The Wiz – Musical – 5th Ave Theatre

Elevator Thoughts (aka Tweet): The Wiz musical at the 5th Avenue Theatre. Well-cast Dorothy. Groovy gospel-like tunes. Stunning voices. Elaborate/colorful set, hair, & costumes. Retro vibe. Uncommon stage floorplan often put actors 3 ft away from us at the front row! “Ease on down the road” & buy your tickets to this awesome show! #Oz #WizardofOz #black #POC #BiPOC

Synopsis from the Theatre: Feel the power of love overflowing at this dazzling reimagining of The Wizard of Oz! With a soaring soul, R&B, and gospel score featuring hit songs “Brand New Day,” “Ease on Down the Road,” and “Home,” this fun, fresh 5th Avenue Theatre production is a hit the whole family will enjoy. When Dorothy finds herself in the fantastical world of Oz, she sets out to seek the aid of the mysterious Wiz, forging powerful new friendships with a Scarecrow, a Tinman, and a Lion along her way down the yellow brick road. But when she battles the devious Evillene to save her new friends, she learns that no matter where you’re from, home isn’t really where you live; it’s who you love. Winner of seven Tony Awards including Best Musical, The Wiz is an effervescent explosion of music, dance, magic, and delight. Don’t miss this 5th Avenue Theatre original staging!

Reviewed Performance: 11/27 Evening – Opening Night

Type: Musical

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it … period!

Would I See It Again 3 Years from Now?: Absolutely. I wish I had time this holiday season to see it again.

Rating Compared to Other Shows with the Same Production Value:
5 Stars (Out of 5 Stars)

Equity Actors: All of them

Length: 2.25 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Voices: The main characters’ voices were out of this world! There was Shaunyce Omar’s booming voice as the wicked witch of the West. Innocent Dorothy (Kataka Corn) surprised me with her powerful upper register. Be Russel easily handled the vocal range of the Wiz role, which was originally written for a man. Her real life sister (Sarah Russel) and Trina Mills easily wowed the audience with their belt as the witches of the North and South.
  • Stage Floorplan: The mainstage rotates like in Hamilton. There was a thin horizontal catwalk-like portion downstage in front of the orchestra to allow the actors closer access to the audience.
  • Cowardly Lion: Nate Tenenbaum was such a delight with his fierce walk, cat licks, tail twirling, and screams.
  • Toto: Nessa was such a well-trained dog. She “stayed” and sat quietly on-stage while watching the actors reciting their lines. I wish she were in more scenes though.
  • Favorite Lines: There were too many of them. “You’re the best wicked witch killer in this country,” “Girl, I’m gonna wear white to the funeral,” “If you don’t have STP, Crisco will do just fine,” “Owls don’t give answers. They just ask questions. Like Whoo?”
  • Gospel Music: The gospel influence on the musical score was wild! You could hear it in “Brand New Day (Everybody Rejoice),” “Don’t Nobody Bring Me No Bad News,” and “Born On The Day Before Yesterday.”
  • Scenic Design: The set was impressively ostentatious especially the Wiz’s throne room and the Emerald City.
  • Kalidahs: The red eyes reminded me of Cylons from Battlestar Galactica.

Rant(s)

  • Cold: My companion and I were freezing! I ended up wearing my wool top coat and donning my mittens. It shouldn’t be that cold for a show that can cost up to $180 per ticket for premium seats.
  • Set Movement: Minor pet peeve here. There was one scene in the end where the actors had to push two large set pieces towards the back of the stage. It would be less distracting if backstage workers could pull the set pieces so the audience doesn’t see this work.

Other Thought(s)

  • Twister Scene: There was an actress dressed in gold during the twister scene. I think she represented the eye of the twister. If that’s true, she needs to do more twirling to show that she’s the twister. If she wasn’t the twister, let me know in the comments of my social media posts below!
  • Tap Dance: I love watching tap dance in musicals. While I appreciated the tap dances in this show, it was mainly just the tin man performing them solo. I suggest the tap dances be more group than solo.

