Legally Blonde: The Musical – Review – Village Theatre

@showsiveseen "Legally #Blonde: The #Musical" by Village Theatre starring @Betsy Stewart as #ElleWoods. Strong choreography. Quite possibly *the* show to see this season. Don't forget to wear your #pink! #theatre #showsiveseen #legallyBlonde ♬ So Much Better (Live) – Sheridan Smith & The "Legally Blonde the Musical" Original London Cast' Company

Elevator Thoughts (aka Tweet): Legally Blonde: The Musical by Village Theatre starring Betsy Stewart as Elle Woods. Strong choreography. Quite possibly *the* show to see this season. Don’t forget to wear your pink!

Recommendation:
See it, especially if you enjoyed the movie.


My Synopsis (No Spoilers): A ditsy SoCal UCLA sorority blonde follows her ex-boyfriend to Harvard Law School for love.

Synopsis from the Licensor or Theatre Company: Don’t judge a blonde by her cover! Elle Woods appears to have it all. But her life is turned upside down when her boyfriend dumps her so he can attend Harvard Law. Determined to get him back, Elle ingeniously charms her way into the prestigious law school, and soon she discovers — and proves to the world — the power of being legally blonde. Based on the beloved movie, Legally Blonde The Musical takes you from the sorority house to the halls of justice in fabulously fun, blonde-tastic style. With an infectious score, dazzling dances, and a hilarious script, this ebullient musical is so much fun, it should be illegal!

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: No, but you’ll probably enjoy this more if you saw the movie.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actors: 13

Total Actors: 20

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Was This the First Time I Attended a Production of this Show? No, this is far from my first time seeing the show. As one of my top three favorite musicals, I’ve had the opportunity to experience it at least seven times, across various community, professional, and touring productions. The quality has varied greatly—some performances were outstanding, while others were terrible. Having seen many underwhelming versions, I’ve realized that staging a decent production of this musical is quite challenging. Only professional companies like Village Theatre are equipped to do it justice.

Would I See It Again 3 Years from Now? Absolutely

Mainstream Appeal: Medium to high

Other Rave(s) Not Mentioned Above

  • Choreography: Katy Tabb (choreographer) and Richard Peacock (dance captain) crafted a vibrant and dynamic choreography repertoire. It was particularly strong in “Legally Blonde Remix (especially with the Irish Stepdance), “What you Want” (especially with the impressive splits and heart pom poms), “Bend and Snap,” and the physically challenging “Whipped into Shape.”
  • Kyle: Speaking of Richard Peacock, although he didn’t visually present as Irish, I loved his flamboyant (and slightly gay) interpretation of Kyle, the sexy “walking porn” UPS man.
  • Scenic Design: I previously saw two national touring productions of this show that overly relied on video as a crutch to depict scenery. It was refreshing to finally attend a professional production that utilized more physical sets. Lex Liang (scenic designer) designed sets for Villiage Theatre reminiscent of the original Broadway production.
  • “Take it Like a Man” Song: This scene was cute and well-executed especially when they added last-minute clothing/style accessories to Emmett (played by Coleman Cummings) at the end.
  • Casting: The cast was a strong collection of mostly local professional actors like Mark Emerson (Professor Callahan), Cy Paolantonio (Brooke Wyndham), and Danny Kam (Ensemble). Cassie Kohl was perfect for the lesbionic Enid Hoopes. Ironically, Cassie’s Instagram username is “thunderdyke!” Additionally, Betsy Stewart (who isn’t local) well-portrayed the ditsy energy and look of the original Reece Witherspoon from the movie.

Rant(s)

  • Microphones and Sound: The lead singers needed better sound balancing on their microphones. A messenger bag mishap also cut out one major character’s microphone during half of their duet Additionally, the vocals in the first act were a little shaky, but the second act showed significant improvement. With a few more performances to stabilize, the vocal and sound issues should resolve.

