Macbeth: A Rock Musical – Seattle Public Theater and Macha Theatre Works

Elevator Thoughts (aka Tweet): Macbeth: A Rock Musical by an all-femme cast from Seattle Public Theater & Macha Theatre Works. Grungy punk costumes/music/aesthetic were perfect for Seattle. Great score. Entire production run sold out quickly, but rush tickets are still available!

Recommendation
See it, especially if you like Shakespeare and musicals. It’s worth attempting obtaining rush tickets to this sold-out show. FOMO FTW!


Synopsis from the Theatre: The witches’ prophecy swallows Macbeth whole and a murderous nightmare begins. Can Macbeth upend fate? In this all femme punk rock telling of a classic Shakespearean Tragedy, MacBeth’s foul greed and hunger for power distorts his actions.

Attended Performance Date: 10/19/23 – I would have attended opening night a week earlier but it was already sold out! See my previous preview posts here.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: Mostly yes

Prior Exposure/Knowledge Required: You should be able to understand old Shakesperean English. As you might already know from my previous posts, I typically don’t prefer Shakespeare plays since they’re so difficult to understand. But this musical was one of the easier shows to comprehend in old Shakesperean English. It helped that the songs were more modern English. Additionally, you might enjoy this play more if you’re already familiar with the Macbeth story or if you’ve seen the original play, both of which didn’t apply to me. Despite this unfamiliarity, I still was able to enjoy the show and follow the general story.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes, and occasionally during the show, they even spoke dialogue (as witches), walked on-stage, and sang.

Equity Actors: 1

Total Number of Actors: 15

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.75 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Yes, but maybe only a full professional production

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Costumes: Lady Macbeth’s red rubber costume and Macbeth’s spiky/sparkly jacket of were well-chosen statement pieces.
  • Fire: The letter burning stage magic early in the show was pretty cool.
  • Favorite Song: Lady Macbeth (played by Meg McLynn) sang a song with I think Brandi Birdsong’s and Melissa Owen’s character that I wish I could hear again. Unfortunately, I can’t even find an official soundtrack for this musical online!

Other Musing(s) and Observation(s)

  • Seat Choice: Like I mentioned from Seattle Public Theater’s last musical, try to make sure your seat is close to the right side of the stage (when facing the stage) since the band on the left side might drown out the lyrics.
  • The Lion King: Some people sitting close to me mentioned similarities between The Lion King movie and Macbeth, which was pretty interesting to think about while watching the show.
  • Harmony: Many song portions where they sang in unison definitely had potential for more harmony to add more interesting song facets.
  • Vocal Ranges: While I support all-femme casting, I find the vocal range disparity distracting. I frequently mention this in previous reviews. Typically, when someone sings a part that was originally written for the opposite gender, it sounds like they’re singing too high or too low. And there are songs in this musical originally written for a male vocal range. Songs should be transposed if singing a part that was originally composed for the opposite gender.

Theatre Company: Seattle Public Theater and Macha Theatre Works

Venue: Seattle Public Theater (aka Bathhouse Theatre)

Venue Physical Address: 7312 West Green Lake Dr N, Seattle, WA 98103

Price: Cheap

Tickets: https://app.arts-people.com/index.php?ticketing=spt

  • As I mentioned previously, the show is sold out. However, handicap/companion seats are still available online. Rush tickets are available on the day of the performance for $20 each. Box office opens one hour before each performance for rush ticket sales.

Ticket Affordability Options: You can self-select $10 price-accessible tickets.

Dates: October 13 to November 5, 2023

Seating: Assigned Seating

Parking: Free plentiful parking lot of Greenlake Park, which is adjacent to the theatre.