Theatre Company : 5th Avenue Theatre

Venue: 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price: Medium to Expensive to Really Expensive

Dates: November 20 to December 23, 2022

Seating: Assigned

Parking: When I don’t walk to the theatre, I park in the paid garage at the Motif hotel NW of the theatre. The entrance is on 5th Ave. Do NOT park in the Hilton garage (entrance on 6th ave). That’s where most of the audience parks so it’s a nightmare to leave. However, the Hilton garage is the closest garage to the theatre and it has underground access to the theatre if you wanted to avoid the elements. But this benefit is not worth it in my opinion.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

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Other Video +/- Pictures: There are pictures under the video below.

@showsiveseen #TheWiz #musical at 5th Avenue #Theatre. Well-cast Dorothy @katakamackenziecorn. #Groovy gospel-like tunes. #Stunning voices. #Elaborate/#colorful set, hair, & costumes. #Retro vibe. Uncommon stage floorplan often put actors 3 ft away from us at the front row! “Ease on down the road” & buy your tickets to this awesome show! Review + Photo Credit: showsiveseen.com/2428 #Oz #WizardofOz #black #POC #BiPOC ♬ A Brand New Day – Shanice Williams & Elijah Kelley & David Alan Grier & Ne-Yo & Original Television Cast of the Wiz LIVE!
Nate Tenenbaum as Lion (foreground) and Phillip Attmore as Tinman and Kataka Corn as Dorothy (background)
Photo Credit: Mark Kitaoka
Kataka Corn (they/them) stars as Dorothy in The Wiz
Photo Credit: Mark Kitaoka
Nehemiah Hooks as Scarecrow, Kataka Corn as Dorothy, and the cast of The Wiz
Photo Credit: Mark Kitaoka
Sarah Russell as Addaperle and the cast of The Wiz
Photo Credit: Tracy Martin
The cast of The Wiz
Photo Credit: Mark Kitaoka
Shauynce Omar as Evillene in The Wiz at The 5th Avenue Theatre
Photo Credit: Mark Kitaoka
Nate Tenenbaum (Lion), Kataka Corn (Dorothy), Be Russell (The Wiz), Nehemiah Hooks (Scarecrow), Phillip Attmore (Tinman) and the cast of The Wiz
Photo Credit: Mark Kitaoka

(Dorothy), Trina Mills (Glinda), and the cast of The Wiz at The 5th Avenue Theatre
Photo Credit: Mark Kitaoka

A Christmas Carol – Play – ACT Theatre

Elevator Thoughts (aka Tweet): A Christmas Carol at ACT Theatre. Play adaptation of the classic Charles Dickens novella. Kudos to young adult Scrooge for tearing up on-demand. Delightfully the angriest old Scrooge I’ve seen on-stage so far. Bah humbug! #xmas #AChristmasCarol #sentimental

Synopsis from the Theatre: Fill your heart with joy! Charles Dickens’ enchanting tale of redemption and compassion as A Christmas Carol comes vividly to life beginning November 25. On a snowy Christmas Eve brimming with memorable characters, ghostly apparitions, and visits to the past, present, and future, miserly Ebenezer Scrooge discovers the joy of charity and redemption. Capture the timeless magic of Dickens’ Yuletide classic, proudly returning for the 47th year. Get your tickets now.

Reviewed Performance: 11/27 Evening – Opening Night

Type: Play

World Premiere: No

Live Band/Orchestra: No

Recommendation: See it if you like Christmas plays or if you like traditional productions of this classic story.

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: 8 actors out of 17

Length: 90 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Singing: I was pleasantly surprised to find singing in this play. While the musical numbers were brief, they were still good.
  • Floor Entrances: The production used the floor for a couple dramatic entrances/exits like the gaudy accession of “Christmas Present,” the creepy crawl of “Want and Ignorance,” or the demonic visit from Marley. The gravestone lighting was also a nice dramatic touch.

Rant(s)

  • “Christmas Past” Set: It would have been nice to see more developed scenic design from the “Christmas Past” segment when they were pointing at specific landmarks. But it’s probably hard to do that on an arena stage and not worth the short airtime.
  • Temperature: My companion and I were so cold and it had nothing to do with Scrooge’s demeanor!
  • B-reel (Added 12/7/22): Unfortunately, ACT Theatre noticed an error in the B-reel used for the TikTok video I made and asked me to either re-edit the my video or take it down. I opted for the latter option as these videos take hours to make and I did not have time to correct their mistake. Sorry readers! But please enjoy their fantastic pictures below.

