Every Brilliant Thing – Play – ACT Theatre

Elevator Thoughts (aka Tweet): Every Brilliant Thing one-person storytelling play w/ Ian Bell written by Duncan Macmillan & Jonny Donahoe. Feel-good show that ironically explores depression w/ the help of audience participation. First time I sat front row at ACT Theatre!

Synopsis from the Theatre: The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all? The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.

Reviewed Performance: 3/23/23 Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: Several

Defined Plot/Storyline: Seemed more like a collection of related vignettes than an actual plot

Recommendation: See it if either

  • You like one-person plays
  • You’re not a cynic
  • You like the quirky, basic, hipster millennial, whimsical, cutesy vibes of Zooey Deschanel in New Girl
  • You like sentimentality
  • You like plays that explore depression and suicide (but remember this is a feel-good play)
  • You like the private “dance it out” scenes in Grey’s Anatomy w/ Meredith and Christina
  • You like dancing in the rain
  • You like seeing audience participation
  • Or you like participating from the audience

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 1

Total Number of Actors: 1

Length (Including Any Intermission): 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Playlist: The overhead stage playlist before and after the show was a nice selection of retro feel-good songs
  • Live Band: There was a live band in the lobby before and after the show. I hope they performed for more than just opening night…

Rant(s)

  • “Why?” Scene: For some reason, I really hate scenes on on-stage or on-screen when kids incessantly ask “Why?” in response to everything an adult tells them. It is not cute at all.

Other Musing(s) and Observation(s)

  • Audience Participation: There was a ton of audience participation in this production. I was a little worried when Ian Bell (the solo actor of this performance) passed out cards throughout the audience a couple of minutes before the show began. Be careful if you’re on the front row like I was! Fortunately, he didn’t choose me to participate. While I’m usually not a fan of extensive audience participation in shows (total theatre “pillow princess” here), I thought it was a novel cost-effective way to add additional actors/characters to a one-person show. There were scenes where an audience member euthanized a coat, proposed marriage to Ian Bell, or hosted a therapy session with a sock puppet! I always wonder what’s the contingency plan in shows with such extensive audience participation if a chosen person is an absolute psycho and derails the intended trajectory of the performance.

Theatre Company: ACT Theatre

Venue: ACT Theatre – Allen Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Cheap to Expensive

Ticket Affordability Options:

  • Pay What You Can: You can self-select ticket prices as low as free for the value seats on the ticketing website. The value seats are just about the same view as the non-value seats.
  • Other ACT Theatre Discounts: https://acttheatre.org/visit/discounts/
  • TodayTix

Dates: March 17 to April 2, 2023

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures below by Truman Buffet Photography

Cast and Production Team: See after pictures below

Ian Bell high-fives the entire room in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell sits next to an audience member playing his first love in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell hands an audience member a book in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell strikes a pose in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell listens for an audience response in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell reflects on life’s brilliant things in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
Ian Bell makes magic happen in Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe and directed by John Langs, onstage March 23-April 2, 2023 at ACT—A Contemporary Theatre. Photo credit: Truman Buffett
RoleName
Main Character Ian Bell*
Understudy Imogen Love*
Director John Langs
Playwrights Duncan Macmillan w/ Jonny Donahoe
Scenic Designer Parmida Ziaei
Costume Designer Danielle Nieves
Lighting Designer Lily McLeod
Sound Designer Maggie L. Rogers
Stage Manager Jeffrey K. Hanson*
Production Assistant Max Zamorano
Stage Management InternEm Wittress
*Members Of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the USA

History of Theatre: About, By, For, and Near – Play – ACT Theatre and The Hansberry Project

Elevator Thoughts (aka Tweet): History of Theatre: About, By, For, and Near play at ACT Theatre w/ The Hansberry Project. Experimental show quite literally about the “history of theatre” from the perspective of past African American actors. #POC #BiPOC #vaudeville #black

Synopsis from the Theatre: Travel back in time – 200 years, to be precise – with your host, Sister Blacknall, and meet the Black theatre artists of America’s history, who have returned to ensure that this time, they will be remembered. Reginald André Jackson’s wildly original play challenges the stories we’ve been told about who makes theatre and who it is for; creating a spellbinding evening that is both illuminating and inspiring. History of Theatre: About, By, For, and Near takes audiences on a journey from 1820 to the mid-1930s, through the lens of a contemporary artist making their way in our very own Seattle theatre scene. Witness the forgotten impact of The Rabbit’s Foot founder Pat Chapelle, who created the first all-Black touring vaudeville troupe in 1900, the boundary-breaking actors Ira Aldridge and Rose McClendon, as well as members of Seattle’s own Negro Repertory Company.

