Bloodletting – Play – Pork Filled Productions & Theatre Off Jackson

Elevator Thoughts (aka Tweet): Bloodletting play by Pork Filled Productions at Theatre Off Jackson directed by Zenaida R. Smith. Filipino story about Aswangs with a queer spin. I felt like I was back in the Philippines! #Aswang #showsiveseen #theatre #palawan

Recommendation
See it if you want to reminisce about the Philippines


Synopsis from the Theatre: Under the watchful moon, estranged siblings Farrah and Bosley reunite in the Philippines to spread their father’s ashes in Palawan’s treasured underground river. They take shelter from a storm in a local café, where they open old family wounds and encounter an aswang, a Filipino vampire, who awakens in Farrah an ancient, terrifying, and innate power. Will she embrace her new-found power? Or let it destroy herself and her brother?

Attended Performance Date: 10/20/23 (Opening Weekend) – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Few

Several or Few Settings/Locations: Few

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: You should be familiar with Aswangs. The program contains a good explanation. People who don’t know what Aswangs are (sadly me) and who didn’t read the Aswangs article (me again) might struggle understanding what an Aswangs is when watching this play. The theatre’s synopsis touts them as “vampires,” but that word is too limiting. But I guess there isn’t a western term that encompasses this Filipino concept.

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur with few scenes/locations

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Slow, especially with the large amount of dialogue. However, it did help to have fight scenes where the Aswang used their power.

Length (Including Any Intermission): 2 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: The stage accurately portrayed what a typical eatery might look like in the Philippines in the middle of nowhere. It had thatch-like bahay kubo flair.
  • LeeLee: I probably enjoyed Anna Mulia’s portrayal of LeeLee the most. She portrayed mystery, youthful energy, and a good impression of a Pinay born in the Philippines.
  • Audio: The sound effects were well-timed and well-chosen.

Other Musing(s) and Observation(s)

  • Blood: For a play called “Bloodletting,” I thought there would be more blood!

Theatre Company: Pork Filled Productions

Venue: Theatre Off Jackson

Venue Physical Address: 409 7th Ave S, Seattle, WA 98104

Price: Cheap

Regular Tickets: https://porkfilled.com/wp/pfp-presents-bloodletting/

Ticket Affordability Options: You can self-select “access pricing” on the ticketing website.

Dates: October 19 to November 4, 2023

Seating: General Admission

Parking: Paid street parking is usually available north of the theatre on the hill close to the park. You can also try free parking on Jackson Street closer to the I-5 bridge. As usual, there are paid parking lots nearby as well.

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Other Video +/- Pictures: See pictures in video and under video by Roger Tang

Cast and Production Team: See after pictures and/or video below

@showsiveseen "Bloodletting" #play by @Pork Filled Productions at Theatre Off Jackson directed by Zenaida R. Smith. #Filipino story about #Aswangs with a queer spin. I felt like I was back in the #Philippines! Photos: Roger Tang. Review: showsiveseen.com/6958 #Aswang #showsiveseen #theatre #palawan ♬ Monster – Riduan Richie
Farrah (Jen-Ai Clinton) forces Leelee (Anna Mulia) to her knees. Photo by Roger Tang.
Jenry (Sam Prudente) tends to an ailing Bosley (Matt Dela Cruz). Photo by Roger Tang.
Farrah (Jen-Ai Clinton) is struck by a realization sparked by Jenry (Sam Prudente). Photo by Roger Tang.
Chaos erupts as Farrah (Jen-Ai Clinton tends to Bosley (Matt Dela Cruz) and Leelee (Ann Mulia) sees to Jenry (Sam Prudente). Photo by Roger Tang.
Farrah (Jen-Ai Clinton) and Leelee (Anna Mulia) struggle over an urn of ashes. Photo by Roger Tang.
Bosley (Matt Dela Ctuz) and Farrah (Jen-Ai Clinton) suddenly notices it has mysteriously stopped raining. Photo by Roger Tang.
Leelee (Anna Mulia) and Farrah (Jen-Ai Clinton) engage in a supernatural battle. Photo by Roger Tang.
RoleName
Leelee Anna Mulia
Jenry Sam Prudente
Farrah Jen-Ai Clinton
Bosley Matt Dela Cruz
UnderstudiesAnamaria Guerzon
Kendall Uyeji
DirectorZenaida R. Smith
PlaywrightBoni B. Alvarez
Assistant DirectorDavid Le
Stage ManagerOmar Faust
Assistant Stage ManagerAlister James Stern
Cultural Consultant and DramaturgEloisa Cardona
Assistant DramaturgAnamaria Guerzon
ElectricianRobert Lucy
Outreach Sam Qiambo
Props DesignerJessamyn Bateman-Iino
Lighting DesignerEmily Leong
Intimacy & Fight ConsultantJasmine Lomax
Set Designer and BuilderRobin Macartnery
Costume DesignerCorinne Park-Buffelen
Sound DesignerJosh Valdez
Social Media CoordinatorLinda Rigor
Production ManagerP. Alyda Sorm
Graphic DesignerKwesi Phillips
ProducersOmar Faust
David Le
P. Alyda Sorm
Roger Tang
Kendall Uyeji
Josh Valdez