Other Thought(s)

  • Scrooge and Cratchit Family: It was kind of creepy that Scrooge identified the names of the Cratchit family when they never met. It was also weird that Scrooge asked to be Tiny Tim’s father figure when they also never met.

Theatre Company : ACT Theatre

Venue: Allen Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium to Expensive

Dates: November 25 to December 24, 2022

Seating: Assigned

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center parking lot with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube
I removed the social media links. See my rant above about the B-reel for an explanation why.

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Other Pictures: Pictures are by Truman Buffet Photography.

The Wickhams: Christmas at Pemberley – Play – Taproot Theatre

Elevator Thoughts (aka Tweet): The Wickhams: Christmas at Pemberley play at Taproot Theatre rectified an anti-feminist Pride and Prejudice storyline that Jane Austen inadequately resolved for women. Rich English accent from Mr. Darcy. Very Downton Abbey. Good young energetic naiveté from Lydia. Craving tea & shortbread now.

Synopsis from the Theatre: In this all-new Jane Austen-inspired story, we return to the world of the Darcys and Bennets! Lydia’s come for Christmas, the halls are decked, and the aroma of everyone’s favorite orange biscuits fills the air. But downstairs the loyal staff scramble to keep a secret that could upend the festivities. Amid the chaos of Christmas, a little yuletide forgiveness might be the one gift everyone needs.

Reviewed Performance: 11/26 Evening – Opening Weekend

Type: Play

World Premiere: No

Recommendation: See it if you like Pride and Prejudice.

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: 2 actors out of 7 but they were all very good. I actually assumed more of them were Equity.

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Favorite Line: When the new maid Cassie saw Mr Darcy (her boss) for the first time and said nervously said “Sir! … My lord! … Mr Darcy!” then bowed.

Rant(s)

  • Single Setting: The entire play was several scenes in the common area where “the help” reside. The story would be more interesting if they showed scenes in different settings like upstairs or in the marketplace.

Other Thought(s)

  • Accents: I always love hearing different accents in shows especially how they pronounced “leisure” and “privacy” in this play. Most of the accents in this play were familiar from TV but I’ve never heard the accents from the working class characters before.
  • Working Class Mobility: While the play turned up the feminism a couple notches towards the end, I wish it did the same thing for working class mobility. “The help” was too dependent on Mr Darcy even when one of them was moving up in the world. Baby steps I guess!

Theatre Company : Taproot Theatre

Venue: Taproot Theatre’s Jewell Mainstage

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Dates: November 23 to December 30, 2022

Seating: Assigned

Parking: Paid lot or usually-free street parking. I almost always find free street parking on Greenwood Ave just South of the theatre.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Cast and Production Team: Under pictures below.

Other Video +/- Pictures: Pictures in video and under video are by Robert Wade Photography.

@showsiveseen “The Wickhams: #Christmas at Pemberley” #play at @taproottheatre rectified an anti-feminist #PrideAndPrejudice storyline that #JaneAusten inadequately resolved for women. Rich #English accent from #MrDarcy. Very @downtonabbeyofficial. Good young energetic naiveté from Lydia. Craving tea & #shortbread d now. Review + Photo Credit: showsiveseen.com/2372 #theatre ♬ Santa Tell Me – Ariana Grande
Gretchen Douma, Kathryn Bogley, and Kelly Karcher in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Kelly Karcher and Ian Bond in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Ricky Spaulding in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Kathryn Bogley, Kelly Karcher, and Annie Yim in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Gretchen Douma and Ian Bond in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Ricky Spaulding and Katheryn Bogley in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Katheryn Bogley and Ricky Spaulding in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Katheryn Bogley and Kelly Karcher in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
Katheryn Bogley and Ricky Spaulding in The Wickhams: Christmas at Pemberley at Taproot Theatre. Photo by Robert Wade.
RoleName
Lydia WickhamKelly Karcher (Equity)
Elizabeth DarcyAnnie Yim
Fitzwilliam DarcyBrian Pucheu
Mrs. ReynoldsGretchen Douma (Equity)
CassieKathryn Bogley
BrianRicky Spaulding
George WickhamIan Bond
Lydia Wickham/Elizabeth Darcy UnderstudyChloe Michele
Fitzwilliam Darcy/Brian/George Wickham UnderstudyWill Eames
Cassie UnderstudyKarin Terry
Mrs. Reynolds UnderstudyTeri Lee Thomas
PlaywrightsLauren Gunderson
Margot Melcon
DirectorKaren Lund (SDC)
Assistant DirectorBretteney Beverly
Scenic DesignAmanda Sweger
Costume DesignPete Rush
Lighting DesignTim Wratten
Sound DesignMark Lund
Fight ChoreographerChristopher Kidder-Mostrom
Stage ManagerNik Nolen (Equity)
DramaturgSonja Lowe
Dialect CoachRowan Gallagher