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Other Video +/- Pictures: See pictures in video and under video by Joe Iano

Cast and Production Team: See after pictures and/or video below

@showsiveseen Joe Popp & Lisa Tricomi's "#Macbeth: A #Rock #Musical" by an all-femme cast from @seattlepublictheater & Macha Theatre Works. Starring Cristin Hubbard & Meg McLynn. Directed by Amy Poisson. Grungy #punk costumes/music/aesthetic were perfect for Seattle. Great score. Entire production run sold out quickly, but rush tickets are still available! Photos: Joe Iano. Review: showsiveseen.com/7028 #shakespeare #theatre #showsiveseen #femme ♬ Bad Decisions – RedHook
Alyssa Keene, Jenn Ruzumna, Dani Davis, Meg McLynn, Erin Stewart, Cristin J. Hubbard, Sydney Maltese, Melissa Owens, Brandi Birdsong, Karis Ho, Melodie Gorow. Photo by Joe Iano.
Cristin J. Hubbard, Jenn Ruzumna, Alyssa Keene. Photo by Joe Iano.
Alyssa Keene, Erin Stewart, Dani Davis, Sydney Maltese, Jenn Ruzumna. Photo by Joe Iano.
Meg McLynn. Photo by Joe Iano.
Alicia Healey, Sherri Jerome, Sydney Maltese, Cristin J. Hubbard. Photo by Joe Iano.
NameRole
Cristin J Hubbard*Macbeth
Melissa OwensCaptain / Doctor / Lennox
Meg McLynnLady Macbeth
Alyssa KeeneRoss / Murderer
Erin StewartMacDuff
Karis HoFleance / Donalbain / Seyton
Brandi BirdsongDuncan / Gentlewoman
Dani DavisMalcom
Sydney MalteseBanquo / Soldier
Jenn RuzumnaAngus / Murderer
Melodie GorowMessenger
Sherri JeromeWitch / Lead Guitar / Vocals
Alicia HealeyWitch / Bass / Vocals
Aimee ZoeWitch / Drums / Vocals
Nick BringhurstPorter
Cordelia Carranza
Caitlin M Frances
Understudies
Amy PoissonDirector
Bailey DobbinsStage Manager
Melodie GorowAssistant Stage Manager
Nick BringhurstMusic Director and Graphic Designer
Dani NorbergLighting Designer
Holly HillCostume Designer
Joe PoppComposer
Leny ShenCostume Assistant
Lisa FinkralSound Designer
Colin PaceSound Engineer
Lisa TricomiAdaptation/Book and Associate Director
Robin MacartneyProps Designer
Joe IanoPhotographer
Jayde McCarrellMaster Electrician
Parmida ZiaeiScenic Designer
Daveh HastingTechnical Director
Garrett DillAssociate Technical Director and Builder
* Member of Actors’ Equity Association

Preview Post – Cindy of Arc – Comedy Rock Concert Show – Intiman Theatre

Cindy of Arc comedy rock concert show (from NYC) w/ Intiman Theatre at Erickson Theatre Off Broadway. Don’t wait for my full review if you want to buy tickets since there’s only 4 more performances left.

Tickets: https://www.intiman.org/cindy/

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Preview Post – Vial Man (The Apothecary’s Story) – Play – ACT Theatre

Steven Dietz’s Vial Man (The #Apothecary’s Story) play reading at ACT Theatre’s inaugural NW2 (New Works Northwest) Festival. One night only! Stay tuned for my full review. #shakespeare #RomeoAndJuliet

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The Thanksgiving Play – Tacoma Arts Live

Elevator Thoughts (aka Tweet): Larissa Fasthorse’s The Thanksgiving Play by Tacoma Arts Live. Funny portrayal of Americans navigating the minefield of PC culture, wokeness, & white guilt. Loved the juxtaposition between Valerie Miller’s vapid character & the enlightened liberals.

