Dream Hou$e – Play – Washington Ensemble Theatre

Elevator Thoughts (aka Tweet): Dream Hou$e play by Eliana Pipes at 12th Ave Arts w/ Washington Ensemble Theatre starring Antonieta Carpio & Adriana Hillas. Commentary on gentrification, identity, & heritage in the frame of a reality TV game show. Loved Holly Vander Hyde’s TV host character! #Spanish #Latino #Hispanic

Synopsis from the Theatre: Set in a rapidly changing neighborhood, two sisters sign up for a reality tv show to sell their childhood home after the passing of the family matriarch. As Julia and Patricia perform for the camera, they confront their own desires, aspirations, and the sacrifices they are willing to make to achieve them. What is the cultural cost of progress in America? Is cashing in always selling out?

Attended Performance Date: 9/8/23 (Opening Night)

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Just a house

Prior Exposure/Knowledge Required: You should be familiar with reality TV and TV game shows

Defined Plot/Storyline: Mostly yes but there’s only so much that can occur in a house

Equity Actors: 0

Total Number of Actors: 6

Perceived Pace of the Show: Slow to medium

Length (Including Any Intermission): 1.75 hours

Intermission Included: No

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: I’m not sure … *maybe* if it was produced by an Equity theatre

Recommendation: See it especially if you enjoy reality TV or TV game shows

Other Rave(s) Not Mentioned in Elevator Thoughts

  • TV Host: Holly Vander Hyde’s TV host Tessa character was a delight to watch. There’s something alluring about a squeaky-clean personality on the outside despite what’s on the inside. When I heard/saw her TV anchor laugh at the beginning of the play, I knew I’d like this character.
  • Powerful Scenes:
    • One of the last scenes when Tessa asked Patricia (played by Adriana Hillas) to sell various belongings
    • One of the middle scenes when Patricia showed Julia (played by Antonieta Carpio) their mother’s feeding tube
  • Favorite Quotes:
    • Something like “I want to be so rich that I can send my steak back to the chef”
    • Something like “White people are the only people who say ‘latinX'”

Other Musing(s) and Observation(s)

  • Scenic Design: The set was more austere than what I’m used to seeing with Washington Ensemble Theatre.
  • Weird Factor: This play felt more mainstream than the typical edgy weirdness I associate with Washington Ensemble Theatre shows like Our Dear Dead Drug Lord, Arlington, or Tin Cat Shoes. Don’t get me wrong though … I actually prefer mainstream!
  • Sentimentality vs Pragmatism: I definitely identified more with Patricia’s pragmatism. I was a little annoyed with Julia’s sentimentality. Gurl, sell out and take the money!
  • Crew: I felt bad for the camera crew actors since they didn’t have any speaking parts.

Theatre Company: Washington Ensemble Theatre

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Dates: September 8 to 25, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave next to the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Twitter | Facebook | YouTube | Threads

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by Marcia Davis.

Cast and Production Team: See after pictures and video below

@showsiveseen "Dream Hou$e" #play by Eliana Pipes at 12th Ave Arts w/ @Washington Ensemble Theatre starring Antonieta Carpio & Adriana Hillas. Directed by Suz Pontillo. Commentary on #gentrification, identity, & #heritage in the frame of a #realityTV #gameShow. Loved @Holly Vander Hyde's #TV host character! Review: showsiveseen.com/6602 #Spanish #Latino #Hispanic #theatre #showsiveseen ♬ Let's Play House – Beachcrimes & Tia Tia
RoleName
Julia Antonieta Carpio
Patricia Adriana Hillas
TessaHolly Vander Hyde
CrewAyla Wallace
Crew Cassidy Mitchell
Crew William Johnson
Tessa Understudy Emily Huntingford
Julia Understudy Ariana Polanco
Patricia UnderstudyYolanda Suarez
Director Suz Pontillo
Assistant Director Rylie Latham
Playwright Eliana Pipes
Stage Manager Emily Doorenbos
Scenic Designer Bella Rivera
Lighting & Projections Designer Hannah Gibbs
Props Designer Elana Lessing
Sound Designer Andi Villegas
Costume Designer Fantasia Rose
ChoreographerZara Martina Lopez
Intimacy Coach Jasmine Lomax
Stage Management SubBella Marziello
Run Crew Mischa Gregory
Production ManagerEllie Hughes
Technical Director Ryan Dunn
Shop SupervisorJustin Duffiance
Resident Scenic Charge Annie Duffiance
Master Electrician Robert Mitchell
Mental Health Coach Zoe Tsiotis Shields

Preview Post – Dream Hou$e – Play – Washington Ensemble Theatre

Dream Hou$e play by Washington Ensemble Theatre. Packed opening night at 12th Ave Arts. Performing until 9/25. Stay tuned for my full review!