Cinderella – Pantomime – Centerstage Theatre

Elevator Thoughts (aka Tweet): Cinderella pantomime at Centerstage Theatre. 1st time seeing a British panto & was pleasantly surprised there was singing w/ a band. Even included #drag. Awesome Cinderella and Button actresses. Witty jokes. Feel-good family-friendly experience. #campy

Synopsis from the Theatre: Celebrate the most magical time of year with the most magical fairy tale of them all – Cinderella! For fifteen years Centerstage has enchanted audiences with its traditional holiday pantomime (the Panto). Young and old enjoy the sparkle, glitter, and chaos of this family-friendly laugh-a-minute traditional British treat. Audience participation is encouraged and enhances the cleverly choreographed mayhem. The Fairy Godmother, Cinderella, Prince Charming and, of course, the Wicked Stepsisters deliver holiday joy to everyone–from age 5 to 95!

Reviewed Performance: 11/26 Afternoon – Opening Day

Type: Pantomime

World Premiere: Yes? I think this theatre produces their yearly pantomimes new in-house. Please let me know in my social media post if you have information.

Live Band/Orchestra: Yes

Recommendation: See it if 1) you’ve never attended a pantomime, 2) you like pantomime, 3) or you want to take kids to a show.

Would I See It Again 3 Years from Now?: Yes if it was an Equity production

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 1 actor out of 20-ish. The non-Equity main characters were very good.

Length: 2.75 hours – I’m surprised the kids in the audience were okay this long!

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Cleaver Quips: I smiled and laughed a lot during this show. Maybe it was the funny jokes. Maybe it was the novelty of panto.
  • High Kicks: Dandini (Jasmine Wright) performed impressive kicks!
  • Songlist: Included songs from musicals (like The Wiz, Hairspray, & Les Misérables) and pop culture.

Rant(s)

  • Time to Cure: This production could use more time to solidify and tighten up the performance. However, I attended the opening day and this problem will certainly improve as they continue to perform this show.
  • Microphones: They need to increase the volume of the minor characters and reduce the crackles from various microphones.

Other Thought(s)

  • Pantomime: This was my first time seeing a British “panto.” I’m very curious how this novel experience compares to pantos performed in the UK. It was interesting how they frequently broke the 4th wall and encouraged the audience to yell things out. I know the kids certainly loved that.
  • Dress Transformation: This was the first time I’ve seen a costume transformation like how this production turned Cinderella’s rags to a gown. It was definitely more cost-effective than what I’m used to seeing. However, it was still effective since the kids sitting behind me were trying to figure out how the trick was done. I won’t spoil the stage magic for you though!
  • Wardrobe Malfunction: Someone’s pants fell during a song and I don’t think it was intentional. Fortunately, they weren’t the focus during the scene. Oh, the magic of live theatre!
  • Kid Performers: I’m usually not a fan of seeing kids on-stage especially if they’re not in a professional Equity production. That being said, it was refreshing to see this production mix amateur kids with older more experienced actors. I’d like to think that it’s a good mentoring experience for the child performers and a better experience for the kids in the audience.

Theatre Company : Centerstage Theatre

Venue: Dumas Bay Centre

Venue Physical Address: 3200 SW Dash Point Rd, Federal Way, WA 98023

Price: Cheap

Dates: November 26 to December 18, 2022

Seating: Assigned

Parking: Free and plentiful lot parking.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Cast and Production Team: See under the multimedia below.

