The Standby Lear – Play – Thalia’s Umbrella

Elevator Thoughts (aka Tweet): The Standby Lear 2-person play at 12th Ave Arts w/ Thalia’s Umbrella. Neat stage reminded me of an ancient Greek theatre. Interesting to see behind-the-scenes of the theatre industry through the eyes of aging has-beens. Smart dialogue. Unexpected twist at the end. #shakespeare #kingLear #stageFright

Synopsis from the Theatre: Augie is the understudy in a major production for one of the most demanding roles in the theater, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem…

Reviewed Performance: 4/1/23 Evening Opening Weekend

Type: Play

World Premiere: No

Several or Few Scenes: One Scene

Several or Few Settings: One Location

Defined Plot/Storyline: No – lots of dialogue, which is common for plays with few characters

Recommendation: See it if either

  • You like Shakespeare or King Lear
  • You work in the theatre industry, or you know how the theatre industry works
  • You see lots of plays
  • You’re okay with 2-person shows
  • Or you’re okay with all dialogue and little story action

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 3

Total Number of Actors: 2 on-stage and 1 off-stage

Length (Including Any Intermission): 90 minutes

Intermission: No

Other Musing(s) and Observation(s)

  • Earlier Ending: The play could have ended earlier when the characters revealed the twist and all their secrets. It seemed little too drawn out after that.

Theatre Company: Thalia’s Umbrella

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Medium

Dates: March 30 to April 15, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave across from the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

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Other Video +/- Pictures: See pictures in video and under video below by Annabel Clark Photography

Cast and Production Team: See after pictures and video below

@showsiveseen "The Standby Lear" 2-person #play at 12th Ave Arts w/ Thalia's Umbrella. Neat stage reminded me of an ancient Greek #theatre. Interesting to see behind-the-scenes of the theatre industry through the eyes of aging has-beens. Smart dialogue. Unexpected twist at the end. Photos by Annabel Clark. Review: showsiveseen.com/4655 #shakespeare #kingLear #stageFright #marriage #actors ♬ Sail Away – lovelytheband
Larry and Jeanne Paulsen. Photos by Annabel Clark.
Larry and Jeanne Paulsen. Photos by Annabel Clark.
Larry Paulsen. Photos by Annabel Clark.
Jeanne Paulsen. Photos by Annabel Clark.
Larry and Jeanne Paulsen. Photos by Annabel Clark.
RoleName
Augie Larry Paulsen*
Anna Jeanne Paulsen*
Leonard (Off-stage)Terry Edward Moore*
Augie StandbyTerry Edward Moore*
Anna StandbyDiana Trotter
Director Terry Edward Moore
Associate Artistic DirectorDaniel Wilson
Playwright John W. Lowell
Stage Manager Phillip James Randall*
Assistant Stage Manager Eric Newman*
Scenic & Lighting Designer Roberta Russell**
Costume Designer Jae Hee Kim
Sound Designer Johanna Melamed
Properties Designer & Technical Director Richart Schug
Production Manager Matthew Ray
Master Electrician Levin Ritzen
Scenic Artist Matthew Lazure
Carpenters Sasha Chung, Dylan Howard, Matthew Lazure, Britta Baer-Simon
Electricians Rob Falk, Joseph Inglish, Kristopher Jones, Rhys Kiernan, Liza Vaughn
Board Operator Clint Bull
Sound Engineer Kyle Thompson
Sound Assistant Marty Sisk
Outreach Coordinator Ariel Rose
Graphics Designer Leslie Law
Casting DirectorCornelia Duryée
*Appearing through an agreement between this Theater and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the USA
**Member United Scenic Artists, Local 829