Reviewed Performance: 2/3/23 on opening weekend – Sorry for the late review. I’ve been busy catching up on reviews since my dad was in town. I would have posted earlier than other reviews if I realized sooner that this play had such a short run. Usually, ACT Theatre plays last at least 3 weeks after opening night and I assumed this one was no different.

Type: Play

World Premiere: Yes

Defined Plot/Storyline: No

Recommendation: See it if you’re into history and you have prior knowledge of African American theatre origins.

Was This the First Time I Saw a Production of this Show: Yes

Equity Actors: 7

Number of Actors: 8

Length (Including Any Intermission): 1 hour and 30 mins, which felt a bit long

Intermission: No

Rant(s)

  • Prior Knowledge: It will be difficult to enjoy this play if you don’t have prior knowledge of African American theatre history. A lot of references went over my head, and it was hard to keep track of all the characters I was unfamiliar with.

Other Musing(s) and Observation(s)

  • Experimental: This play was definitely different than what’s usually on stage. For starters, it was self-aware that it was play. It also addressed the 4th wall frequently and sometimes had arguments with itself. There was also time travel, which distorted the play’s chronology.
  • Audience: Where were the African American theatre patrons? The audience was a testament to the homogeneity in Seattle and theatre. But at least the play is a step in the right direction.

Theatre Company: ACT Theatre

Venue: ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: Visit the ACT Theatre Discount Page. Usually, Goldstar and TodayTix have good deals too.

Dates: January 28 to February 12, 2023 – Opening night was February 2. Sorry this review is so late!

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center parking lot with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures below FaceBook post

Cast and Production Team: See after pictures

Like/Comment/Share my Social Media Posts About this Performance:
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Amy Thone and R. Hamilton Wright in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Tracy Michelle Hughes, Arlando Smith, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Dedra D. Woods and Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
R. Hamilton Wright, Amy Thone, and Tracy Michelle Hughes in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Malcolm J. West, Be Russell and Arlando Smith in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Arlando Smith, Malcolm J. West, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
The ensemble cast: R. Hamilton Wright, Amy Thone, Be Russell, Arlando Smith, Dedra D. Woods, Malcolm J. West, Tracy Michelle Hughes, and Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Malcolm J. West, R. Hamilton Wright, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Dedra D. Woods in front of the ensemble cast in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
R. Hamilton Wright, Malcolm J. West, Arlando Smith, and Dedra D. Woods in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
RoleName
CastTracy Michelle Hughes*
Reginald André Jackson*
Be Russell*
Arlando Smith*
Amy Thone*
Malcolm J West
Dedra D. Woods*
R. Hamilton Wright*
UnderstudiesAnne Allgood*
Nicholas Japaul Bernard*
Alexandria J. Henderson*
Director Valerie Curtis-Newton
PlaywrightReginald Andre Jackson
ChoreographerDonald Byrd
Scenic DesignerJennifer Zeyl
Costume DesignerCathy Hunt
Lighting DesignerRobert J. Aguilar
Sound DesignerLarry D. Fowler
Projection DesignerJuniper Shuey
Dialect CoachAmani Dorn
Dramaturg Martine Kei Green-Rogers
Associate Lighting Designer LB Morse
Stage ManagerRuth Eitemiller*
Assistant Stage ManagerHazel Rose Gibson*
Production AssistantNoah Sarkowsky
* Members of Actors Equity Association, the Union of Professonal Actors and Stage Managers in the USA