Other Video +/- Pictures: Pictures in video and under video are by Michelle Smith-Lewis.

@showsiveseen #Cinderella #pantomime at Centerstage #Theatre. 1st time seeing a British #panto & was pleasantly surprised there was singing w/ a band. Even included #drag. Awesome @jrselleck & Buttons actors. Witty jokes. Feel-good family-friendly experience. Review + Photo Credit: showsiveseen.com/2334 #campy ♬ Bibbidi-Bobbidi-Boo – From “Cinderella” – Verna Felton
Meghan Ames, Jessie Selleck
Aimee Coronado, Jonathan Martin, Colleen Bjurnstrom, Kyle Sinclair, Jasmine Wright, Jessie Selleck, Leila Neidlinger, Jamie Martin, Dean Marshall
Leila Neidlinger, Brad Cerenzia, Bob DeDea
Jasmine Wright, Dale Bowers, Maghan Ames
RoleName
CinderellaJessie Selleck
PrinceKyle Sinclair
Stepsister KourtneyBrad Cerenzia
Stepsister KhloeBob Dedea (Equity Actor)
Fairy GodmotherCarrie Sleeper-Bowers
ButtonsMeghan Ames
DandiniJasmine Wright
Baron HardupDale Bowers
Featured EnsembleLeila Niedlinger (Dance Captain)
Dean Marshall
Colleen Michelle
EnsembleAimee Coronado
Keith Ordonez
Maddie Carlson
Will Johnson
Juvenile EnsembleMatiya Searing (Young Cinderella)
Jonathan Martin
Jamie Martin
Juvenile Ensemble UnderstudyMiriam Clark
KeyboardDeborah Armstrong
DrumsTai Taitano
GuitarCameron Schneider
BassDarren Olson
Director & PlaywrightVince Brady
Assistant DirectorHelen Marion-Rowe
Stage ManagerSamuel Osborn
Assistant Stage ManagerMadeline Hiller
ChoreographerCassie Jo Fastabend
Music DirectorDeborah Armstrong
ArrangerSam Peters
Scenic DesignerNiclas Olson
Costume DesignersMorgan Morgans
Trista Duval
Sound DesignerBenjamin Symons
Props DesignerHenry Behrens
Scenic ArtistsTori Dewar
Jasmine Johnson
Set ConstructionNiclas Olson
Will Johnson

Blue Man Group – Performance Art Show – Paramount Theatre

Elevator Thoughts (aka Tweet): Blue Man Group w/ Seattle Theatre Group at the Paramount Theatre. Mime-like wordless skits w/ catchy percussion & a spectacular visual feast. Similar to Cirque du Soleil w/o the acrobatics. Lots of audience participation. The alien-like blue man even walked through my leg room space to drag a “lucky” audience member on-stage! #drums #blueMan #blueManGroup

Synopsis from the Theatre: More than 35 million people around the world have experienced the smash hit phenomenon that is BLUE MAN GROUP and now it’s your turn! BLUE MAN GROUP returns to Seattle for a limited engagement on their new North American tour. It’s everything you know and love about BLUE MAN GROUP—signature drumming, colorful moments of creativity and quirky comedy—the men are still blue but the rest is all new! Featuring pulsing, original music, custom-made instruments, surprise audience interaction and hilarious absurdity, join the Blue Men in a joyful experience that unites audiences of all ages.

Reviewed Performance: 11/25 Evening – Opening Night

Type: Performance Art Show

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it especially if you like percussion, visual special effects, performance art, or audience members dragged on stage. This show is also kid friendly. Throughout the performance, I could hear kids calling out things like “Pick me!”

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: The program didn’t specify any Equity information. Maybe they didn’t mention this because the show wasn’t a play or musical. However, the show’s caliber felt just like other touring Equity musical productions that perform at the Paramount Theatre.

Length: 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Instruments: They designed several unique looking/sounding instruments. My favorites were the adjustable-pitch PVC pipe drum and the giant dulcimer-looking xylophonic percussion instrument.
  • Gumball Trick: I was impressed how one of the blue men caught several gumballs in his mouth. I’m still wondering what stage magic allowed him to fit them all in there.