Gloria: A Life – Play – Strawberry Theatre Workshop

Elevator Thoughts (aka Tweet): Gloria: A Life #play w/ Strawberry Theatre Workshop reminded me of the Mrs. America TV miniseries & In the Time of the Butterflies Book-It Repertory Theatre play. Loved Ayo Tushinde’s portrayal of Flo Kennedy w/ her distinct accent & iconic hat. I wish I owned bras to burn in solidarity. Shake the patriarchy! A woman w/o a man is like a fish w/o a bicycle! #feminist #feminism #feminists #GloriaSteinem @GloriaSteinem

Synopsis from the Theatre: Five decades after Gloria Steinem began raising her voice for equality and championing the voices of others, she remains a leader of the American women’s movement. Emily Mann’s play traces the progress of Steinem’s extraordinary life, from her undercover Playboy Bunny exposé in the 1960s, through her founding of Ms. Magazine in the 1970s, to her speech at the 2017 Women’s March. Staged for Strawberry Theatre Workshop by Makaela Milburn in a living room set, Gloria: A Life puts the words of the famed journalist into action through an ensemble of six actors, played by Alanah Pascual, Kathy Hsieh, Marion Jacobs, Ayo Tushinde, Sarah Harlett, and Sharon Barto Gouran. Steinem’s journey to activism is traded between voices and distinct cultural origins, giving the movement less historical and more contemporary energy, and the early feminists’ accomplishments drawn as less individual and more collaborative. For Strawshop, Gloria is one of the most pertinent expressions of its mission to activate community conversation. Gloria expands the conversation in the second half of the evening to a discussion of local activism, bounded by four guidelines directly inspired by organizing principles of Black Lives Matter: “Lead with Love, Low Ego, High Impact, and Move at the Speed of Trust.”

Reviewed Performance: 1/26/23 Opening Performance – Original previous opening weekend delayed because of COVID-19. 🙁

Type: Play

World Premiere: No

Defined Plot/Storyline: Like other biographical plays, there isn’t a strong plot. It’s a series of chronological scenes … like real life!

Recommendation: See it especially if you’re into women’s rights!

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Yes, if it was an Equity production

Rating Compared to Other Shows with the Same Production Value:
5 Stars (Out of 5 Stars)

Equity Actors: One but all were very good

Number of Actors: 6

Length (Including Any Intermission): 90 min performance + 20 min talkback

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Favorite Line: Other than the classic “a woman without a man is like a fish without a bicycle,” I’ve never heard of “if women could sleep their way to the top, there’d be a lot more women at the top.” Apparently, this was a real quote from Gloria Steinem.

Rant(s)

  • Projections: Projections were a a little hard to see. However, I acknowledge it’s a fine line to balance shining enough light on actors vs reducing the light so projections are brighter.

Other Musing(s)

  • Mild Audience Participation: Actors paused occasionally so the audience could shout out answers to wall-projected questions or enter the answers on a website via smartphone. There was also a segment where audience volunteers were asked on-stage. Additionally, there was a talkback immediately after the show when actors actively requested the audience to stay for 20 mins.
  • Other Iconic Feminists: This play wasn’t just about Gloria Steinam. It also covered other major historical feminists during her time like Dorothy Pittman Hughes, Flo Kennedy, Wilma Mankiller (what an ironic name!), and Bella Abzug. However, I was surprised Betty Friedan wasn’t featured.
  • Historical Tidbits: A couple interesting historical facts were mentioned throughout the show:
    • Gloria Steinem’s (arguable) claim to fame was when she wrote an exposé as an undercover Playboy Bunny. Sex truly does sell!
    • Gloria ironically originally wanted to be a Rockette
    • The continental congress drew inspiration from the Iroquois Native Americans when designing the USA federal government

Theatre Company: Strawberry Theatre Workshop

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap to Medium

Dates: January 19 – February 18, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave across from the park. Sigh, “cheapest” was $16 dollars for me. :-/ I highly suggest parking far away or taking the bus.

