A Case for the Existence of God play opening weekend at ACT Theatre. Don’t wait for my full review if you want to buy tickets since they’re performing until 2/18/24!
Steven Dietz’s Vial Man (The #Apothecary’s Story) play reading at ACT Theatre’s inaugural NW2 (New Works Northwest) Festival. One night only! Stay tuned for my full review. #shakespeare #RomeoAndJuliet
Elevator Thoughts (aka Tweet): Lauren Yee’s Cambodian Rock Band musical at ACT Theatre w/ 5th Avenue Theatre featuring music from Dengue Fever, directed by Chay Yew, starring Brooke Ishibashi & the talented Joe Ngo. Good dialogue, difficult decisions, & poetic/artistic story. Music was so Seattle. #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian #karma
Recommendation See it, especially if you like rock music reminiscent of Seattle
Synopsis from the Theatre: Guitars tuned. Mic checked. Get ready to rock! This darkly funny, electric new play with music tells the story of a Khmer Rouge survivor returning to Cambodia for the first time in thirty years, as his daughter prepares to prosecute one of Cambodia’s most infamous war criminals. Backed by a live band playing contemporary Dengue Fever hits and classic Cambodian oldies, this thrilling story toggles back and forth in time as father and daughter face the music of the past. Lauren Yee brings us an intimate rock epic about family secrets set against a dark chapter of Cambodian history.
Attended Performance Date: 10/5/23 (Opening Night) – See my previous preview posts here.
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: No
Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with Cambodian history or Dengue Fever songs.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes, the actors were the band
Equity Actors: 6
Total Number of Actors: 6
Perceived Pace of the Show: Slow, especially with the heavy dialogue
Length (Including Any Intermission): 2.75 hours
Was there an intermission?: Yes
Was This the First Time I Attended a Production of this Show?: Yes
Would I See It Again 3 Years from Now?: Probably not, but it was good
Other Rave(s) Not Mentioned in Elevator Thoughts
Versatile Talent: Almost all the actors were also part of the band. Special shout out to Joe Ngo (who played Chum) with his many character personas.
Well-written Dialogue: I especially enjoyed the argument at the twist reveal, which BTW I’m proud to have predicted!
Asian Representation: I’m always thrilled to see shows that feature Asian actors or Asian stories since we’re so underrepresented in entertainment. This musical realistically depicted the interactions between first- and second-generation Asian family members, especially with the parental disapproval!
Rant(s)
Subtitles: The songs were in desperate need of subtitles since some lyrics were in Cambodian and the music genre was that muffled grungy Seattle-esque rock. The audience needs to understand the lyrics in a musical, so the songs add significance to storyline. Imagine how much the audience would miss if they didn’t understand the lyrics to “Part of Your World” in The Little Mermaid.
Hook: The musical began like a rock concert with two songs. In my eyes, this was akin to two musical overtures where you start losing the audience at the second song especially if they don’t even know the song. I suggest cutting or moving the second song.
Other Musing(s) and Observation(s)
Dancers: Who were the random people that danced on-stage at the end of the show?
Preventable Problems: It’s a bit unsatisfying when a major calamity the main character experienced was easily preventable. But I guess a story often needs a calamity to be interesting!
Loose Ends: I feel like the Comrade Duch’s story was left unresolved.
Theatre Company: National Tour Brought by ACT Theatre and 5th Avenue Theatre
Venue: The Falls Theatre at ACT Theatre
Venue Physical Address: 700 Union St, Seattle, WA 98101
Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.
Dates: September 29 to November 5, 2023
Seating: Assigned Seating
Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre walking through the old convention center.
Brooke Ishibashi and Joe Ngo in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.Joe Ngo, Brooke Ishibashi, Abraham Kim, Jane Lui and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.Brooke Ishibashi, Jane Lui, Abraham Kim and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.Joe Ngo and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman. Joe Ngo, Abraham Kim, Brooke Ishibashi, Jane Lui and Tim Liu in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.Francis Jue in Cambodian Rock Band at Arena Stage at the Mead Center for American Theater. Photo by Margot Schulman.