Rant(s)

  • VR Skit: There was a section where the Blue Men captured a live video feed around the stage and audience. Later, they took the camera offstage and performed a skit involving virtual reality headsets. I’m assuming the offstage portion was pre-recorded. I’m usually not impressed when live shows display pre-recorded video as a segment of the show. I attended to see a live performance, not something I could find on YouTube. If you think this segment was actually performed live offstage, please leave me a comment in my social media to explain.

Other Thought(s)

  • Gender Spin: With gender issues on the forefront of the theatre scene (and the political stage), it’s time for a “Blue Woman Group.” Or maybe switch out one of the three men with one woman. Or instead of women, maybe recruit transgender performers. Shake it up a bit!
  • Audience Plants : Throughout the first half of the show, I assumed the audience members they involved in the show were audience plants. However, the reactions from someone who was dragged on-stage and their friends in my row made me think otherwise. I wonder how they plan for volatile audience members called on-stage who could derail the show’s planned narrative. Like what’s the contingency plan if someone says pro-Nazi rhetoric in the microphone during the telephone skit?
  • Earplugs and Ponchos: Before the performance, the theatre handed out free earplugs to everybody and ponchos to those on the front couple of rows, which worried me of what was to come. Fortunately, I never needed the earplugs, and it didn’t look like the Blue Men splashed the front row.
  • Blue Skin Magic: Since one of the blue men was literally in my personal leg room space to drag someone else on stage, I saw his “skin” up close. It made me wonder what stage magic made his skin blue. I’m pretty sure they wear blue gloves instead of painting their hands. Since he had no ears, I’m assuming part of his blue skin was not painted human skin but maybe some painted latex-like covering. However, I couldn’t determine where the latex-like covering and the human skin would have bordered. I was even more puzzled when I saw a shiny sweat-like sheen on him, which could mean there was no latex-like covering! Leave a comment in my social media posts below if you have any ideas what stage magic is involved.

Theatre Company : National Tour brought by Seattle Theatre Group and Broadway Across America

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Medium to Expensive

Dates: November 25 – 27, 2022

Seating: Assigned

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101).

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Cast and Production Team: See under the multimedia below.

Other Video +/- Pictures: Credit for pictures in video are in picture captions below video.

@showsiveseen @bluemangroup w/ @seattletheatregroup at Paramount Theatre. #Mime-like wordless skits w/ catchy #percussion & a #spectacular visual feast. Similar to @cirquedusoleil w/o the acrobatics. Lots of audience participation. The alien-like #blue man even walked through my leg room space to drag a “lucky” audience member on-stage! Review + Photo Credit: showsiveseen.com/2247 #drums #blueMan #blueManGroup #performanceArt ♬ Blue (Da Ba Dee) (Gabry Ponte Ice Pop Radio) – Eiffel 65
Blue Man Group Paint Drumming, Photo by Lindsey Best
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Portrait, Photo by Lindsey Best
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Toss and Catch, Courtesy of Blue Man Productions
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
RoleName
Blue MenMERIDIAN
MIKE BROWN
JOSH WILLS
ADAM ZUICK
BandCORKY GAINSFORD
CHRIS REISS
CHRIS SCHULTZ
Director
MICHAEL DAHLEN
WritersJONATHAN KNIGHT
MICHAEL DAHLEN
BLUE MAN GROUP
Set DesignerJASON ARDIZZONE-WEST
Lighting DesignerJEN SCHRIEVER
Costume DesignerPATRICIA MURPHY
Sound DesignerCREST FACTOR
Video DesignerLUCY MACKINNON
Tour Costume DesignEMILIO SOSA
SFX DesignerBILL SWARTZ
Creative DirectorJONATHAN KNIGHT
Music DirectorBYRON ESTEP
Production Stage ManagerERIN ALBRECHT
Company ManagerALANNA SWOVELIN
General ManagementGENTRY & ASSOCIATES
PEARCE LANDRY-WEGENER
Tour Booking, Marketing and Publicity DirectionBOND THEATRICAL GROUP
Production ManagementNETWORKS PRESENTATIONS
WALKER WHITE
Line ProducerJENNIE RYAN
Executive ProducersWENDY EDWARDS & SETH WENIG