Disney in Concert: The Sound of Magic by Seattle Symphony at Benaroya Hall. Don’t wait for my full review to buy tickets since there’s only one more performance left on 10/29/23!
Elevator Thoughts (aka Tweet): “A Night of Broadway Hits” concert by Non-Stop Seattle band at Benaroya Hall featuring Bethanie/Madison Willis, Nalica Hennings (my favorite!), Po Leapai, & Charles Simmons. Been meaning to see this band for a while! Proud to have known all songs in their large repertoire except one. #musicals #musicalTheatre
Synopsis from the Theatre: Don’t throw away your shot to see Non-Stop at Benaroya Hall this summer! This musical group performs songs from hit Broadway shows including Wicked, Rent, Hamilton, Little Shop of Horrors, In the Heights, Spamalot, Waitress, The Little Mermaid and many others! Non-Stop’s band members have performed at Washington’s favorite musical theater houses, such as The 5th Avenue Theatre, Village Theatre, Seattle Opera and Taproot Theatre! With five top vocalists and a large band, Non-Stop is sure to make you want to dance and sing along to some of your favorite Broadway and Disney tunes. If you see it once, we promise you’ll be back!
Reviewed Performance: 7/29/23
Type: Concert
Prior Exposure/Knowledge Required: You should be familiar with popular mainstream modern musicals like Wicked, Rent, Little Shop of Horrors, In the Heights, Spamalot, Waitress, The Little Mermaid and ESPECIALLY Hamilton.
Live Band/Orchestra: Violin, Drums, Guitar, and Piano
Recommendation: See it if you like modern Broadway musicals especially those written by Lin-Manuel Miranda.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Yes, if they have a new song list
Rating Compared to Other Shows with the Same Production Value: 4.5 stars (Out of 5 Stars)
Perceived Pace of the Show: Medium to fast
Length (Including Any Intermission): 2 hours
Intermission Included: Yes, which I thought was strange for a concert but fitting for a concert of musical theatre songs. I wish more non-Broadway concerts contain an intermission.
Other Rave(s) Not Mentioned in Elevator Thoughts
“Choral-ography”: Most of the performers were not stiff and incorporated fun “background singer moves” … in a good way!
Rant(s)
Transitions: There were no transitional spiels between songs. Like small talk,
song transitions offer no substance but are so important to avoid awkward pauses.
Other Musing(s) and Observation(s)
Set List: The repertoire contained too much Lin-Manuel Miranda (especially Hamilton). Some may argue there can never be too much Hamilton, but it’s honestly not one of my top 10 musicals … blasphemy I know! Other than the Hamilton songs, the rest of the set list was diverse and well-selected. In future Broadway-themed concerts, I suggest they only perform 1-2 songs max from a single musical. Maybe replace a couple Hamilton songs with portions of The Book of Mormon, Kinky Boots, Hairspray, and Dreamgirls. Maybe throw in a classic musical like The Wiz.
Song
Musical
Comments
Zero to Hero
Disney’s Hercules Movie
Wait for It
Hamilton
When You’re Home
In the Heights
Fun Choral-ography
My Strongest Suit
Aida
Great lead by Nalica Hennings
Make Them Hear You(?)
Ragtime(?)
Suddenly Seymor
Little Shop of Horrors
My Shot
Hamilton
Satisfied
Hamilton
Bend and Snap
Legally Blonde
Seasons of Love
Rent
You’ll Be Back
Hamilton
Transitioned to intermission
Opening Up
Waitress
Mama Will Provide
Once on This Island
Wait for Me
Hadestown
Take Me or Leave Me
Rent
Yorktown (The World Turned Upside Down)
Hamilton
Nice violin solo
The Song That Goes Like This
Spamalot
Part of Your World
Disney’s The Little Mermaid
Guns and Ships
Hamilton
Defying Gravity
Wicked
Waving Through A Window
Dear Evan Hansen
96,000
In the Heights
Schuyler Sisters
Hamilton
Encore
Theatre Company: Non-stop Seattle Band
Venue: Illsley Ball Nordstrom Recital Hall at Benaroya Hall
Venue Physical Address: 200 University St, Seattle, WA 98101
Price: Cheap to Medium
Dates: July 29, 2023 – There was only one show, but they frequently perform various places in Puget Sound.
Seating: Assigned Seating
Parking: I usually walk or transit here especially since the light rail station is directly underneath Benaroya Hall. Other than that, there’s obviously paid garage/street parking since this venue is in downtown. I think the cheapest garage lot is generally the Russell Investments Center garage (1301 2nd Ave #1950, Seattle, WA 98101). I don’t recommend parking in the Benaroya Hall garage since it’s really expensive and I imagine it takes a long time to exit after a performance.