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Other Video +/- Pictures: See below

Cast and Production Team: See below video

@showsiveseen#Gloria: A Life” #play w/ Strawberry #Theatre Workshop reminded me of the “Mrs. America” TV miniseries & “In the Time of the Butterflies” Book-It Theatre play. Loved @ayotushinde ‘s portrayal of Flo Kennedy w/ her distinct accent & iconic hat. I wish I owned bras to burn in solidarity. Down w/ the patriarchy! A woman w/o a man is like a fish w/o a bicycle! Review: showsiveseen.com/3605 #feminist #feminism #feminists #gloriasteinem ♬ Gloria (Glee Cast Version) – Glee Cast
RoleName
Gloria
(Reverse Alphabetical Order)
Sharon Barto Gouran
Sarah Harlett (AEA Member)
Marion Jacobs
Kathy Hsieh
Ayo Tushinde
Alanah Pascual
Projections Adam Zopfi Hulse
Artistic DirectorGreg Carter
SceneryBella Rivera
SoundKyle Thompson
LightingMaryalice Weed
CostumesLizz C Williams
Graphic Designer Melanie Wang
Playwright Emily Mann
Director Makaela Milburn assisted by Jasmine Lomax
Stage Manager Jasmine Lomax assisted by
Brandon Eller

Arlington – Play – Washington Ensemble Theatre

Elevator Thoughts (aka Tweet): Arlington play w/ Washington Ensemble Theatre at 12th Avenue Arts. Experimental-like & abstract. Intriguing scenic/lighting design. Dystopian postapocalyptic Orwellian feel in an asylum-like prison. Peer into the disturbed mind! #theatre

Synopsis from the Theatre: Isla waits for her number to be called. A young woman finally understands her fate. And a young man faces a stark decision. In a cacophony of poetry, art, + dance, Enda Walsh’s Arlington tells an unsuspecting love story amidst a bleak Orwellian dystopia.

Reviewed Performance: 1/14/23 on opening weekend – Sorry for the late review! I was busy because my dad is in town.

Type: Play

World Premiere: No

Awards: None

Defined Plot/Storyline: No, this is more abstract, open-ended, & mysterious. Lots of dialogue and dance.

Recommendation: See it if you like weird, abstract, & experimental theatre that make you think and is open to interpretation

Was This the First Time I Saw a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: None

Length: 1.5 hours

Intermission: No but there were technical difficulties that forced them to call an “intermission” and ask the audience to exit the theatre. I actually thought it was part of the performance since the play seemed experimental. Oh, the magic of live theatre!

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Portrayals of Abused/Disturbed Minds: Great depiction of prisoners who are losing their minds in bleak isolation. They also sprinkled in some mild self-abuse and (reverse?) Stockholm Syndrome.
  • Bizarre Scenes: For some reason, I enjoyed the parts when Kiki Abba romanticized a homemade stuffed mannequin or when her captors fed her food from a slot near the floor like in an asylum.
  • Scenic and Lighting Design: Portrayed a mysterious dystopian aura that was enhanced by the intriguing steampunk factory-like lighting design/effects.
  • Dance Break: There was a major scene in the middle of the play dedicated to an abstract/experimental solo dance.

Rant(s)

  • Technical Difficulties: As mentioned previously, there were some technical issues in the middle of the show. While I typically don’t ding performances for these unexpected events, it made me wonder what details I missed before they resolved the technical difficulties. For example, before the audience was asked to leave the theatre, I was thinking to myself that the surveillance room on the stage could use video footage on the screens and more lighting. When we arrived back in the theatre, there was video and more light in the surveillance room. What else did I miss due to the technical issues?

Other Thought(s)

  • Accents: While I appreciate the actors’ effort to speak with UK accents, I doubt speaking with their actual American accents would have detracted any value from the play.

Theatre Company: Washington Ensamble Theatre

Venue: 12th Ave Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Dates: January 12 to January 30, 2023 – Get your tickets now since the opening night was sold out!

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave across from the park. Sigh, “cheapest” was $16 dollars for me. :-/ I highly suggest parking far away or taking the bus.