Tickets: washingtonensemble.org/dream-house

Like/Comment/Share my Social Media Preview Posts About this Show:
Instagram | Facebook | Twitter | Threads

Cost of Living – Play – Sound Theatre Company

Elevator Thoughts (aka Tweet): Cost of Living play at Sound Theatre Company + 12th Ave Arts by Martyna Majok, directed by Teresa Thuman. Starring Drew Hobson, Teal Sherer, Viviana Garza, and Gerald Waters. People need people! #homeHealth #theatre

Synopsis from the Theatre: Martyna Majok’s Pulitzer Prize-winning play will leave you breathless. Co-Artistic Director Teresa Thuman (Gaslight (Angel Street), Peeling) returns to the director’s seat for this deeply touching drama about isolation, alienation, and the yearning for human connection. Majok does not shy away from the truths of our world today, yet paints a beautiful portrait of four individuals across stratas of disability, race, gender, immigration status, class, care-giving and care-receiving. In the late-COVID times, this story is prescient. In it, we may discover small pockets of tender humanity when we extend a helping hand.

Reviewed Performance: 6/10/23

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: Around four

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: It was more dialogue and less storyline

Recommendation: See it if you like plays that explore what it means to be human

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it wasn’t bad

Rating Compared to Other Shows with the Same Production Value:
4.25 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: I love the way Bryan Boyd designed John’s apartment. I’m always a sucker for modern designs. There was even a functioning shower with water!
  • Multitasking Dialogue: The shower/dress scene reminded me of the mesmerizing cakemaking scene in Seattle Public Theatre’s recent Hometown Boy. It was an enlightening to see how cumbersome simple activities of daily living can be for someone who relies on home health care. We take mundane things for granted!
  • Climactic Moments (No Spoilers): There were two gasp-worthy incidents toward the end of the play. One scene made the audience audibly gasp and the person sitting next to me muttered “Where the hell is he?!” The other scene was a deliciously cringy slow-moving car crash of rejection.

Rant(s)

  • Opening Scene: While well delivered, the rambling soliloquy-like opening scene was too long and wasn’t a good audience hook. However, I’d be interested to see it again through the lens of what I know from the entire show.

Other Musing(s) and Observation(s)

  • People Need People: It was ironic that the characters who seemingly needed others the most were opposite of who I initially expected.

Theatre Company: Sound Theatre Company

Venue: 12th Ave Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Ticket Affordability Options: Self-select ticket prices as low as $5 depending on your financial situation in the online ticketing website

Dates: June 8 to July 1, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave next to the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Twitter | Facebook | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by Aaron Jin and Nikeesha Gooding.

@showsiveseen "Cost of Living" #play at Sound Theatre Company + 12th Ave Arts by Martyna Majok, directed by Teresa Thuman. Starring Drew Hobson, Teal Sherer, Viviana Garza, and Gerald Waters. People need people! Photos by Aaron Jin and Nikeesha Gooding. Review: showsiveseen.com/5891 #homeHealth #theatre #isolation ♬ THATS WHAT I WANT
Viviana Garza and Gerald Waters. Photo by Aaron Jin.
Teal Sherer. Photo by Aaron Jin.
Viviana Garza and Gerald Waters. Photo by Aaron Jin.
Gerald Waters and Viviana Garza. Photo by Aaron Jin.
Drew Hobson and Teal Sherer. Photo by Nikeesha Gooding.
Drew Hobson and Teal Sherer. Photo by Nikeesha Gooding.

Our Dear Dead Drug Lord – Play – Washington Ensemble Theatre

Elevator Thoughts (aka Tweet): Our Dear Dead Drug Lord play by Washington Ensemble Theatre at 12th Ave Arts. Middle-class suburban private school teens gone wild with cocaine, ouija board seances, & blood sacrifices. #PabloEscobar

Synopsis from the Theatre: Set in the face of the 2008 presidential election, the Dead Leaders Club meets in an abandoned treehouse to summon the ghost of Pablo Escobar. Are these teenage girls actually summoning the leader of the Medellín Cartel? Or are they just playing tricks on one another? This roller coaster ride through the trials and terrors of girlhood dabbles in blood sacrifice, the uncertainty of growing up, and a journey to unleash their personal power.

Reviewed Performance: 4/29/23 Opening Weekend

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: One, a treehouse

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: It was consecutive but not quite defined. There’s only so much plot and storyline one setting can accomplish!

