Quixote Nuevo – Play w/ Music – Review – Seattle Rep

@showsiveseen Octavio Solis's "#Quixote Nuevo" amusing #play-w/-music by @seattlerep, @Portland Center Stage, & @South Coast Repertory starring Herbert Siguenza as #DonQuixote. Alluring portrayal of #dementia #hallucinations from the patient's perspective. Ernie González Jr. stole the show with his Sancho Panza comedic relief. Review: showsiveseen.com/7787  Director: Lisa Portes Music Director: Jesse J Sanchez #showsiveseen #theatre #Mexican #Chicano #puppetry #dementia #tejano #immigration #border ♬ Tijuana Nights (feat. iLL Nicky) – Bad Royale

Elevator Thoughts (aka Tweet): Octavio Solis’s Quixote Nuevo amusing play-w/-music by Seattle Rep, Portland Center Stage, & South Coast Repertory starring Herbert Siguenza as Don Quixote. Alluring portrayal of dementia hallucinations from the patient’s perspective. Ernie González Jr stole the show with his Sancho Panza comedic relief. #Mexican #Chicano #puppetry #dementia #tejano #immigration #border

Recommendation
See it, especially if you enjoy Chicano, Tejano, or Mexican culture. This play would also be up your alley if you liked the amusing nature of Between Two Knees and Peter and the Starcatcher.


Synopsis from the Theatre: Aging Cervantes professor Jose Quijano isn’t going down without a fight. When his family tries to move him to an assisted living facility, Jose escapes on his valiant tricycle steed in search of his long-lost love. Reality and fantasy blur in the Texas desert, as Jose dubs himself Don Quixote and embarks on a fantastic, death-defying journey to discover the truth of his past. Underscored by vibrant Tejano music, Quixote Nuevo is a humorous and heartfelt quest towards becoming the hero of your own story.

Attended Performance Date: Opening Night 1/24/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen.

Type: Musical-like Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? Mostly yes

Prior Exposure/Knowledge Required: You’d probably understand this play more if you’re already familiar with Chicano, Tejano, or Mexican expressions, language, and culture. It would have been harder for me to grasp if I didn’t grow up in San Antonio. There was a surprising amount of untranslated Spanish that the common Seattleite would have not understood. Additionally, it obviously helps if you’re also familiar with the classic Don Quixote story.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Mostly no, but this wasn’t a true musical. Occasionally, the performers played a guitar.

Equity Actors: 9

Total Number of Actors: 9

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Maybe

Other Rave(s) Not Mentioned Above

  • Elements of a Musical: This play occasionally exhibited elements of a musical similar to Peter and the Starcatcher. Raul Cardona even performed a minute of boot tap dancing! The few harmonies (especially the theme song) reminded me of national Broadway touring shows.
  • Puppetry: Even though I don’t typically enjoy stage puppetry, I could appreciate its effectiveness in this production. Just like in Wolf Play, life-sized puppets portrayed the child characters.
  • Death: For some reason, I’m drawn to death personifications in art like the movie Meet Joe Black or the musical Hadestown. Raul Cardona was well-cast as Papa Calaca (translated as “Father Skull”) who was a narrator-like guide (with a fit torso!) in this play.
  • Dementia Hallucinations: I was drawn to Don Quixote’s breaks of full-on hallucination throughout the show especially when the sound effects transformed the actors’ voices to the demonic. During these scenes, the actors danced in interesting costumes inspired by Día de Muertos, which isn’t something you see often on stage.
  • “I’m Telling You” Meme: I’m 75% sure they intentionally included a line referencing the “I’m Telling You” meme. If I’m correct, I’m so disappointed that the audience didn’t get it.
@bad_2the_bone_paranormal He’s not real 😱 #paranormal #flightattendant #mentalhealth #mentalhealthmatters #mentalhealthawareness #airplane #pilot #passenger #passengerprincess #losingit #hesnotreal #flying #flyin #firstclass #firstclassflight #breakingnews ♬ original sound – Bad To The Bone Paranormal

Theatre Company: Seattle Rep in association with Portland Center Stage and South Coast Repertory

Venue: Bagley Wright Theater at Seattle Repertory Theatre

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium to Expensive

Tickets: https://www.seattlerep.org/plays/202324-season/quixote-nuevo/

Ticket Affordability Options:

Dates: January 19 to February 11, 2024

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Other Video +/- Pictures: See pictures below by Nate Watters or by Jenny Graham.