Like/Comment/Share my Social Media Posts About this Performance:
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Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video.

Cast and Production Team : See below pictures

@showsiveseen "#Arlington" #play w/ Washington Ensemble Theatre at 12th Avenue Arts. #Experimental-like & #abstract. #Intriguing scenic/lighting design. #Dystopian #orwellian #postapocalyptic feel in an #asylum-like #prison. Peer into the disturbed mind! Review: showsiveseen.com/3222 #theatre ♬ We Appreciate Power – Grimes
NameRole
Kiki AbbaIsla
Ricky Spaulding Young Man
Amber Tanaka Young Woman
Corinne Park-Buffelen Supervisor
Andreya Pro Maureen
Van Lang Pham Michael
Antony Leroy Fuller The Usual Man
Elda WalshPlaywright
Maggie L. RogersDirector & Sound Design
Andy WalkerAssistant Director & Dramaturg
Symone SanzChoreographer
Kimberly LeStage Manager
Tristan Roberson
(Member of United Scenic Artist, IATSE local 829)
Scenic Director
Nabilah S. AhmedProjections Designer
Hannah GibbsLighting Director
Saira BarbaricCostume Designer
Castor Rosencrantz KentSound Designer
Elliott HartmanProperties Designer
Ryan DunnAssociate Technical Director
Justin DuffianceShop Supervisor
Annie DuffianceResident Scenic Artist
Robert MitchellMaster Electrician
Jeanette SanchesIntimacy Coach
Kayla WalkerDialect Coach
Monty RozemaAssistant Stage Manager

Not / Our Town – Play – Pony World Theatre

Elevator Thoughts (aka Tweet): Not / Our Town play by Pony World Theatre at 12th Avenue Arts. Experimental take on Thornton Wilder’s Our Town. Performances differ based on audience survey. They pulled me on stage for rock, paper, scissors! Multilayered timeline. Great message about life’s mundane moments. #theatre

Synopsis from the Theatre: With Not / Our Town, Pony World Theatre tackles the most iconic American classic: Our Town by Thornton Wilder. But how much this production feels like an old classic or something new, different, and weird is up to audience members. Before each show, the audience takes a survey with options for several different scenes, staging styles, and even story elements. The winning votes determine that night’s performance. This is not improvised theatre, but instead numerous possible variations of the script. Do you want to see teenagers on ladders or things falling from the ceiling? How about puppets? Would you like to see people fall in love or out of love? You can decide. Does someone need to know or appreciate the original Our Town to enjoy this creative imagining of an old story about life and family? Absolutely NOT. Both the 1938 original and this new play tell stories about family, community, and those journeys in life common to us all. Because even when the destination is the same, there are hundreds of different paths to get there.

Reviewed Performance Date: 11/5/22 Evening

Type: Play

World Premiere: I think so?

Recommendation: See it if you like experimental theatre or the original Our Town play.

Rating (Out of 5 Stars): 4 stars

Equity Actors: Zero but they were good.

Rant(s)

  • Even though I see average 3 shows per week, I didn’t understand some of the deep theatre references.
  • I know this is experimental theatre with a pre-performance audience survey but I got major FOMO knowing the show I saw that night wouldn’t match the show someone sees another day!
  • Despite the theatre’s synopsis, I feel like audience members who previously saw the original Our Town would enjoy this more.

Other Rave(s)

  • The stage effect right before the intermission was pretty cool. I won’t spoil it for you though!
  • I don’t know why but the waltz was one of my favorite parts especially with the solo dancer.

Other Thought(s)

  • If you think the play doesn’t make sense throughout the show, stay till the end! You’ll appreciate the take-home message of the play.
  • Get your tickets! I think they sold out opening weekend. I could barely find a seat!
  • Like the theatre synopsis says, this show isn’t true improv. But it had some improv energy if you’re into that. I mean, I was pulled up on stage!
  • They broke the 4th wall!