Elevator Thoughts (aka Tweet): Harry Connick Jr’s Christmas concert at Benaroya Hall. He’s still handsome, talented, & charming as ever. Classic xmas vocal jazz music w/ a novel New Orleans flair!
Synopsis from the Theatre: Harry Connick Jr. invites you to celebrate the holidays with him and his band as 2022 draws to a close. One of the most beloved artists performing holiday music, Harry has been thrilling audiences around the world for decades with his definitive take on Christmas classics, as well as his own originals and fan favorites like “(It Must’ve Been Ol’) Santa Claus” and “When My Heart Finds Christmas.” Harry Connick Jr. has exemplified excellence in every aspect of the entertainment world. He has received recognition with multiple Grammy and Emmy Awards as well as Tony nominations for his live and recorded musical performances, his achievements on screens large and small, and his appearances on Broadway as both an actor and a composer. He has sold millions of holiday albums which have become the soundtrack to Christmas for fans around the world.
Reviewed Performance: 12/19 Opening Night
Type: Concert
Live Band/Orchestra: Yes – It included strings, brass/reed, drums, bass, synthesizer(?), and a of course Harry on the piano. The brass section often performed downstage closer to the audience to showcase their talent. The string section actually mostly consisted of Seattle Symphony members!
Recommendation: See it if you’re either a fan of Christmas music, Harry Connick Jr, New Orleans music, or jazz.
Was This the First Time I Saw a Production of this Show: Yes, this is the first time I’ve seen him live.
Would I See It Again 3 Years from Now: Yes
Rating Compared to Other Shows with the Same Production Value: 4.75 Stars (Out of 5 Stars)
Length: 2 hours
Intermission: No but we desperately needed one. Many audience members frequently stepped away mid-concert to use the restroom. I’m not sure how customary it is for concerts to include an intermission though. Michael Buble in the Tacoma Dome did not have one. I don’t think Diana Krall at Chateau Ste Michelle Winery did either. However, Norah Jones in Benaroya Hall did include an intermission.
Other Rave(s) Not Mentioned in Elevator Thoughts
Voice: Harry’s albums don’t do his voice justice. He has a beautiful baritone that’s especially rich with a pinch of vocal fry (in a good way) when he sings deeper notes. It was a treat listening to him with Benaroya Hall’s superior acoustics.
“Not Boring” Jazz: Unfortunately, jazz has a reputation of being boring. Think of elevator music. Even an episode in The Office said, “There’s nothing classier than boring jazz music.” Fortunately, the performers kept the audience entertained and this concert didn’t fall prey to the common stereotype. The only times I was close to getting bored was during the occasional long intros that jazz is known for.
Harpejji Instrument: Harry introduced many people in the audience to a new instrument that’s part guitar and part piano. Imagine percussing your fingers directly on the strings of a tiny piano similar to how you would touch the strings on the neck of a guitar. The result sounds most closely to a guitar. It’s possible to even modify the sound with vibrato hand technique that slightly oscillates the pitch. Harry also modified the sound with a wah-wah pedal that makes the harpejji sound funky.
Lighting Design: The colored lights projected on the walls of the stage were a nice festive touch. I don’t think these lights are unique to this concert though. If I’m not mistaken, the Seattle Men’s Chorus (which I was a part of!) does the same thing for their Christmas concert at Benaroya Hall.
Piano Talent: From the perspective of someone who was classically trained in piano and who sometimes sings while playing the piano, I was struck by Harry’s effortless improvisation and his use of the concert grand piano keyboard’s entire length. I was also impressed that he maintained complex finger-key technicality while singing without a hitch. I wish there was a good way to see his face and fingers at the same time but you usually get one or the other for piano players … or worse, the back. Speaking of face, it was fascinating to watch him closely track the band members during their solos as he determines when to chime in on the piano. He’s not just a pretty face yall! Sometimes God gives with two hands.
New Orleans Flair: The heavy New Orleans big band influence on the repertoire was an innovative way to re-imagine the Christmas theme for those tired of the same old cash cow Christmas songs. It was also a fresh way for Harry to re-invent his jazz sound. I like how he explained New Orleans music. Basically, go heavy on the piano’s base keys and sprinkle a little of the right hand like hot sauce … then you can occasionally slam down any couple of notes! I’ll be honest, sometimes the piano or band sounded like cacophony at the climactic moments with this music style … in a good way! It’s funny how he admitted that neither he nor his Cajun(?) step mom knew what one of the songs (“Papa Noel”) was saying.
