Happy opening weekend to Lynn Nottage’s Clyde’s play at ArtsWest with The Hansberry Project. Performing until 6/30. Stay tuned for my full review! #sandwich #hungry #food #felons #criminals #excons #restaurant #kitchen
Elevator Thoughts (aka Tweet): English play at ArtsWest w/ Seda Iranian Theatre Ensemble. Clever accent switching dramatic device. Thoughtful contrasting commentary on ethnic/racial identity in an English-dominated global society. Closes this weekend. Sold out, waitlist only! #ethnicity #race #language #ESL #theatre #showsiveseen #TOEFL #iranian #Farsi #Parsi #Persian #bilingual #identity #accent
Recommendation See it if either 1) you’re bilingual, 2) you have immigrant connections, 2) or you’re okay with plays that are mostly dialogue and less action.
Synopsis from the Theatre: Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half.
Attended Performance Date: 4/19/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Since the remaining show run (ending 4/28/24 this weekend) is sold out, read how to join the waitlist here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: One – a classroom
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: No, but you’d probably appreciate this more if you’re not Caucasian American/British/Commonwealth.
Defined Plot/Storyline: Not really. It was more a collection of exercises and discussions in a classroom throughout a semester.
Equity Actors: 2
Total Number of Actors: 5
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 1.5 hours
Was there an intermission? No
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Other Rave(s) Not Mentioned Above
Accent Switching: In the first scene, I immediately noticed the actors delivered their lines switching between an Iranian and an American accent. Initially, I thought this was bad acting and breaking character. But after a couple of minutes, I realized their American accent portrayed that they were speaking Farsi (Persian) while their Iranian accent portrayed that they were speaking English. This novel approach effectively conveyed distinct languages to an English-speaking audience without using subtitles.
Recording: Another clever theatre device was the English recording the Iranian characters listened to. The recording was intentionally difficult for the audience to understand. This effectively portrayed how non-English speakers hear English.
Ethnic Identity: As a second-generation immigrant, it was comforting to observe the dynamic commentary on internalized racism, the subsequent resentment of colonialism, and ethnic identity. It brought to light many conscious and unconscious questions I asked myself while growing up in the USA as a child of first-generation immigrant parents. Like why does the English accent of my people sound ugly? Why are all the “desirable accents” from Caucasian countries? If I was born in the USA, why do I still sometimes feel like a foreigner? What would it be like to live outside this ethnic limbo since I didn’t grow up with people who look like me? What would it have been like to grow up in a society where I was part of the majority? Similarly, one of the play’s characters posed the question, what would global society be like if the Persian empire was still the dominant superpower?
Favorite Line: “Our mothers get to name us. Not foreigners.” This quote reminds me of immigrants who have an American name in addition to their original name.
Other Musing(s) and Observation(s)
Unanswered Questions: I still don’t understand why the teacher Marjan (played by Vahishta Vafadari) left the UK and Omid (played by Emon Elboudwarej) left the USA.
Theatre Company: ArtsWest and Seda Iranian Theatre Ensemble
Venue: ArtsWest
Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116
Price: Cheap to Medium
Tickets: The remaining show run is sold out! See how to join the waitlist here.
Dates: April 4 – 28, 2024
Seating: Assigned Seating
Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.
Like/Comment/Share my Social Media Posts About this Performance:
ArtsWest presents English by Sanaz Toossi, directed by Naghmeh Samini. Running April 4 – April 28, 2024. Photo by Jenny Crooks.ArtsWest presents English by Sanaz Toossi, directed by Naghmeh Samini. Running April 4 – April 28, 2024. Photo by John McLellan.ArtsWest presents English by Sanaz Toossi, directed by Naghmeh Samini. Running April 4 – April 28, 2024. Photo by John McLellan.ArtsWest presents English by Sanaz Toossi, directed by Naghmeh Samini. Running April 4 – April 28, 2024. Photo by John McLellan.ArtsWest presents English by Sanaz Toossi, directed by Naghmeh Samini. Running April 4 – April 28, 2024. Photo by John McLellan.