Viviana Garza, Alexis B. Santiago, Lakin Valdez, Laura Crotte and Herbert Siguenza in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
Ernie González, Jr., and Herbert Siguenza in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
Maya Malan-Gonzalez, Alexis B. Santiago, Lakin Valdez, Laura Crotte and Sol Castillo in in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
Ernie González, Jr., Herbert Siguenza and Raúl Cardona in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
Lakin Valdez, Raúl Cardona, Maya Malan-Gonzalez and Herbert Siguenza in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
Laura Crotte, Maya Malan-Gonzalez, Viviana Garza, Sol Castiloo and Herbert Siguenza and Raúl Cardona in South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
The cast of South Coast Repertory’s 2023 production of Quixote Nuevo by Octavio Solis. Photo by Jenny Graham.
The cast of Quixote Nuevo (2024) at Seattle Rep. Photo by Nate Watters.
The cast of Quixote Nuevo (2024) at Seattle Rep. Photo by Nate Watters.
Maya Malan-Gonzalez and Herbert Siguenza in Quixote Nuevo (2024) at Seattle Rep. Photo by Nate Watters.
Raúl Cardona and Herbert Siguenza in Quixote Nuevo (2024) at Seattle Rep. Photo by Nate Watters.
Herbert Siguenza in Quixote Nuevo (2024) at Seattle Rep. Photo by Nate Watters.

Preview Post – The Book of Will – Play – Taproot Theatre

The Book of Will play opening night at Taproot Theatre. Performing until 2/24/24. Stay tuned for my full review!

Final Full Review (Posted 2/19/24): showsiveseen.com/7994

Tickets: https://taproottheatre.org/shows/2024/the-book-of-will/

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Preview Post – Quixote Nuevo – Play with Music – Seattle Rep

Quixote Nuevo play-with-music opening night by Seattle Rep, Portland Center Stage, & South Coast Repertory. Performing until 2/11/24. Stay tuned for my full review! #showsiveseen #theatre #DonQuixote #Mexican #immigration #Chicano #puppetry #dementia #hallucinations #Tejano

Final Full Review (Posted 01/27/24): https://www.showsiveseen.com/7787

Tickets: https://www.seattlerep.org/plays/202324-season/quixote-nuevo/

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Preview Post – Becoming Dr. Ruth – Play – Village Theatre

Becoming Dr. Ruth play opening night at Village Theatre. Performing until 2/18/24 in Issaquah then performing till 3/17/24 in Everett. Stay tuned for my full review! #Jew #Jewish #holocaust #showsiveseen #theatre #storytelling

Final Full Review (Posted 2/19/24): showsiveseen.com/7832

Tickets: https://villagetheatre.org/shows/dr-ruth/

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Black Nativity – Musical – Review – Intiman Theatre

Elevator Thoughts (aka Tweet): Langston Hughes’ Black Nativity musical by Intiman Theatre & The Hansberry Project. Black church worship service Christmas pageant complete w/ a collection plate offertory & a hot gospel choir. Second act included an Xmas hymn singalong. Refreshing change of pace from Seattle’s homogeneity. “Amen and tell that!”

Recommendation
See it, especially if you’re looking for a religious-themed Christmas show. It’s also a great way to get your feet wet in the black church experience.


Synopsis from the Theatre: Langston Hughes’ Gospel Song-Play returns to Intiman Theatre in an all-new, reimagined production. The Christmas story gets a soulful retelling with actors, dancers, soaring vocalists, and a rousing city-wide gospel choir. The poetry and vision of Langston Hughes combines with gospel renditions of your favorite carols, and you’ll have the chance to raise your voice and sing-along. A stirring experience for families of all backgrounds and beliefs that shares the importance of hope and community.

Attended Performance Date: Opening Night 12/14/23 – Keep your eyes peeled for my preview posts for earlier notification of shows I’ve seen.

Type: Concert-like Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with the story of Jesus’ birth and if you were once entrenched in Christian church culture.

Defined Plot/Storyline: Mostly no. Obviously, the story of Jesus’ birth was a storyline, but the church service portion of the show had no storyline.

Live Band/Orchestra: Yes, plus a 16-person gospel choir

Equity Actors: 5

Total Number of Actors: 5 main actors, plus 5 dancers, plus a couple of choir members

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably

Other Rave(s) Not Mentioned Above

  • Favorite Songs: I was pleasantly surprised to hear the choir perform “Jesus Oh What a Wonderful Child” in the style of Mariah Carey’s classic version. Towards the end of the second act, they also sang tried and true non-Christmas gospel choir favorites like “Total Praise” and “Hallelujah, Salvation, and Glory.” It took me back to my high school choir days in a Christian academy near Louisiana.
  • Star of Bethlehem: Kearia Keke Duncan gracefully danced in a beautiful golden angel costume during “The Night that Christ was Born.” The scene was very moving.
  • Young Singers: Maya Michelle, Sa’Nia, and another young singer (comment on my social media if you know her name) sang a Christmas song (was it “Oh Holy Night?”) acapella with tight harmonies. I actually originally wasn’t expecting much from young high schoolers. But color me impressed with these promising up-and-coming artists.