Cambodian Rock Band Dengue Fever musical opening night at ACT Theatre w/ 5th Avenue Theatre. Performing until 11/5/23. Stay tuned for my full review! #showsiveseen #theatre #Cambodia #KhmerRouge #DengueFever #Cambodian
Elevator Thoughts (aka Tweet): Wolf Play at ACT Theatre by Hansol Jung directed by Rosa Joshi. Interesting story about a lesbian queer couple, unconventional adoption, parenting, betrayal, & boxing. Novel puppetry. #LGBT #LGBTQ
Synopsis from the Theatre: When an online adoption process goes sideways, the young boy caught in the middle launches himself into a lone wolf’s journey to find a pack he can call his own. From South Korean playwright Hansol Jung, one of the most imaginative story tellers in the field, comes a wild new play employing puppetry, boxing, and crackling dialogue to tell the affecting story of trust, love, identity, and the families we choose and unchoose.
Reviewed Performance: 5/11/23 Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Prior Exposure/Knowledge Required: None
Defined Plot/Storyline: Yes
Recommendation: See it, especially if you’re a(n) (aspiring) gay parent or if you like watching on-stage puppetry. This was not your typical furry Muppets or Avenue Q puppetry though! Read more below.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not, but it was good
Rating Compared to Other Shows with the Same Production Value: 4.5 stars (Out of 5 Stars)
Equity Actors: 2
Total Number of Actors: 5
Length (Including Any Intermission): 2 hours
Intermission: No
Other Rave(s) Not Mentioned in Elevator Thoughts
Puppetry: I usually don’t like puppetry on-stage (and thankfully only the main character was a puppet), but I’ll admit that the puppetry design/presentation in this play was unique. Throughout the show, Morgan Gwilym Tso portrayed a child (Wolf) as a life-sized non-furry puppet. A side benefit was that it let the theatre avoid casting a child actor, which can be problematic.
Courtroom Scene: They lowered poles from the ceiling to simulate a boxing ring in the courtroom.
Lesbian MomsLGBTQ Parents (Updated 5/21): This play showcases an LGBTQ couple with a lipstick female (Robin) and a more butch non-binary person (Ash) who was originally born a female. Ash was a boxer with a beard and hairy armpits! I originally described them as a “lesbian couple” since that’s how Concord Theatricals (the organization that licensed the play performing rights to ACT Theatre) described them. But a reader messaged me that “queer couple” is more accurate.
Rant(s)
Opening Monologe : The play started slow with a monologue but eventually hit its stride. I suggest cutting or shortening the monologue. You want to hook the audience at the very beginning.
Other Musing(s) and Observation(s)
eBay Adoptions: The premise is that a lesbian queer couple adopts a child online from a family who changed their mind about raising an adopted kid. It’s like a how one might adopt a dog at the shelter and later decide to give it away to another family because the dog pees on the carpet. I never really considered people might actually commit this atrocity in real life until this play. Sadly, it probably happens more than we realize.
Theatre Company: ACT Theatre
Venue: Allen Theatre at ACT Theatre
Venue Physical Address: 700 Union St, Seattle, WA 98101
Price: Medium
Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.
Dates: May 5 to 21, 2023 – Opening night was only 5/11 and they’re already ending the production 5/21! Have ACT Theatre runs always ended this early? I remember the same thing for History of Theatre.
Seating: Assigned Seating
Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettXander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettS. Franco setting sights on their opponent in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettS. Franco throws a punch as Vahishta Vafadari and Morgan Gwilym Tso cheer in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettActor Morgan Gwilym Tso and puppet howl like wolves in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettVahishta Vafadari kicks Xander DeAngeles for being rude in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari and Xander DeAngeles blow up balloons in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Aaron Blakely holds puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettAaron Blakely, Morgan Gwilym Tso and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari, Morgan Gwilym Tso, and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Role
Name
Wolf
Morgan Gwilym Tso
Ash
S. Franco
Robin
Vahishta Vafadari
Ryan
Xander DenAngeles*
Peter
Aaron Blakely*
Wolf (Understudy)
Koo Park
Ash/Robin (Understudy)
Ayodele Ngozi Tushinde
Ryan (Understudy)
Darius Sakui
Peter (Understudy)
Christopher Clark
—
—
Director
Rosa Joshi
Playwright
Hansol Jung
Assistant Director
Dylan Tomas Nieves
Scenic Designer
Andrea Bush
Costume Designer
Christine Tschirgi
Lighting Designer
Connie Yun^
Sound Designer
Meghan Roche
Puppet Designer
Amanda Villalobos
Puppet Coach
Annett Mateo
Intimacy & Fight Choreographer
Helen Roundhill
Boxing Coach
Laura Wright
Assistant Lighting Designer
Thorn Michaels
Stage Manager
Tori Thompson
Production Assistant
Michelle Chesley
*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States