A Christmas Carol – Play – ACT Theatre

Elevator Thoughts (aka Tweet): A Christmas Carol at ACT Theatre. Play adaptation of the classic Charles Dickens novella. Kudos to young adult Scrooge for tearing up on-demand. Delightfully the angriest old Scrooge I’ve seen on-stage so far. Bah humbug! #xmas #AChristmasCarol #sentimental

Synopsis from the Theatre: Fill your heart with joy! Charles Dickens’ enchanting tale of redemption and compassion as A Christmas Carol comes vividly to life beginning November 25. On a snowy Christmas Eve brimming with memorable characters, ghostly apparitions, and visits to the past, present, and future, miserly Ebenezer Scrooge discovers the joy of charity and redemption. Capture the timeless magic of Dickens’ Yuletide classic, proudly returning for the 47th year. Get your tickets now.

Reviewed Performance: 11/27 Evening – Opening Night

Type: Play

World Premiere: No

Live Band/Orchestra: No

Recommendation: See it if you like Christmas plays or if you like traditional productions of this classic story.

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: 8 actors out of 17

Length: 90 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Singing: I was pleasantly surprised to find singing in this play. While the musical numbers were brief, they were still good.
  • Floor Entrances: The production used the floor for a couple dramatic entrances/exits like the gaudy accession of “Christmas Present,” the creepy crawl of “Want and Ignorance,” or the demonic visit from Marley. The gravestone lighting was also a nice dramatic touch.

Rant(s)

  • “Christmas Past” Set: It would have been nice to see more developed scenic design from the “Christmas Past” segment when they were pointing at specific landmarks. But it’s probably hard to do that on an arena stage and not worth the short airtime.
  • Temperature: My companion and I were so cold and it had nothing to do with Scrooge’s demeanor!
  • B-reel (Added 12/7/22): Unfortunately, ACT Theatre noticed an error in the B-reel used for the TikTok video I made and asked me to either re-edit the my video or take it down. I opted for the latter option as these videos take hours to make and I did not have time to correct their mistake. Sorry readers! But please enjoy their fantastic pictures below.

Other Thought(s)

  • Scrooge and Cratchit Family: It was kind of creepy that Scrooge identified the names of the Cratchit family when they never met. It was also weird that Scrooge asked to be Tiny Tim’s father figure when they also never met.

Theatre Company : ACT Theatre

Venue: Allen Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium to Expensive

Dates: November 25 to December 24, 2022

Seating: Assigned

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center parking lot with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube
I removed the social media links. See my rant above about the B-reel for an explanation why.

Buy a Ticket or Learn More:

Other Pictures: Pictures are by Truman Buffet Photography.

Choir Boy – Musical Play – ACT Theatre

“Choir Boy” musical play at ACT Theatre w/ the 5th Avenue Theatre. Tight accapella harmonies like TAKE 6 or Boyz II Men. The flamboyant gay student’s comebacks were so witty. Loved the shower set design. Wondering what the ending dramatic pause symbolized. #LGBT #boardingSchool #POC #prepSchool #black #theatre

Type: Play with Music

Recommendation: See it!

Rating (Out of 5 Stars): 4 stars

Theater Company: ACT Theatre and 5th Avenue Theatre

Venue: ACT Theatre

Price: $$ (Medium)

Dates: September 11, 2022 – October 23, 2022

Seating: Assigned

Linkhttps://order.acttheatre.org/choir-boy

@showsiveseen#Choir Boy” #musical #play at #ACTTheatre w/ #5thAveTheatre. Tight #accapella harmonies like #Take6 or @boyziimenofficial. The flamboyant #gay student’s comebacks were so witty! Loved the shower set design. Wondering what the ending dramatic pause symbolized. #LGBT #boardingSchool #POC #prepSchool #black #ChoirBoy ♬ original sound – Shows I’ve Seen

And So That Happened… – Musical – 5th Ave Theatre & ACT Theatre

“And So That Happened…” #lmusical by 5th Avenue Theatre & ACT Theatre w/ dad. World premiere show about how the COVID-19 pandemic affected 5 people in Seattle.
@showsiveseen "And So That Happened…" #musical w/ dad by 5th Avenue Theatre & ACT Theatre. World premiere show about how the #COVID19 #pandemic ♬ You And Me – Lyus