Rant(s)

  • Second Act Transition (Slight Spoiler): The second act weirdly began with a cheesy premise where the performers broke the fourth wall in an effort to involve the audience in a singalong. It would have felt less awkward if they 1) removed the intermission, 2) removed the cheesy fourth wall lines at the beginning of the second act 3) and immediately involved the audience after the last song of the first act. I think this would have portrayed a more organic, professional transition.

Other Musing(s) and Observation(s)

  • Collection Plate: Can I just say that it was a great idea (for the theatre at least) to pass around collection plates like we were really at church? I’m cheap and I was even inspired to give some money!
  • Felicia Loud: She was listed in the program, but she didn’t perform on opening night. I’m so curious to hear what I missed since she was great in The Amen Corner. I hope she’s okay…
  • Audience: Just like in Beautiful at Village Theatre, the audience just wasn’t “giving” during certain moments.
  • Difference from the Original Production: I’m curious how different this production is compared to the original. This show feels like it would allow for a much wider breadth of artistic license compared to traditional theatre shows. For all I know, it could be unrecognizable from the original production!

Theatre Company: Intiman Theatre

Venue: Broadway Performance Hall at Seattle Central College

Venue Physical Address: 1625 Broadway, Seattle, WA 98122

Price: Medium to expensive

Tickets: https://intiman.my.salesforce-sites.com/ticket#/events/a0S2I000015DT0dUAG

Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. There are also 20 free rush tickets 1 hour before each performance.

Dates: December 12 to December 30, 2023

Seating: Assigned Seating

Parking: It’s Capitol Hill … so good luck. Try to take the bus. I think the cheapest parking lots are 1815 Harvard Ave, Seattle, WA 98122 and 1815 Harvard Ave E, Seattle, WA 98122, which are sometimes even cheaper than street parking. I paid $14 parking on the street!

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Other Video +/- Pictures: See pictures under video and in video by Joe Moore.

@showsiveseen #LangstonHughes "Black #Nativity" #musical by @Intiman Theatre & The Hansberry Project. #BlackChurch worship service #Christmas pageant complete w/ a collection plate offertory & a hot #gospel #choir. 2nd act included an #Xmas hymn singalong. Refreshing change of pace from Seattle's homogeneity. "Amen and tell that!" Photos: Joe Moore. Review: showsiveseen.com/7712 #theatre #showsiveseen #church ♬ Jesus Oh What a Wonderful Child – Mariah Carey
Choir and Cast of Black Nativity (2023). Photo by Joe Moore.
Dancers Kearia Keke Duncan, Alvedo, Iverson Harding, & DaeZhane Day. Photo by Joe Moore.
Makayla McGhee, Shaunyce Omar, DaeZhane Day, Esther Okech, Kearia Keke Duncan. Photo by Joe Moore.
Dancer Kearia Keke Duncan. Photo by Joe Moore.
Rontrell J. Brimmer and Choir. Photo by Joe Moore.
Choir and Dancers of Black Nativity (2023). Photo by Joe Moore.
Dancers DaeZhane Day and Iverson Harding. Photo by Joe Moore.
RoleName
NarratorShaunyce Omar*
Narrator / Elder / ShepherdYusef Seevers*
Narrator / Old WomanFelicia Loud*
Narrator / Mary / WomanEsther Okech*
Narrator / Joseph / Man / ShepherdJarron A. Williams*
DirectorValerie Curtis-Newton***
Artistic DirectorJennifer Zeyl**
Managing DirectorWesley Frugé
CreatorLangston Hughes
Music DirectorSam L. Townsend Jr
ChoreographerVania C. Bynum
Scenic DesignerJennifer Zeyl**
Costume DesignerDanielle Nieves**
Lighting DesignerRobert Aguilar**
Sound DesignerMatt Starritt**
Stage ManagerPhillip Randall*
Assistant DirectorSteve Sneed
Assistant Lighting DesignerChih-Hung Shao
Assistant Stage ManagerMadelyn Salvucci*
Poster DesignerCade Roach
Band Leader, KeyboardDotcy Isom Ill
BassArthur Nelson
2nd KeyboardChandler Williams
DrumsPhilip Winston
ChoirSadiaa J. Alexander
Lulu Austin
Gena Brooks
Rontrell J. Brimmer
Tommie Burton
Sherri L. Charleston
Jamila Clemens
Dana Jackson
Jasmine Gartrell-Hall
Javonne Gartrell-Hall
Deneen Grant
Josephine Howell
Maya Michelle
Antwoine D. Parmer
Samara Reign
Sa’nia
Dancers Alvedo
Daezhane Day
Kearia Keke Duncan
Iverson Harding
Makayla McGhee
* Member of Actors’ Equity Association
** Member of United Scenic Artists USA 829, IATSE
*** Member of the Stage Directors and Choreographers Society