Happy opening night to ArtsWest & Salle Auriol Fencing Club’s Athena play production. Performing bouts till 5/4/25. Look out for my full review! #friendship #competition
@showsiveseen @issayorkchop's "Covenant" #chilling#thriller#play at #ArtsWest. Felicia Loud's portrayals are always a joy to witness. Good storytelling w/ a totally unexpected twist at the end that left me replaying the previous scenes in my head. Would be fascinating to rewatch knowing the ending. In the spirit of #ValentinesDay weekend, how far would you go for love? Review: showsiveseen.com/11635 Photos: John McLellan Director: @Nicholas Bernard Stage Mgr: Kimberly Le #showsiveseen#theatre♬ Abracadabra – Lady Gaga
Elevator Thoughts (aka Tweet): York Walker’s Covenant chilling thriller play at ArtsWest. Felicia Loud’s portrayals are always a joy to witness. Good storytelling w/ a totally unexpected twist at the end that left me replaying the previous scenes in my head. Would be fascinating to rewatch knowing the ending. In the spirit of Valentines Day weekend, how far would you go for love?
Recommendation: See it if you’re comfortable with stories about Faustian bargains and demon possession.
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Maybe
Mainstream Appeal: Medium
If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Probably
My Synopsis (No Spoilers): A charismatic, prodigal musician returns to his rural hometown, only to be followed by a serious of mysterious events.
Synopsis from the Licensor or Theatre Company: When a struggling guitarist returns to his small Georgia town a blues star, rumors begin swirling that he may have made a deal with the devil to attain his musical genius. Before long, however, it becomes clear he’s not the only one with a secret. A mythic and suspenseful new play that delivers one devilish twist after another, York Walker’s COVENANT explores the power of belief and the thin line between rumor and truth.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) or Dynamic Set: Mostly static
Prior Exposure/Knowledge Required: No
Defined Plot/Storyline: Yes, but it was more dialogue than action
Union Actors: 1
Total Actors: 5
Perceived Pace of the Show: Slow in the beginning but eventually picked up to medium speed
Was there an intermission? No
Length (Including Any Intermission): 100 minutes
Other Rave(s) Not Mentioned Above
Twist (No Spoilers): The twist at the end was completely unexpected (maybe even left field) and had me second guessing how I initially perceived the entire story. So many elements presented early in the play clicked after the revelation. I loved how the twist tied back to the strong opening line hook, “Everybody’s got a secret.” It would be fascinating to rewatch and reevaluate the characters’ motivations knowing the ending.
Vibes: This production masterfully evoked a sense of unease, delivering a chilling thriller with an eerie energy that would have been perfect for a Halloween season.
Religious Superstitious Themes:
Part of the unease stemmed from my conservative Christian upbringing, where the religious superstitious themes would have been considered blasphemous sacrilege entertaining the occult and devil. The play’s juxtaposition of a guitar concert against the sacrament scene underscored the tension between these opposing forces. Elements such as Faustian bargains (aka “deal with the devil”), demonic possession, an upside-down cross, and quoting Bible verses all contributed to this unsettling atmosphere. The imagery reminded me of how Lady Gaga beautifully and sacrilegiously incorporates mystical gothic Catholic themes in her music and videos. A good example would be the hooded, mysterious monk-like stagehands, which were a nice touch.
Storytelling: Each character took center stage and shared a story that illuminated their motivations while holding a lantern as eerie sound effects played in the background. These well-written and well-executed monologues effectively deepened each character.
Music: Although this was a play, occasional music added an extra layer to the performance. Kalia Towers (as Ruthie) and Deja Culver (as Violet) both sang a cappella. Donovan Mahannah (as Johnny) played guitar and sang once or twice.
Felicia Loud: I always enjoy Felicia Loud’s portrayal of god-fearing church lady personas. This typecasting has served her brilliantly in productions like The Amen Corner and Black Nativity. However, she takes on a darker role in this play, channeling a more menacing pious maternal figure like the mother in the cult classic film Carrie.
Theatre Company: ArtsWest
Venue: ArtsWest
Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116
Price Range: $46
Dates: 2/6/25 to 3/2/25
Seating: Assigned Seating
Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.
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Pictures: See production pictures below by John McLellan.
Cast and Production Team: See after pictures below.
Photo by John McLellan.Photo by John McLellan.Photo by John McLellan.Photo by John McLellan.Photo by John McLellan.Photo by John McLellan.Credits from paper program.Credits from paper program.
Elevator Thoughts (aka Tweet): Rajiv Joseph’s Guards at the Taj play at ArtsWest w/ Pratidhwani. Starring Varun Kainth & Sumant Gupta. Live music from Sampada Bhalerao (sitar) & Jayant Bhopatkar (tabla). Good horrifying brutal dilemmas. #india #indian #TajMahal #southAsian #southAsia
Recommendation: See it if you’re okay with 2-person shows with mostly dialogue.
My Synopsis (No Spoilers): Two guards at the Taj Mahal grapple with enforcing the barbaric oppressive edicts of their authoritarian autocratic regime. In the end, they face the ultimate dilemma.
Synopsis from the Licensor or Theatre Company: In 1648 India, two Imperial Guards watch from their post as the sun rises for the first time on the newly-completed Taj Mahal—an event that shakes their respective worlds. When they are ordered to perform an unthinkable task, the aftermath forces them to question the concepts of friendship, beauty, and duty, and changes them forever. GUARDS AT THE TAJ is one of Pulitzer Prize Finalist Rajiv Joseph’s seminal works.
Attended Performance Date: Opening Weekend 9/14/24 – Keep your eyes peeled for preview posts on my website and social media if you want earlier notification of shows I’ve seen. This show closes on 10/6/24!
Type: Play
World Premiere: No
Several or Few Scenes: Few
Several or Few Settings/Locations: Few
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: No, but you might appreciate this more if you’re familiar with Indian history. I was not and I kept wondering “Holy crap, did these historical events really happen?!”
Defined Plot/Storyline: It was more dialogue than story.
Equity Actors: 0
Total Number of Actors: 2
Perceived Pace of the Show: Slow to medium
Was there an intermission? No
Length (Including Any Intermission): Less than 90 minutes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Mainstream Appeal: Low to medium
Other Rave(s) Not Mentioned Above
Traditional Live Music: Sampada Bhalerao played the sitar while Jayant Bhopatkar played the tabla before the show and during the show. They also added some mild sound effects as well during the play.
Theatre Company: ArtsWest and Pratidhwani
Venue: ArtsWest
Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116
Price Range: $46
Dates: September 12 to October 6, 2024
Seating: Assigned Seating
Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.
Like/Comment/Share my Social Media Posts About this Performance:
Happy opening weekend to Rajiv Joseph’s Guards at the Taj play (including live sitar/tabla music) at ArtsWest w/ Pratidhwani. Catch the show until 10/6. Stay tuned for my full review! #india #indian #TajMahal #southAsian #southAsia