The Standby Lear – Play – Thalia’s Umbrella

Elevator Thoughts (aka Tweet): The Standby Lear 2-person play at 12th Ave Arts w/ Thalia’s Umbrella. Neat stage reminded me of an ancient Greek theatre. Interesting to see behind-the-scenes of the theatre industry through the eyes of aging has-beens. Smart dialogue. Unexpected twist at the end. #shakespeare #kingLear #stageFright

Synopsis from the Theatre: Augie is the understudy in a major production for one of the most demanding roles in the theater, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem…

Reviewed Performance: 4/1/23 Evening Opening Weekend

Type: Play

World Premiere: No

Several or Few Scenes: One Scene

Several or Few Settings: One Location

Defined Plot/Storyline: No – lots of dialogue, which is common for plays with few characters

Recommendation: See it if either

  • You like Shakespeare or King Lear
  • You work in the theatre industry, or you know how the theatre industry works
  • You see lots of plays
  • You’re okay with 2-person shows
  • Or you’re okay with all dialogue and little story action

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 3

Total Number of Actors: 2 on-stage and 1 off-stage

Length (Including Any Intermission): 90 minutes

Intermission: No

Other Musing(s) and Observation(s)

  • Earlier Ending: The play could have ended earlier when the characters revealed the twist and all their secrets. It seemed little too drawn out after that.

Theatre Company: Thalia’s Umbrella

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Medium

Dates: March 30 to April 15, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave across from the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

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Other Video +/- Pictures: See pictures in video and under video below by Annabel Clark Photography

Cast and Production Team: See after pictures and video below

@showsiveseen "The Standby Lear" 2-person #play at 12th Ave Arts w/ Thalia's Umbrella. Neat stage reminded me of an ancient Greek #theatre. Interesting to see behind-the-scenes of the theatre industry through the eyes of aging has-beens. Smart dialogue. Unexpected twist at the end. Photos by Annabel Clark. Review: showsiveseen.com/4655 #shakespeare #kingLear #stageFright #marriage #actors ♬ Sail Away – lovelytheband
Larry and Jeanne Paulsen. Photos by Annabel Clark.
Larry and Jeanne Paulsen. Photos by Annabel Clark.
Larry Paulsen. Photos by Annabel Clark.
Jeanne Paulsen. Photos by Annabel Clark.
Larry and Jeanne Paulsen. Photos by Annabel Clark.
RoleName
Augie Larry Paulsen*
Anna Jeanne Paulsen*
Leonard (Off-stage)Terry Edward Moore*
Augie StandbyTerry Edward Moore*
Anna StandbyDiana Trotter
Director Terry Edward Moore
Associate Artistic DirectorDaniel Wilson
Playwright John W. Lowell
Stage Manager Phillip James Randall*
Assistant Stage Manager Eric Newman*
Scenic & Lighting Designer Roberta Russell**
Costume Designer Jae Hee Kim
Sound Designer Johanna Melamed
Properties Designer & Technical Director Richart Schug
Production Manager Matthew Ray
Master Electrician Levin Ritzen
Scenic Artist Matthew Lazure
Carpenters Sasha Chung, Dylan Howard, Matthew Lazure, Britta Baer-Simon
Electricians Rob Falk, Joseph Inglish, Kristopher Jones, Rhys Kiernan, Liza Vaughn
Board Operator Clint Bull
Sound Engineer Kyle Thompson
Sound Assistant Marty Sisk
Outreach Coordinator Ariel Rose
Graphics Designer Leslie Law
Casting DirectorCornelia Duryée
*Appearing through an agreement between this Theater and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the USA
**Member United Scenic Artists, Local 829

El Coquí Espectacular & the Bottle of Doom – Play – Centerstage Theatre

Elevator Thoughts (aka Tweet): El Coquí Espectacular and the Bottle of Doom play at Centerstage Theatre. Puerto Rican (super?) hero battles with gentrification, ethnic pandering/commercialization, and racial identity in NYC. #superhero #comic #hispanic #latino #Latin #PuertoRican

Synopsis from the Theatre: Comic-book-artist Alex combats writer’s block by secretly dressing up as his creation, El Coquí Espectacular. Alex’s brother Joe struggles to fit in at work. And Yesica, the curious photographer, is following El Coqui around New York City. Together, they fight supervillains while hatching a plan to prove themselves to the world at the Puerto Rican Day Parade! El Coquí Espectacular and the Bottle of Doom is a new theatrical extravaganza that explores the ways we define our heritage, our family, and ourselves.

Reviewed Performance: 3/25/23 Evening Opening Weekend – Sorry for the late review!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: Several

Defined Plot/Storyline: Mostly yes

Recommendation: See it if you like supporting community theatre

Was This the First Time I Attended a Production of this Show: Yes

Equity Actors: 0

Total Number of Actors: 7

Length (Including Any Intermission): 2.25 hours

Intermission: Yes

Theatre Company: Centerstage Theatre

Venue: Dumas Bay Centre

Venue Physical Address: 3200 SW Dash Point Rd, Federal Way, WA 98023

Price: Cheap

Dates: March 24 to April 16, 2023

Seating: Assigned Seating

Parking: Free and plentiful parking in lot on-site

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Other Video +/- Pictures: See pictures in video and under video below