Other Musing(s) and Observation(s)

  • Script and Lyric Changes: There were a couple deviations from the original script and lyrics. I wonder if it was just Seattle being overly woke and politically correct. For example, they replaced “ethnic movement” with “Gen-Z enthusiasm” in the line “You can’t just barge in here with singing and dancing and ethnic movement.” Why did they change the royal classmate’s name from Sundeep Agrawal Padamadan? Why did Enid no longer lead a protest march against culturally insensitive cartoons? Why was Paulette’s baby no longer named “Shamus?” Why did they change the lyrics in “Positive” to something like “hit her with a stick of wood?”

Theatre Company: Village Theatre

Venue Physical Address:

  • Village Theatre’s Francis J. Gaudette Theatre: 303 Front Street North, Issaquah, WA 98027
  • Everett Performing Arts Center: 2710 Wetmore Avenue, Everett, WA 98201

Price Range: $44-123

Ticket Affordability Options: See the theatre’s official page about discounts and pay-what-you-can performances

Dates:

  • Issaquah: November 12 to December 22, 2024
  • Everett: January 4 to 26, 2024

Seating: Assigned Seating

Parking:

  • Issaquah: Free street parking and certain free parking lots. Lot parking availability is very difficult to find though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that mostly only locals know about.
  • Everett: Free street parking and some paid parking lots/garages.

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Pictures: See production pictures below by Auston James.

Cast and Production Team: See pictures below.

Betsy Stewart in Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Betsy Stewart and the company of Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Betsy Stewart in Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Trina Mills and Roxanne in Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Trina Mills and Betsy Stewart in Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Coleman Cummings, Lauren Paris, and Betsy Stewart in Legally Blonde The Musical at Village Theatre. Photo by Auston James (2024).
Credits for Legally Blonde The Musical at Village Theatre. Photo from Encore Spotlight program.
Credits for Legally Blonde The Musical at Village Theatre. Photo from Encore Spotlight program.
Credits for Legally Blonde The Musical at Village Theatre. Photo from Encore Spotlight program.

Preview Post – Blithe Spirit – Play – Seattle Rep

Congrats Seattle Rep on the opening night of their Blithe Spirit play production. Closes 12/22/24. Look out for my full review soon! #medium #psychic #ghost #poltergeist #seance #exorcism #comedy #supernatural

Final Full Review: https://www.showsiveseen.com/blithe-spirit-play-review-seattle-rep/

Tickets: https://www.seattlerep.org/plays/202425-season/blithe-spirit/

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Preview Post – Mary Poppins – Musical – The 5th Avenue Theatre

Happy opening night to Disney & Cameron Mackintosh’s Mary Poppins musical at The 5th Avenue Theatre. On stage till 12/26/24. Keep your eyes peeled for my full review! #Supercalifragilisticexpialidocious

Final Full Review: https://www.showsiveseen.com/disney-cameron-mackintoshs-mary-poppins-musical-review-the-5th-avenue-theatre/

Tickets: https://www.5thavenue.org/shows/2024-25/mary-poppins/

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Preview Post – Happy Christmas, Jeeves – Play – Taproot Theatre

Congrats to Taproot Theatre on the opening night of their Happy Christmas, Jeeves world premier play. Performing until 12/31/24. Stay tuned for my full review! #xmas #holiday #holidays

Final Full Review: https://www.showsiveseen.com/happy-christmas-jeeves-play-review-taproot-theatre/

Tickets: https://taproottheatre.org/shows/2024/happy-christmas-jeeves/

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Primary Trust – Play – Review – Seattle Rep

@showsiveseen Eboni Booth’s "Primary Trust" #play by @Seattle Rep. Starring Stephen Tyrone Williams. Featuring @Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like @Andrew. Script w/ heart & beautiful characters portraying universal human experiences. Only 4 more performances left till 11/27 closing. Review: showsiveseen.com/10431 Director: Kaytlin McIntyre Stage Manager: @Melissa Hamasaki #theatre #showsiveseen #growth #friendship #connection #babySteps ♬ Only Human – Acoustic – Ryan Mack

Elevator Thoughts (aka Tweet): Eboni Booth’s Primary Trust play by Seattle Rep. Starring Stephen Tyrone Williams. Featuring Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like Andrew Lee Creech. Script with heart and beautiful characters portraying universal human experiences.