English play by ArtsWest & Seda Iranian Theatre Ensemble. Entire performance run (ending 4/28/24) is now sold out. Arrive 1 hr before each remaining show to get on the waitlist. Stay tuned for my full review! #showsiveseen #theatre #iranian #Farsi #Parsi #Persian #language #bilingual #identity #accent
@showsiveseen Liz Duffy Adams' "Born with Teeth" #play by ArtsWest staring Ricky Spaulding & @Michael Monicatti. Nice catwalk stage. Success comes at a price … eat or be eaten! Proud that I correctly predicted the ending. Closes this weekend! Review: showsiveseen.com/8061 Photos: John McLellan Director: Mathew Wright #theatre#showsiveseen#shakespeare#gay#lgbt♬ Loving Me – Janine
Elevator Thoughts (aka Tweet): Born with Teeth play by ArtsWest staring Ricky Spaulding & Michael Monicatti. Nice catwalk stage. Success comes at a price … eat or be eaten! Proud that I correctly predicted the ending.
Recommendation See it if you’re familiar with the history/politics surrounding Shakespeare, Marlow, and Tudor England. Highbrow fancy literary gays would also enjoy this.
Synopsis from the Theatre: An aging authoritarian ruler, a violent police state and a restless, polarized people seething with paranoia: It’s a dangerous time for poets. Two of them — the great Christopher Marlowe and the up-and-comer William Shakespeare — meet in the back room of a pub to collaborate on a history play cycle, navigate the perils of art under a totalitarian regime and flirt like young men with everything to lose. One of them may well be the death of the other in this biting comedy about ambition, ego, and history.
Attended Performance Date: Opening Night 2/1/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!
Type: Play
World Premiere: No
Several or Few Scenes: Just three scenes
Several or Few Settings/Locations: Just one location
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: As I alluded earlier, you should be familiar with the history/politics surrounding Shakespeare, Marlow, and Tudor England. If not, definitely analyze the diagram on the program’s first page below.
Defined Plot/Storyline: No, this play was more dialogue with less action and less story.
Equity Actors: 1
Total Number of Actors: 2
Perceived Pace of the Show: Slow to medium speed
Length (Including Any Intermission): 1.5 hours
Was there an intermission? No
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Other Rave(s) Not Mentioned Above
Acting and Characterization: Ricky Spaulding’s portrayal of William Shakespeare struck me as honest. However, it was difficult to sympathize with Michael Monicatti’s Christopher Marlowe since the character was reminiscent of the tiresome stereotype of insufferable know-it-all bratty selfish Mean Girl gays with a handheld fan and with claws (proverbial or not). I will say though that the most interesting scenes in this play were when Marlow showed his vulnerable soft underbelly. Their interactions reminded me of opposite attractions … but were they really opposites in the end? 😉 Side note, kudos for crying on-demand on-stage!
Romantic Tension : Michael and Ricky created sizzling romantic tension without too much gratuitous visuals. It’s difficult finding this amount of visual modesty in gay art and entertainment … even gay fiction books are typically filled with sex! The only exception was the first scene. While it effectively hooked the audience and the actors looked hot shirtless, the scene felt irrelevant to the play as a whole, and it obviously pandered to sex appeal.
Theatre Company: ArtsWest
Venue: ArtsWest
Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116
Pictures: See pictures below and in video above by John McLellan.
Ricky Spaulding. Photo by John McLellan.Ricky Spaulding & Michael Monicatti. Photo by John McLellan.Ricky Spaulding & Michael Monicatti. Photo by John McLellan.Ricky Spaulding & Michael Monicatti. Photo by John McLellan.Ricky Spaulding & Michael Monicatti. Photo by John McLellan.Ricky Spaulding & Michael Monicatti. Photo by John McLellan.