Recommendation: See it if you like plays that are weird and unconventional

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4.25 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 4 but there were 2 other actors mentioned in the program who I assume were the background voices

Length (Including Any Intermission): 90 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Trapdoor: The play takes place in a treehouse, so the actors entered/exited from a trapdoor, which was novel.
  • Tissue: One of the characters blew their nose with tissue from their padded bra. It was a funny way to show the audience how young the characters were.
  • Favorite Line: “I lost my virginity while watching [President] Bush II’s ‘we got him’ speech. So basically, I’m fucked.”

Other Musing(s) and Observation(s)

  • Meaning: I couldn’t assimilate the message from this play. Was there any symbolism? If so, I missed it.

Theatre Company: Washington Ensemble Theatre

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Dates: April 28 to May 15, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave next to the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Twitter | Facebook | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: Sorry, I’m still waiting for the theatre company to send me press pictures. In the meantime, see my video below.

@showsiveseen "Our Dear Dead Drug Lord" #play by Alexis Scheer w/ @wet.seattle at 12th Ave Arts. Middle-class suburban private school teens gone wild w/ cocaine, ouija board seances, & blood sacrifices! Review: showsiveseen.com/5170 #PabloEscobar #theatre ♬ Da Girls – Ciara

The Squirrel Plays: Infestation, Compensation, Eradication – Play – Mirror Stage

Elevator Thoughts (aka Tweet): The Squirrel Plays – Infestation, Compensation, Eradication by Mia McCullough w/ Mirror Stage at 12th Ave Arts. Allegory on government/politics. It was fun guessing what each thing symbolized. Probably the best opening performance reception spread I’ve seen! #play #symbolism #symbolic

Synopsis from the Theatre: Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Reviewed Performance: 4/30/23 Opening Performance Matinee

Type: 3 connected consecutive plays

World Premiere: No but USA premiere

Several or Few Scenes: Several

Several or Few Settings: Few – Around three settings

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Recommendation: See it if you like exploring symbolism in live theatre or other art forms

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4.25 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 6

Length (Including Any Intermission): It was 2.25 hours with a long 1st act and a shorter 2nd act. I suggest moving some material to the 2nd act.

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Symbolism: Halfway through the first act in a sudden epiphany, I finally realized what the squirrels represented. I scrambled to replay the previous scenes in my mind to gather any missed nuances. If I had the time, I would rewatch those scenes with my newly-opened eyes. However, later on, it felt like the playwright changed what squirrels represented. Whether or not this change was intentional, the squirrel symbolism seemed unsatisfactorily inconsistent. Other than squirrels, this play was full of other political symbols. It was fun guessing what each thing represented. But for the life of me, I still couldn’t successfully guess what the bird feeders meant. Leave a comment in my social media links below if you have any ideas!
  • Stagehands: The stagehands were costumed and in-character as home movers. I always appreciate when the technical crew does not stick out on-stage.

Rant(s)

  • Stage Curtain: It’s a shame they covered part of the stage when scenes weren’t occuring there. The stage looked much more complete with all the curtains open, and it would have made a better first impression to audience members walking into the theatre space. When half of the stage is covered, it looks awkward and incomplete.

Other Musing(s) and Observation(s)

  • Numerous Commentaries: The play has a lot to say politically but it needs to hone its focus more to avoid becoming a hodgepodge of random leftist ideas.
  • Ending (No Spoilers): While I appreciate the conclusiveness of the ending, it felt a little too clean and idealistic. The raised social issues aren’t neatly resolved with a bow in real life.
  • Sounds: There were scenes that felt a little too quiet. Maybe include more background noise. But what does suburbia sound like? Maybe rustling leaves or birds chirping? What non-musical background noise do they play in Desperate Housewives? The transitional music between scenes was appropriate though.

Theatre Company: Mirror Stage

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Ticket Affordability Options: Pay-what-you-can (PWYC) and 20 radical hospitality free tickets for every performance

Dates: April 27 to May 20, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave next to the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Twitter | Facebook | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by Michael Poggenburg

Mirror Stage, The Squirrel Plays, featuring [L to R] Emily Hoffman, Valerie Ryan Miller, Caitlin Frances Branston, Jason Marr and Serin Ngai . Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring [L to R] Valerie Ryan Miller and Jason Marr. Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring [L to R] Caitlin Frances Branston, Serin Ngai and Jason Marr. Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring [L to R] Emily Hoffman, Valerie Ryan Miller, Caitlin Frances Branston, Jason Marr and Serin Ngai . Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring [L to R] Valerie Ryan Miller and Jason Marr. Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring Angie Bolton. Photo by Michael Poggenburg.
Mirror Stage, The Squirrel Plays, featuring Valerie Ryan Miller. Photo by Michael Poggenburg.