Preview Post – Islander – Musical – Seattle Repertory Theatre

Islander Scottish musical opening night of the national tour at Seattle Rep. Performing until 11/19/23. Stay tuned for my full review! #showsiveseen #theatre #Scotland

Tickets: https://www.seattlerep.org/plays/202324-season/islander/

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Cambodian Rock Band – Musical – ACT Theatre & 5th Avenue Theatre

Elevator Thoughts (aka Tweet): Lauren Yee’s Cambodian Rock Band musical at ACT Theatre w/ 5th Avenue Theatre featuring music from Dengue Fever, directed by Chay Yew, starring Brooke Ishibashi & the talented Joe Ngo. Good dialogue, difficult decisions, & poetic/artistic story. Music was so Seattle. #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian #karma

Recommendation
See it, especially if you like rock music reminiscent of Seattle


Synopsis from the Theatre: Guitars tuned. Mic checked. Get ready to rock! This darkly funny, electric new play with music tells the story of a Khmer Rouge survivor returning to Cambodia for the first time in thirty years, as his daughter prepares to prosecute one of Cambodia’s most infamous war criminals. Backed by a live band playing contemporary Dengue Fever hits and classic Cambodian oldies, this thrilling story toggles back and forth in time as father and daughter face the music of the past. Lauren Yee brings us an intimate rock epic about family secrets set against a dark chapter of Cambodian history.

Attended Performance Date: 10/5/23 (Opening Night) – See my previous preview posts here.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: No

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with Cambodian history or Dengue Fever songs.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes, the actors were the band

Equity Actors: 6

Total Number of Actors: 6

Perceived Pace of the Show: Slow, especially with the heavy dialogue

Length (Including Any Intermission): 2.75 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show?: Yes

Would I See It Again 3 Years from Now?: Probably not, but it was good

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Versatile Talent: Almost all the actors were also part of the band. Special shout out to Joe Ngo (who played Chum) with his many character personas.
  • Well-written Dialogue: I especially enjoyed the argument at the twist reveal, which BTW I’m proud to have predicted!
  • Asian Representation: I’m always thrilled to see shows that feature Asian actors or Asian stories since we’re so underrepresented in entertainment. This musical realistically depicted the interactions between first- and second-generation Asian family members, especially with the parental disapproval!

Rant(s)

  • Subtitles: The songs were in desperate need of subtitles since some lyrics were in Cambodian and the music genre was that muffled grungy Seattle-esque rock. The audience needs to understand the lyrics in a musical, so the songs add significance to storyline. Imagine how much the audience would miss if they didn’t understand the lyrics to “Part of Your World” in The Little Mermaid.
  • Hook: The musical began like a rock concert with two songs. In my eyes, this was akin to two musical overtures where you start losing the audience at the second song especially if they don’t even know the song. I suggest cutting or moving the second song.

