Land Of The Sweets: The Burlesque Nutcracker – Show – Verlaine & McCann

Elevator Thoughts (aka Tweet): Land Of The Sweets: The Burlesque Nutcracker by Lily Verlaine & Jasper McCann @ The Triple Door. Stunning costumes (that came off). Impressive dance skill/choreography. Titillating risque glamorous alternative to the same tired old family friendly traditional Christmas shows. Swinging jazz band alone is worth the admission.#ballet #xmas

Synopsis from the Theatre: Seattle’s “Most Glamorous Holiday Tradition” returns to the Triple Door for its sixteenth astounding season! Lily Verlaine and Jasper McCann are elated to announce the return of their award-winning wintertime spectacle, Land of the Sweets: The Burlesque Nutcracker. Voted “The Best Burlesque In Western Washington” (King 5), Land Of The Sweets has delighted tens of thousands of holiday revelers since 2006. All your favorite characters will be back, including Lily Verlaine’s Sugar Plum Fairy, the light-juggling magic of Babette La Fave, the ever-lovable Snowflakes… and of course the swinginest band in the Land, The Nutcracker Nonette! Not content to rest on their laurels, Verlaine & McCann have been working tirelessly to make 2022’s season memorable and electrifying for our new and returning guests. The cast will feature a number of fresh new faces this year (some from the most recent production of Verlaine & McCann’s Through The Looking Glass) to kick up their heels with superstar veterans like Paris Original and Viola Vector. And who knows… you might be in the audience to see a surprise appearance by a Seattle ballet star in a rotating cavalcade of Rat Kings! Lots of other surprises await… so prepare to be enchanted by Land Of The Sweets like never before! We can’t wait to see all our family, fans, and friends this holiday season for the production that Seattle Metropolitan Magazine calls “December’s best date night”! With 29 performances, tickets will go fast… Come “Swing in the Season” and celebrate the holidays with us!

Reviewed Performance: 12/7 Opening Night

Type: Burlesque Show

World Premiere: No

Live Band/Orchestra: Yes, with a big band feel of the big city!

Recommendation: See it if either 1) you like burlesque 2) you’re tired of the same old basic traditional family friendly boring Christmas shows like The Nutcracker or A Christmas Carol 3) or you want to see a spectacle to accompany your food/drinks and live music.

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: N/A but they were all very good. I don’t think they typically track this for non-plays or non-musicals.

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Reverse Burlesque: Usually you see clothes come off in burlesque. There was a neat act (maybe “The Baroness of Bon-Bons?”) that performed the opposite where they started with a woman in only pasties and dressed her up.
  • Favorite Line: Something like “Rats, mice, shoes, oh my! Sounds like a Disney movie with a fetish.”
  • Nutcracker Ballet Influence: The live band songs were derived from melodies in the traditional Tchaikovsky Nutcracker ballet suite. They should really sell a recording of their songs. The music in my video below is similar to what you’ll hear in this show. Additionally, the choreographer Lily Verlaine incorporated ballet heavily into this performance to still maintain that Nutcracker feel.
  • Bullfighter Act: Very cute segment of the show
  • Emcee: Joel Domenico occasionally sang throughout the show with his golden voice.
  • Inclusivity: In true Seattle fashion, the show also included a man in drag and a woman who wasn’t pencil thin.

Rant(s)

  • Mask: Was it really necessary for the emcee to wear a mask when he walked throughout the audience to sing? He wasn’t really protecting himself if he didn’t wear an N95. And it wasn’t worth protecting the audience since most of the waiters were already unmasked. Plus, I’d venture to say 90% of the audience was already unmasked since they were drinking and eating. For the record, I’m not an anti-masker and I actually still wear an N95 in most performances that don’t require the audience to mask up since getting sick would mess up by busy theatre schedule, which has lately been 4-5 shows per week.
  • Tap Dance Shoes: I’m always ecstatic when I see a tap dance number like this show had. But I was a little disappointed to discover the dancers in the tap dance act weren’t wearing tap shoes. If the dancers were wearing tap shoes, they need to figure out a way to make them louder. A part of me thinks a tap dance segment isn’t worth performing if the audience can’t hear the clickety clack.
  • Triple Door Service and Food: My vegan pad thai arrived a little cold and a bit too wet. It’s also a hard to get a waiter’s attention during the show. I suggest Triple Door invest in call buttons like those installed on airplanes or dine-in movie theatres.

