Williams, and Allyson Lee Brown in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Stephen Tyrone Williams in Primary Trust (2024) at Seattle Rep. Scenic design by An-lin Dauber. Photo by Bronwen Houck.
Credits for Primary Trust (2024) at Seattle Rep. Photo from Encore Spotlight.
Credits for Primary Trust (2024) at Seattle Rep. Photo from Encore Spotlight.

Edgar & Annabel – Play – Review – Pony World Theatre

@showsiveseen Sam Holcroft's "Edgar & Annabel" #play by Pony World Theatre at 12th Ave Arts. Seamless coordination between what's real vs fake. "Mr. & Mrs. Smith" or "Alias" vibes. Begins with a novel optional interactive spy remedial training. Tickets selling out w/ only 4 more performances left till the 11/30/24 closing! Review: showsiveseen.com/10433 Director: Charlotte Peters Stage Manager: Kimberly Le #theatre #showsiveseen ♬ Play Pretend – bby ivy

Elevator Thoughts (aka Tweet): Sam Holcroft’s Edgar & Annabel play by Pony World Theatre at 12th Ave Arts. Seamless coordination between what’s real vs fake. Mr. & Mrs. Smith or Alias vibes. Begins with a novel optional interactive spy remedial training. Tickets selling out with only 4 more performances till the 11/30/24 closing!

Recommendation:
See it.


My Synopsis (No Spoilers): A spy couple strugges to balance their real personal life vs their fake professional life. But at what cost? Is it worth it?

Synopsis from the Licensor or Theatre Company: Conscientious recycling, karaoke parties, home cooked meals: Edgar and Annabel enjoy the perfect, middle-class marriage. And they can keep it if no one finds out they’re actually Nick and Marianne, two resistance fighters who assume fake identities to avoid the detection of an Orwellian government. With every moment of their lives literally scripted to support the subterfuge, the slightest surprise puts them and their whole organization at risk. When rewrites and improvisations throw their plans into chaos, they wont know who they can trust least of all each other. A darkly comedic spy thriller, Edgar & Annabel explores the lines between public and private, asking what we would sacrifice to stay free. Prior to performance of this riveting tale, the audience is invited to arrive early to participate in a collection of puzzles meant to train the next generation of Agents tasked with seeking out subversive elements. This training is available as early as 7:00pm, with cohorts of recruits allowed into the theatre roughly every ten minutes until the start of the show. While these puzzles are optional and merely observing is perfectly allowed, PWT encourages everyone to arrive early to take advantage of the full experience.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Only 2-3

Static (Stationary) or Dynamic Set: Static

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Union Actors: 0

Total Actors: 7

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 80 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Mainstream Appeal: Medium

Other Rave(s) Not Mentioned Above

  • Real vs Fake Life: The script and actors expertly switched between portraying what the spy characters wanted to show to their enemies versus revealing to the audience their true emotions. It was as if they were performing for two audiences: the one watching in the theatre and the one monitoring them through surveillance.
  • Interactive Training: Before the main performance, audience members were encouraged (but not required) to participate in mock spy remedial training exercises that consisted of audio surveillance, a cluster scan, and a crime scene investigation. While I personally don’t gravitate to interactive theatre (pillow princess here!), Seattleites and Portlanders people would eat this up. I will say that the crime scene investigation answers were impossible!

Theatre Company: Pony World Theatre

Venue: 12th Ave Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price Range: $24

Dates: November 1 to November 30, 2024

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Even if you can find street parking, it often costs more than some parking lots. I highly recommend the paid lot at 1300 E Olive St with the entrance on 14th Ave.

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Pictures: See production pictures below.

Cast and Production Team: See pictures below.