Other Musing(s) and Observation(s)

  • Dancers: Who were the random people that danced on-stage at the end of the show?
  • Preventable Problems: It’s a bit unsatisfying when a major calamity the main character experienced was easily preventable. But I guess a story often needs a calamity to be interesting!
  • Loose Ends: I feel like the Comrade Duch’s story was left unresolved.

Theatre Company: National Tour Brought by ACT Theatre and 5th Avenue Theatre

Venue: The Falls Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium to Expensive

Regular Tickets: https://acttheatre.org/2023-24-season/cambodian-rock-band/

Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.

Dates: September 29 to November 5, 2023

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre walking through the old convention center.

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Other Video +/- Pictures: See pictures in video and under video by Margot Schulman

Cast and Production Team: See after pictures and/or video below

@showsiveseen Lauren Yee's "Cambodian Rock Band" #musical at @ACT Theatre Seattle w/ @The 5th Avenue Theatre featuring music from #dengueFever, directed by Chay Yew, starring Brooke Ishibashi & the talented Joe Ngo. Good dialogue, difficult decisions, & poetic/artistic story. Music was so Seattle. Review: showsiveseen.com/6905 #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian #karma ♬ Family Business – Dengue Fever
Brooke Ishibashi and Joe Ngo in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Joe Ngo, Brooke Ishibashi, Abraham Kim, Jane Lui and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Brooke Ishibashi, Jane Lui, Abraham Kim and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Joe Ngo and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Joe Ngo, Abraham Kim, Brooke Ishibashi, Jane Lui and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Francis Jue in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
RoleName
Neary/SotheaBrooke Ishibashi
Rom/JournalistAbraham Kim
Ted/Cadre/LengTim Liu
Pou/S-21 Guard Jane Lui
ChumJoe Ngo
DuchPhil Wong
Neary/Sothea/Pou/S-21 Guard (u/s)Kelsey Angel Baehrens
Ted/Cadre/Leng/Rom/Journalist (u/s)Alex Lydon
Duch/Chum (u/s)Vi Tran
Director Chay Yew
PlaywrightLauren Yee
Music Supervisor & Co-Music DirectorJane Lui and Matt Macnelly
Khmer Vocal Coach Sokunthary Svay
Scenic Designer Takeshi Kata
Co-sound Designers Mikhail Fiksel & Megumi Katayama
Fight Director Aldo Uribe
Costume Designer Linda Cho
Associate Director Graham Schmidt
Stage Manager Merrick A B Williams
Lighting Designer David Weiner
Projection Designer Luke Norby w/ Five Ohm Productions
Associate Lighting Designer David Shocket
Associate Sound Designer Ben Truppin-Brown
Assistant Stage Manager Quy Ton
Production Assistant Max Zamorano
Wig Designer Tom Watson
Associate Scenic Designer Robin Vest
Production Consultant Charles M. Turner Ill
CarpentersMeghan Boyle, Robin Logerstadt
Assistant Lighting Designer Casey Price
ElectriciansKaitlyn Lawrenz, Dave Misner
Sound EngineerRobert “Max” Langley
DressersImelda Daranciang, K.D. Schill
A1Valerie Turos
StagehandsRobin Logerstadt, Martin Sisk
Associate Costume DesignerHerin Kaputkin

Preview Post – The Thanksgiving Play – Tacoma Arts Live

The Thanksgiving Play by Tacoma Arts Live at the Tacoma Armory. Performing until 11/5/23. Stay tuned for my full review! #showsiveseen #theatre #nativeAmerican

Tickets: https://www.tacomaartslive.org/events/the-thanksgiving-play/

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Preview Post – Bloodletting – Play – Pork Filled Productions & Theatre Off Jackson

Bloodletting play opening weekend by Pork Filled Productions at Theatre Off Jackson. Performing until 11/4/23. Stay tuned for my full review! #showsiveseen #theatre #palawan #Philippines #Aswang

Tickets: https://porkfilled.com/wp/pfp-presents-bloodletting/

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