Cast and Production Team: See after pictures and video below

@showsiveseen "El Coquí Espectacular & the Bottle of Doom" #play at Centerstage Theatre by Matt Barbot. Puerto Rican (super?) #hero battles w/ gentrification, ethnic pandering/commercialization, & racial identity in NYC. Review: showsiveseen.com/4631 #superhero #comic #hispanic #latino #Latin #PuertoRican #theatre ♬ Heroes (Live) – Jail maiden
RoleName
Alex Nick Marston
Joe Luis Ciccia
Yesica Viviana Garza
El Chupacabra/Junior Rolando Cardona-Roman
Patricia Deanna Martinez
Buzzkill/Swing Aimee Coronado
Announcer’s Voice Michael D. Blum
Understudy Travis Martinez
Director Jeanette Sanchez-Izenman
PlaywrightMatt Barbot
Rehearsal Stage Manager Madeline Hiller
Scenic Designer Taylor Kuehm, Trista Duval
Costume Designer Morgan Morgans, Trista Duval
Costume Construction Assistant Adrienne Chodnowsky
Lighting Designer John Chenault
Sound Designer Dylan Twiner
Props Designer Sam Izenman
Scenic Artist Jasmine Johnson
Assistant Scenic Artist Emi Gormley
Stage Manager Chelsea “Mo” Moniz
Assistant Stage Manager Theresa Byrd
Comic Book Artists Tyler Arns, Sam Izenman
Puerto Rican Culture and Language Consultant Richard Cubi

Free Ticket – Sense & Sensibility – Village Theatre

Update 4/6/23: Congrats to Annabel!

Leave a comment w/ your favorite play and why. Then I’ll choose a winner 48 hours from now.

Post your comment submission on my Facebook, Instagram, or Twitter. This is a free SINGLE ticket for any available “Section B” seat (worth about $56) to any of the remaining “Sense and Sensibility” performances at Village Theatre in EVERETT, Washington. The production run ends this weekend. This show is a play and not a musical. Read my review at showsiveseen.com/3773

As It is in Heaven – Play – Taproot Theatre

Elevator Thoughts (aka Tweet): As It is in Heaven play at Taproot Theatre. Interesting glimpse into the repressive & austere #Shakers culture from the women’s perspective. Reminded me of a catholic nunnery. Great vision (or hallucination?) scenes. “The emperor has no clothes!” #shaker #quaker #quakers

Synopsis from the Theatre: “Tis a gift to be simple,” sing the Shakers of Pleasant Hill. But as the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world.

Reviewed Performance: 3/25/23 Opening Weekend Matinee

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: Several

Defined Plot/Storyline: Seemed more like loosely-connected chronological vignettes than an actual defined plot

Recommendation: See it especially if you grew up in a conservative church

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 9

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Songs: The actresses sang traditional Shaker hymns/spirituals occasionally between scenes in chant-like unison a cappella. Apparently, harmony was sinful!
  • Diction and Accents: The playwright and performers recreated how the Shakers might have sounded like back then. For example, “it wasn’t a dream” became “weren’t not a dream.”
  • Visions: My favorite scenes were when “the chosen” congregation members experienced hallucination-like “shaking” visions that reminded me of Pentecostals speaking in tongues. The claims of experiencing these visions were also reminiscent of The Crucible play.
  • “Pray for Me” Scene: Good commentary on when the pious only tritely say they’ll pray for someone but doesn’t make any effort to actually help them. It reminded me of abortion protestors who don’t support welfare programs that help mothers who can’t afford to raise the children they’re forced to carry.
  • Favorite Line: “I was prideful of my new apron” uttered during public confessional

Other Musing(s) and Observation(s)

  • Religious Repression: The depictions of religious repression reminded me of one reason why I left the church. However, the oppressive austerity in As It is in Heaven was extreme compared to what I grew up with. The Shakers in the play weren’t even allowed to draw, laugh, or enjoy life. It made me think of something NSFW Samantha said about conservative Charlotte in Sex and the City.
  • Social Welfare: An interesting conversation in the play alluded that a character didn’t believe in the Shaker faith, but religion was their “social security” and “Medicare” plan for when they become elderly. If I don’t have kids, maybe I need to join a congregation like this!
  • Fears of Obscurity: The play frequently touched on the universal irrelevancy/inadequately feeling elders might experience when replaced by up-and-coming youth.
  • Moral of the Story: I couldn’t grasp what message the playwright was conveying to the audience. Was it just a depiction of Shaker life and nothing more?

Theatre Company: Taproot Theatre

Venue: Taproot Theatre – Jewell Mainstage

Venue Physical Address: 212 N 85th St, Seattle, WA 98103

Price: Medium

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix

Dates: March 22 to April 22, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I almost always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video below by Robert Wade Photography

@showsiveseen “As It is in Heaven” #play at @taproottheatre by Arlene Hutton. Interesting glimpse into the repressive & austere #Shakers culture from the women’s perspective. Reminded me of a Catholic nunnery. Great vision (or hallucination?) scenes. “The emperor has no clothes!” Photos by Robert Wade. Review: showsiveseen.com/4573 #shaker #quaker #quakers #theatre ♬ Enough – Dylan Rockoff
Jenny Vaughn Hall and the cast of As It is in Heaven at Taproot Theatre. Photo by Robert Wade.
Kristen Natalia, Jenny Vaughn Hall, Chloe Michele, Ashleigh Coe, and Justine Davis in As It is in Heaven at Taproot Theatre. Photo by Robert Wade.
Jenny Vaughn Hall and Chloe Michele in As It is in Heaven at Taproot Theatre. Photo by Robert Wade.
Chloe Michele and Ashleigh Coe in As It is in Heaven at Taproot Theatre. Photo by Robert Wade.