Happy opening night to Disney & Cameron Mackintosh’s Mary Poppins musical at The 5th Avenue Theatre. On stage till 12/26/24. Keep your eyes peeled for my full review! #Supercalifragilisticexpialidocious
Congrats to Taproot Theatre on the opening night of their Happy Christmas, Jeeves world premier play. Performing until 12/31/24. Stay tuned for my full review! #xmas #holiday #holidays
@showsiveseen Eboni Booth’s "Primary Trust" #play by @Seattle Rep. Starring Stephen Tyrone Williams. Featuring @Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like @Andrew. Script w/ heart & beautiful characters portraying universal human experiences. Only 4 more performances left till 11/27 closing. Review: showsiveseen.com/10431 Director: Kaytlin McIntyre Stage Manager: @Melissa Hamasaki #theatre#showsiveseen#growth#friendship#connection#babySteps♬ Only Human – Acoustic – Ryan Mack
Elevator Thoughts (aka Tweet): Eboni Booth’s Primary Trust play by Seattle Rep. Starring Stephen Tyrone Williams. Featuring Justin Huertas on the keys, guitar, cello, ukelele, etc. Must be nice to have an imaginary friend like Andrew Lee Creech. Script with heart and beautiful characters portraying universal human experiences.
Recommendation: See it.
My Synopsis (No Spoilers): An awkward man in a sad lonely repetitive existence with an imaginary friend is forced to take baby steps to grow and come out of his shell.
Synopsis from the Licensor or Theatre Company: Kenneth has lived his entire life in the same small town. Every day he works at the bookstore, then shares happy hour Mai Tais with his best friend. And so what if his best friend is imaginary? Every day is the same, just the way Kenneth likes it—until he is laid off and his world is turned upside down. Thrown out of his comfort zone, Kenneth must find the courage to face his biggest fear: change. This 2024 Pulitzer Prize winner and intimate, offbeat new comedy by Eboni Booth tells a surprising story about one man’s leap of faith and the friends he makes along the way.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) or Dynamic Set: Mostly dynamic
Prior Exposure/Knowledge Required: None
Defined Plot/Storyline: Mostly yes
Live Band/Orchestra: Yes, there was live instrumental music from Justin Huertas
Union Actors: All
Total Actors: 4
Perceived Pace of the Show: Medium speed
Was there an intermission? No
Length (Including Any Intermission): 90 minutes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No, but it was good
Mainstream Appeal: Medium
Other Rave(s) Not Mentioned Above
Imaginary Friend: Although it was a coping defense mechanism (and honestly a mild psychotic break), having an imaginary friend like Bert (played by Andree Lee Creech) must be nice – a personal cheerleader and confidant all in one.
Cast Doubling: Allyson Lee Brown and Rob Burgess masterfully curated a diverse range of characters to life. Rob first portrayed a grumpy boss with a heart of gold, then shifted to a kind supervisor bank manager still stuck reminiscing about his college football days, before switching gears to play a dainty waiter. One of the funniest moments was when Allyson had a lively argument with herself, seamlessly switching between her roles as Corrina and her coworker Duncan.
Script: At first, the script seemed to meander about nothing, but it gradually blossomed into a beautiful exploration of universal human experiences—loneliness, loss, grief, trauma, separation anxiety, and fear of change. I loved was how it encouraged taking baby steps toward growth, stepping out of your comfort zone, and putting yourself out there in the hope of genuine human connection, fulfillment, and success.
Live Music: The live instrumental music was a nice touch to the play, and of course, I’d always prefer it instead of a recorded track. Additionally, Justin Huertas is incredibly talented with his many musical abilities. But I question whether the live music was a necessary expense for this production. Honestly, the experience wouldn’t have been diminished without it. And I say this as someone who hates attending musicals without live accompaniment.
Favorite Line: “That man [Stephen King] doesn’t want me to sleep with the lights off.”
Rant(s)
Bell: The bell sound effect between scenes might have been slightly overplayed.