Theatre Company : Pony World Theatre

Venue: 12th Avenue Arts (aka Black Box Operations)

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap w/ inclusive pricing options

Dates: November 4 to December 3, 2022

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave across from the park. Sigh, “cheapest” was $16 dollars for me. 🙁

Social Media Posts: Instagram | TikTok | Facebook | Twitter | YouTube

Link(s):

Cast and Production Team: Under the video and pictures.

Other Video +/- Pictures: Photography in video and under video are by Tanya Izadora Photography.

@showsiveseen "Not / Our Town" #play by Pony World Theatre by Brendan Healy at 12th Avenue Arts. #Experimental take on #ThorntonWilder's #OurTown. Performances differ based on audience survey. They pulled me on stage for rock, paper, scissors! Multilayered timeline. Great message about life's mundane moments. Review & Photo Credit: showsiveseen.com/1933 #theatre ♬ Better Days – Animal Island
Alanah Pascual Pointing
Alanah Pascual Ladder
Lisa Viertel with Puppet and Jesse Parce
Ensemble in Avant Garde Scene
Augustya Kohli and Tyler Campbell
Amber Walker with Mark Fullerton in Background
Amber Walker Survey
Sophia Franzella with Puppet
Sophia Franzella on Ladder
Lisa Viertel Human Circus
RoleName
Actor (Played as Themselves)Tyler Campbell, Sophia Franzella, Mark Fullerton, Kathy Hsieh, Agastya Kohli, Jesse Parce, Alanah Pascual, Lisa Viertel, and Amber Walker
Playwright & DirectorBrendan Healy
Stage ManagerKristin Brown
Assistant Stage ManagerAnahita Sepehri
Scenic Designer and ChoreographerParmida Ziaei
Prop DesignerAndrea Spraycar
Sound DesignerAlex Potter
Projections DesignerTristan Roberson
Projections AssistantDamon Reaney
Costume DesignerSarah Brush
Puppet DesignerSann Hall
Survey EngineerMike Gilson
Technical DIrectorJustin Duffiance
Scenic Charge and Artist LiaisonAnnie Duffiance
Production ManagerEllie Hughes
Run CrewDaniel Anson

Cloud Tectonics – Play – Sound Theatre Company

“Cloud Tectonics” play opening night w/ Sound Theatre Company at 12th Avenue Arts. A beautiful mysterious pregnant hitchhiker uncontrollably stops time. Wondering if there was anything more to the sun & moon symbolism. #theatre #Latino #Latin #latina #latinx

Type: Play

Theater Company: SecondStory Repertory Theatre

Venue: 12th Avenue Arts – 1620 12th Ave, Seattle, WA 98122

Price: $ (Low)

Dates: September 24, 2022 to October 15, 2022

Seating: General Admission

Linkhttps://soundtheatrecompany.org/2022-season/cloud-tectonics/

Other Media:

@showsiveseen “Cloud Tectonics” #play opening night w/ Sound Theatre Company at 12th Avenue Arts. A beautiful #mysterious pregnant hitchhiker uncontrollably stops #time. Wondering if there was anything more to the sun & moon symbolism. #theatre #latino #latinx #latina ♬ Not Used To Normal – Jillian Rossi
Actors: Myles Romo, Jay Woods. Photo: Nikeesha Gooding. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actors: Myles Romo, Jay Woods. Photo: Nikeesha Gooding. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actor: Myles Romo, Jay Woods. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actor: Myles Romo, Jay Woods. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actor: Jay Woods. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actors: Jay Woods, Jacob Alcazar, Myles Romo. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).
Actors: Jay Woods, Jacob Alcazar, Myles Romo. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume). 
Actors: Myles Romo, Jay Woods. Photo: Aaron Jin. Design: Parmida Ziaei (scenic), Adem Hayyu (lights), Taya Pyne (costume).