@showsiveseen @Disney & Cameron Mackintosh's "Mary Poppins" #musical at @The 5th Avenue Theatre. Mallory Cooney King (& Allison Standley understudy) uncannily emulated Julie Andrews's original role. Skillful choreography, magical stage effects, & an incredible ensemble in a well-executed production. Closes 12/29/24! Review: showsiveseen.com/10838 Photos: Tracy Martin & Mark Kitaoka Director/Choreographer: Denis Jones Stage Manager: @jkh Music Director: Matthew Smedal #MaryPoppins #theatre #showiveseen #Disney ♬ Supercalifragilisticexpialidocious – Fresh Forte
Elevator Thoughts (aka Tweet): Disney & Cameron Mackintosh’s Mary Poppins musical at The 5th Avenue Theatre. Mallory Cooney King (and Allison Standley understudy) uncannily emulated Julie Andrews’s original role. Skillful choreography, magical stage effects, and an incredible ensemble in a well-executed production. Closes 12/29/24! #MaryPoppins
See it if you enjoy family-friendly shows.
My Synopsis (No Spoilers): A whimsical nanny descends from the skies, bringing joy and life-changing adventures to a London family in need of a little magic.
Synopsis from the Licensor or Theatre Company: With a spoonful of sugar, Mary Poppins flies across the stage in a brand-new production just for The 5th Avenue Theatre audiences. Precocious children Michael and Jane Banks have exhausted every nanny—that is, until Mary Poppins drops in on a strange breeze. Revel in the spectacle of this chimney-sweeping epic that sees them traverse the roofs of London to encounter colorful characters in a fantastically magical world. Based on the beloved film, this ageless tale is a celebration of imagination that reveals the childlike wonder all around us.
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) or Dynamic Set: Dynamic
Prior Exposure/Knowledge Required: No, but you’ll probably appreciate this more if you watched the movie.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes
Union Actors: All
Total Actors: Too many to count
Perceived Pace of the Show: Medium speed
Was there an intermission? Yes
Length (Including Any Intermission): 2.75 hours
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Yes if I wanted to show my kids (if I even have kids in the future) or my nephews the magic of live theatre.
Mainstream Appeal: Medium
Other Rave(s) Not Mentioned Above
- Stage Magic: The show was filled with magical stage effects, including Mary Poppins descending/ascending through the sky, appearing out of nowhere, transforming a cake, and pulling an incredible array of props (including a bed!) from her seemingly bottomless bag.
- Clever Stage Transitions: Speaking of sudden appearances, the production did a great job of revealing each household member behind a semi-transparent screen between the actors and the audience during the show’s introduction. It was reminiscent of how Mrs. Cormey’s tent seemed to appear out of nowhere near the end of the second act.
- Toy Scene: The sentient toy scene was fantastically unsettling, with the actors skillfully mimicking the unnatural movements of the toys. The impaled clown heads added a disturbingly effective touch. The stuff of child nightmares!
- “Feed the Birds” Song: I don’t know why, but the ballad “Feed the Birds” (sang by Cristin J. Hubbard) was unexpectedly beautiful and moving—definitely a tearjerker!
- Ensemble: The ensemble’s demeanor and costumes evoked the spirit of the ensemble-lead “Ascot Gavotte” (my favorite song from My Fair Lady), especially in the park and bank scenes. I loved their severe and stiff delivery of “Precision and Order” at the bank.
- Tap Dance: The grand tap dance number from choreographer/director Denis Jones in “Step in Time” was thrilling. The costumes exuded a Newsies: The Musical vibe. There were moments when the chimney sweeps tapped the floor with staffs, creating a fascinating effect like coordinating three tap feet. I wish we saw more of that unique element in the routine. But overall, the ensemble nailed the synchronicity of “stepping in time.”
- Miss Andrew Antagonist: Miss Andrew (also portrayed by Cristin J. Hubbard) was a wonderfully wicked villain, with her operatic notes in “Brimstone and Treacle” adding to her commanding presence. You know you have a great villain when the audience can’t help but cheer for them.
- Supercalifragilisticexpialidocious Choreography: The ensemble performed the song while spelling out several words using alphabet signs, requiring precise coordination to ensure everything was executed flawlessly. Any mistake with the alphabet signs would have been immediately noticeable to the audience. It was like a bell choir, where each performer is responsible for two notes (or letters), and the success of the song depends on perfect timing from everyone.
- Mary Poppins Portrayal: The makeup/hair/costume director Shannin Strom, along with lead actress Mallory Cooney King (and understudy Allison Standley), did an excellent job emulating Julie Andrews’ iconic original Mary Poppins. For some reason, the understudy had to step in during the second act. But honestly, I wouldn’t have noticed if the stage manager neglected to announce the change. I would have simply thought the original performer had mustered extra energy. Oh, the magic of live theatre!
- Favorite Line: “Last week, he [your husband] said you were neither use nor ornament.” What a deliciously cutting very English remark!
Other Musing(s) and Observation(s)
- Drug Use: Coming from a healthcare professional who is unabashedly pro-medication, the drug use in this story was wild! You don’t want to clean the room? Here’s some meth to enhance the experience. You talked back to your parents? Here’s some ipecac as punishment! Terrific child rearing back then!
Theatre Company: The 5th Avenue Theatre
Venue: The 5th Avenue Theatre
Venue Physical Address: 1308 5th Ave, Seattle, WA 98101
Price Range: $40-169
Ticket Affordability Options: The 5th Avenue Theatre often partners with organizations you’re affiliated with for discount tickets. For example, they sometimes offer a discount for my employer affiliation. Rush tickets are also available day-of at the box office.
Dates: November 22 to December 29, 2024
Seating: Assigned Seating
Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif Hotel northwest of the theatre. The entrance is on 5th Ave. Do NOT park in the APA Coast Seattle Downtown Hotel garage (entrance on 6th Ave). That’s where most of the audience (and I think the subscribers) parks, so it’s a nightmare to leave. However, the APA Coast Seattle Downtown Hotel garage is the closest garage to the theatre and you can access the theatre through a tunnel if you want to avoid the elements. But, in my opinion, this benefit is not worth the time wasted leaving the garage.
Like/Comment/Share my Social Media Posts About this Performance:
Buy a Ticket or Learn More:
Pictures: See production pictures below by Tracy Martin and Mark Kitaoka.
Cast and Production Team: See pictures below.