Drummer: It was entertaining watching Arthur Latin II’s talent on the drums. This is coming from someone who typically doesn’t find drums that interesting (albeit necessary in modern music). There were times when he was even playing the drums on one hand and the tambourine in the other. Apparently, Neal Caine (the bassist), Harry, and Arthur have been performing together since the 90s.
Charisma: There was a funny segment where Harry graciously stopped someone in the front row from excessively recording. He said something like, “Now I don’t mind yall taking occasional videos or pictures but I noticed you’ve been recording since we’ve started the concert. You can already make a million dollars off that long footage! Now there’s two reasons you shouldn’t be recording so much 1) You gotta live in the moment especially when I’m 2 feet away from you! 2) Nobody looks good at the angle you’re pointing your phone at me. It’s 45 degrees below my face and my ENT doesn’t even get to see this much up my nose.” He then proceeded to take a selfie with her and mention her name frequently to his rendition of “Blue Christmas.”
Audience Participation: Like many other typical Christmas concerts, Harry let the audience sing along with him for one song (“Silent Night”). Of course he had to say Seattle was the best audience he’s heard on the tour! Also, at the ending encore, a couple started to dance in the aisle. Harry cheered them on but an usher told them to sit down! 🙁
Song Commentary: Harry’s commentary on each of the songs was usually interesting or funny. For example, he remarked how “What Are You Doing New Years Eve” was basically a beta guy about to get turned down. And apparently, Judy Garland’s original lyrics to “Have Yourself a Merry Little Christmas” were a downer especially with the line “Until then [Christmas] we’ll have to muddle through somehow.”
Rant(s)
Spotlight: They were sometimes aimed at the wrong person or mistimed. Maybe we can blame it on a case of the Mondays. What a weird day to host a performance! For theatre folks, Mondays and Tuesdays are basically their weekend.
Beginning: The concert started slightly shaky. Harry seemed a little awkward and not as energetic. Plus, I could hear him and the band slightly not in tune with each other. At least it shows he’s not using autotune! After about 2-3 songs, they hit their stride. Again, Mondays!
Missing Favorite Songs: My favorite Harry Connick Jr Christmas songs were missing for the concert set list. I was looking forward to hearing “I’m Gonna Be the First One” and “The Christmas Waltz.” To be fair, these are obscure songs in his old albums and he was trying to promote his new one. Although, I’d argue that he could have replaced the non-Christmas concert songs with these two.
Band Singing: It was difficult to hear what the band was singing in “It Must’ve Been Ole Santa Claus.” Maybe they could add an overhead unidirectional microphone above the band for those short moments.
Other Thought(s)
Sheet Music Score: Who composes the score for the band and orchestra? Is it Harry? Let me know in the comments of my social media links below!
Accent: I didn’t know Harry had a slight accent and I couldn’t place the region. I never noticed it when he was a regular cast member on Will and Grace. Let me know in the comments of my social media links below what you think it is.
Center Band Member: There was a guy at a console centerstage behind Harry between the strings and brass. Sometimes, he would queue the band when Harry did not, which by the way could be difficult with not all band members (especially the bass player) directly facing this mysterious person. What was he playing? I think it was a synthesizer but I could only identify one song with synthesized sound (an organ). Let me know in the comments of my social media links below!
Variety: While this show is billed as a Christmas concert, they performed other styles like New Orleans (as mentioned above), a Jazz standard (“Someday When I’m Awful Low”), & his original blockbuster hit (“It Had to be You”).
Set List: Below are the songs I could remember
Sleigh Ride
Santa Claus Is Coming to Town
When My Heart Finds Christmas
It Had to Be You (from the movie When Harry Met Sally… )
The Way You Look Tonight
Blue Christmas
Silent Night
I Pray on Christmas
The Christmas Song (Chestnuts Roasting on an Open Fire)
(It Must’ve Been Ol’) Santa Claus
Please Come Home for Christmas (aka “Bells Will Be Ringing”)
Papa Noel
Make it Merry (Title song of his new Christmas album)
Have Yourself a Merry Little Christmas
What are You Doing New Year’s Eve
Someday When I’m Awfully Low
A New Orleans-style ending song with lots of colorful instrumentation that I couldn’t identify … sorry!
Venue: Benaroya Hall
Venue Physical Address: 200 University St, Seattle, WA 98101
Price: Very Expensive
Dates: Only December 19 – 20, 2022
Seating: Assigned Seating
Parking: I usually walk or transit here especially since the lightrail station is directly underneath Benaroya Hall. Other than that, there’s obviously paid garage/street parking since this venue is in downtown. I think the cheapest garage lot is generally the Russell Investments Center garage (1301 2nd Ave #1950, Seattle, WA 98101). I don’t recomment parking in the Benaroya Hall garage since it’s really expensive and I imagine it takes a long time to exit after a performance.