Theatre Company: Seattle Rep
Venue: Leo Kreielsheimer Theater at Seattle Rep
Venue Physical Address: 155 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
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@showsiveseen Sam Holcroft's "Edgar & Annabel" #play by Pony World Theatre at 12th Ave Arts. Seamless coordination between what's real vs fake. "Mr. & Mrs. Smith" or "Alias" vibes. Begins with a novel optional interactive spy remedial training. Tickets selling out w/ only 4 more performances left till the 11/30/24 closing! Review: showsiveseen.com/10433 Director: Charlotte Peters Stage Manager: Kimberly Le #theatre#showsiveseen♬ Play Pretend – bby ivy
Elevator Thoughts (aka Tweet): Sam Holcroft’s Edgar & Annabel play by Pony World Theatre at 12th Ave Arts. Seamless coordination between what’s real vs fake. Mr. & Mrs. Smith or Alias vibes. Begins with a novel optional interactive spy remedial training. Tickets selling out with only 4 more performances till the 11/30/24 closing!
Recommendation: See it.
My Synopsis (No Spoilers): A spy couple strugges to balance their real personal life vs their fake professional life. But at what cost? Is it worth it?
Synopsis from the Licensor or Theatre Company: Conscientious recycling, karaoke parties, home cooked meals: Edgar and Annabel enjoy the perfect, middle-class marriage. And they can keep it if no one finds out they’re actually Nick and Marianne, two resistance fighters who assume fake identities to avoid the detection of an Orwellian government. With every moment of their lives literally scripted to support the subterfuge, the slightest surprise puts them and their whole organization at risk. When rewrites and improvisations throw their plans into chaos, they wont know who they can trust least of all each other. A darkly comedic spy thriller, Edgar & Annabel explores the lines between public and private, asking what we would sacrifice to stay free.
Prior to performance of this riveting tale, the audience is invited to arrive early to participate in a collection of puzzles meant to train the next generation of Agents tasked with seeking out subversive elements. This training is available as early as 7:00pm, with cohorts of recruits allowed into the theatre roughly every ten minutes until the start of the show. While these puzzles are optional and merely observing is perfectly allowed, PWT encourages everyone to arrive early to take advantage of the full experience.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Only 2-3
Static (Stationary) or Dynamic Set: Static
Prior Exposure/Knowledge Required: None
Defined Plot/Storyline: Yes
Union Actors: 0
Total Actors: 7
Perceived Pace of the Show: Medium speed
Was there an intermission? No
Length (Including Any Intermission): 80 minutes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No, but it was good
Mainstream Appeal: Medium
Other Rave(s) Not Mentioned Above
Real vs Fake Life: The script and actors expertly switched between portraying what the spy characters wanted to show to their enemies versus revealing to the audience their true emotions. It was as if they were performing for two audiences: the one watching in the theatre and the one monitoring them through surveillance.
Interactive Training: Before the main performance, audience members were encouraged (but not required) to participate in mock spy remedial training exercises that consisted of audio surveillance, a cluster scan, and a crime scene investigation. While I personally don’t gravitate to interactive theatre (pillow princess here!), Seattleites and Portlanders people would eat this up. I will say that the crime scene investigation answers were impossible!
Theatre Company: Pony World Theatre
Venue: 12th Ave Arts
Venue Physical Address: 1620 12th Ave, Seattle, WA 98122
Price Range: $24
Dates: November 1 to November 30, 2024
Seating: General Admission
Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Even if you can find street parking, it often costs more than some parking lots. I highly recommend the paid lot at 1300 E Olive St with the entrance on 14th Ave.
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Congrats to Village Theatre on the opening night of their Legally Blonde musical production. As one of my favorite shows, I’ve seen it at least 7 times. Performing in Issaquah till 12/22/24 then performing in Everett 1/4/25-1/26/25. Stay tuned for my full review! #legallyBlonde #pink #lawSchool #harvard #harvardLaw #ElleWoods #BendAndSnap #OmigodYouGuys