Recommendation:
See it.


My Synopsis (No Spoilers): An awkward man in a sad lonely repetitive existence with an imaginary friend is forced to take baby steps to grow and come out of his shell.

Synopsis from the Licensor or Theatre Company: Kenneth has lived his entire life in the same small town. Every day he works at the bookstore, then shares happy hour Mai Tais with his best friend. And so what if his best friend is imaginary? Every day is the same, just the way Kenneth likes it—until he is laid off and his world is turned upside down. Thrown out of his comfort zone, Kenneth must find the courage to face his biggest fear: change. This 2024 Pulitzer Prize winner and intimate, offbeat new comedy by Eboni Booth tells a surprising story about one man’s leap of faith and the friends he makes along the way.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly dynamic

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Mostly yes

Live Band/Orchestra: Yes, there was live instrumental music from Justin Huertas

Union Actors: All

Total Actors: 4

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 90 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Mainstream Appeal: Medium

Other Rave(s) Not Mentioned Above

  • Imaginary Friend: Although it was a coping defense mechanism (and honestly a mild psychotic break), having an imaginary friend like Bert (played by Andree Lee Creech) must be nice – a personal cheerleader and confidant all in one.
  • Cast Doubling: Allyson Lee Brown and Rob Burgess masterfully curated a diverse range of characters to life. Rob first portrayed a grumpy boss with a heart of gold, then shifted to a kind supervisor bank manager still stuck reminiscing about his college football days, before switching gears to play a dainty waiter. One of the funniest moments was when Allyson had a lively argument with herself, seamlessly switching between her roles as Corrina and her coworker Duncan.
  • Script: At first, the script seemed to meander about nothing, but it gradually blossomed into a beautiful exploration of universal human experiences—loneliness, loss, grief, trauma, separation anxiety, and fear of change. I loved was how it encouraged taking baby steps toward growth, stepping out of your comfort zone, and putting yourself out there in the hope of genuine human connection, fulfillment, and success.
  • Live Music: The live instrumental music was a nice touch to the play, and of course, I’d always prefer it instead of a recorded track. Additionally, Justin Huertas is incredibly talented with his many musical abilities. But I question whether the live music was a necessary expense for this production. Honestly, the experience wouldn’t have been diminished without it. And I say this as someone who hates attending musicals without live accompaniment.
  • Favorite Line: “That man [Stephen King] doesn’t want me to sleep with the lights off.”

Rant(s)

  • Bell: The bell sound effect between scenes might have been slightly overplayed.

Theatre Company: Seattle Rep

Venue: Leo Kreielsheimer Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price Range: $60-85

Ticket Affordability Options: See the theatre’s official pages about discounts and pay-what-you-can performances

Dates: October 24 to November 27, 2024

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Pictures: See production pictures below by Bronwen Houck.

Cast and Production Team: See pictures below.

Justin Huertas in Primary Trust (2024) at Seattle Rep. Scenic design by An-lin Dauber. Photo by Bronwen Houck.
Stephen Tyrone Williams and Allyson Lee Brown in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Justin Huertas and Stephen Tyrone Williams in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Andrew Lee Creech, Stephen Tyrone Williams, and Rob Burgess in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Stephen Tyrone Williams, Andrew Lee Creech, and Rob Burgess in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Andrew Lee Creech, Stephen Tyrone Williams, and Allyson Lee Brown in Primary Trust (2024) at Seattle Rep. Photo by Bronwen Houck.
Stephen Tyrone Williams in Primary Trust (2024) at Seattle Rep. Scenic design by An-lin Dauber. Photo by Bronwen Houck.
Credits for Primary Trust (2024) at Seattle Rep. Photo from Encore Spotlight.
Credits for Primary Trust (2024) at Seattle Rep. Photo from Encore Spotlight.