Recommendation
See it if either 1) you like commentaries on woke PC culture especially in regard to Native Americans 2) or you’re okay with plays that are more dialogue than action


Synopsis from the Theatre: MacArthur Genius Larissa FastHorse’s shocking satire flips the bird on one of America’s most prolific myths. When a troupe of well-meaning theater artists attempt to put on a culturally sensitive Thanksgiving school pageant, things get messy. Hilarious and poignant, this delicious play skewers everything right, wrong, and politically correct in America by exploring themes of privilege, historical accuracy of navigating these complexities. The Thanksgiving Play made its Broadway debut at the Hayes Theater in 2023, making Larissa FastHorse the first female Native American playwright to have a play produced on Broadway. FastHorse wrote the play in response to the difficulties she faced in finding Native American actors for her previous works. Through satire and humor, the play addresses the misrepresentation of Native Americans, the lack of indigenous casting, and the challenges of accurately representing indigenous people in American society.

Attended Performance Date: 10/21/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Few

Several or Few Settings/Locations: Just one location, a rehearsal space in an elementary school

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No, but it helps if you grew up learning about the traditional Thanksgiving stories involving Native Americans.

Defined Plot/Storyline: Not really. There’s only so much that can occur with few scenes/locations and mostly dialogue.

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now?: No, but it wasn’t terrible

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Alica: I loved Valerie Miller’s character Alicia, a ditsy vapid actor/influencer LA valley girl. She reminded me of Kim Kardashian, Elle Woods (from the movie Legally Blonde), or Quinn/Brittany (from the TV show Daria). Her personality hilariously contrasted with the woke intellectuals Logan (played by Andrea Gordon) and Jaxton (played by Rodman Bolek). It was like putting a stereotypical superficial Los Angeleno and a deep Pacific Northwesterner in the same room. Alicia’s scene describing her lobotomized contentment and simplicity was reminiscent of when Chris Traeger took Ron Swanson meditating in the Parks and Recreation TV show. Alicia teaching Logan reminded me of Elle Woods teaching the “Bend and Snap” in the Legally Blonde movie.
  • Favorite Line:
    “Dramaturg? The holy grail of American theater titles.”
    “What is that?”
    “No one knows”

Theatre Company: Tacoma Arts Live’s Theatre Northwest

Venue: Tacoma Armory

Venue Physical Address: 1001 S Yakima Ave, Tacoma, WA 98405

Price: Cheap to Medium

Tickets: https://www.tacomaartslive.org/events/the-thanksgiving-play/

Dates: October 12 to November 5, 2023

Seating: General Admission

Parking: Plentiful free street parking

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Other Video +/- Pictures: See my TikTok reel below

Cast and Production Team: See after pictures and/or video below

@showsiveseen Larissa FastHorse's "The #Thanksgiving #Play" by @Tacoma Arts Live. Funny portrayal of Americans navigating the minefield of PC culture, wokeness, and white guilt. Loved the juxtaposition between Valerie Miller's vapid character & the enlightened liberals. Review: showsiveseen.com/6994 #theatre #showsiveseen #nativeAmerican ♬ This Land Is Your Land – Peter, Paul and Mary
NameRole
Andrea GordonLogan
Rodman BolekJaxton
Valerie MillerAlicia
Mikel MichenerCaden
Joshua KnudsonDirector & Chief Advancement Officer
Kay MeierStage Manager
Lilian OellerichProduction Manager
Monique Otter-JohnsonCo-Production Manager
Eric ClausellDEIA Liaison
Maria-Tania Bandes B. WeingardenDramaturg & Intimacy Choreographer
Andre BouchardCultural Consultant
Jeannie BeirneSet Designer
Brett CarrLighting Designer
Don LittrellSound Designer
Mary KelsayCostume Designer
Kelly Zeiler LynchProps Designer
Monique Otter-Johnson & Lilian OellerichSet Dressers
David FischerChief Executive Officer & Co-Producer
Brett CarrCo-Producer
Katie LappierChief Programs Officer

Preview Post – Disney in Concert: The Sound of Magic – Seattle Symphony

Disney in Concert: The Sound of Magic by Seattle Symphony at Benaroya Hall. Don’t wait for my full review to buy tickets since there’s only one more performance left on 10/29/23!

Tickets: https://www.seattlesymphony.org/en/concerttickets/calendar/2023-2024/23pops1

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