Other Thought(s)

  • Snow Stage Magic: How did the 3 snowflake dancers continue to create snow from their hands? I think they pulled it from the frills of their dresses but doesn’t that destroy the dress? Leave a comment in my social media links below if you have any ideas! Someone on Instagram told me that there are actually pockets in the backsides of their dresses that they pull snow out of. Someone in the stage crew gets the glamorous job of stuffing snow back into the dancers’ butt pockets before the dancers go on stage!
  • Seattle Tradition: Since this show has been produced since 2006, I imagine it could be Seattle’s answer to the NYC tradition of seeing Radio City Rockette’s Christmas Spectacular during the holiday season.
  • Seatmate: I thought it was hilarious that the guy who sat next to me assumed he was attending the traditional Nutcracker Ballet. Imagine his surprise when he saw pasties and thongs! But he still enjoyed the show.

Theatre Company : Verlaine and McCann

Venue: Triple Door

Venue Physical Address: 216 Union St, Seattle, WA 98101

Price: Expensive

Dates: December 7th – 30th, 2022

Seating: Assigned Seating

Parking: I usually walk or transit here. The Benaroya (University Street) lightrail station is only a block away. Other than that, there’s obviously paid garage/street parking since this venue is in downtown. I think the cheapest garage lot is generally the Russell Investments Center garage (1301 2nd Ave #1950, Seattle, WA 98101).

Social Media Posts About this Performance from Shows I’ve Seen:
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Other Video +/- Pictures: See pictures in video and under below video.

@showsiveseen “Land of the Sweets: The #Burlesque #Nutcracker” by Lily Verlaine & Jasper McCann @ The Triple Door. Stunning costumes (that came off). Impressive #dance skill/choreography/athleticism. #Titillating #risque #sexy #glamorous alternative to the same tired old family-friendly traditional #Christmas shows. Swinging jazz band alone is worth the admission. Review: showsiveseen.com/2648 #ballet #xmas ♬ The Nutcracker Swing – OKTAVA. VU Pučiamųjų Orkestras / VU Wind Orchestra & Albinas Kučinskas

Miracle on 34th Street – (Radio-ish?) Play – Red Curtain Foundation for the Arts

Elevator Thoughts (aka Tweet): Miracle on 34th Street radio-ish-play-within-a-play at Red Curtain Foundation for the Arts. Actors perform a play based on the classic movie over Zoom (set during the height of Covid) live in-person on-stage. Great stage set scenic design. #play #xmas #Christmas #Santa #santaClaus

Synopsis from the Theatre: Do you believe in Santa Claus? Adapted and directed by Red Curtain’s artistic director, Scott B Randall, this “modern radio play” is set in December 2020. When Jessie’s elderly father goes into the hospital with COVID, her theatre friends gather on a video call to cheer her and her daughter, Kara, by doing a sort of readers’ theatre performance over Zoom. Being performers, the story is a mix of the true story (as portrayed in the classic movie), improvised lines, and pop culture references, sure to help bring out the feelings of closeness and joy associated with the season. In this fully-staged production, we’ll see each character in their own “homes,” plus the projected Zoom call high above the stage. This is a unique way to present the classic tale of friendship tinged with holiday magic, perfect for the entire family. Rated G.

Reviewed Performance: 12/4 Afternoon

Type: Play

World Premiere: Yes

Live Band/Orchestra: Sort of … one of the actors (Bill Kusler) provided some instrumental music on certain parts of the show.

Recommendation: See it if you like radio plays or staged readings.

Equity Actors: 0

Length: 2 hours?

Intermission: Yes

Theatre Company : Red Curtain Foundation for the Arts

Venue: Red Curtain Foundation for the Arts:

Venue Physical Address: 9315 State Ave #J, Marysville, WA 98270

Price: Cheap

Dates: November 25 to December 18, 2022

Seating: General Admission

Parking: Free lot parking in the strip mall where this theatre is located.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

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Other Video +/- Pictures: Pictures in video and under video are by Layton Gaskins.

@showsiveseen “Miracle on 34th Street” #radioPlay within a #play at @redcurtainarts. Actors perform a play based on the classic movie over #Zoom (set during the height of Covid) live in-person on-stage. Great scenic design. Review + Photo Credit: showsiveseen.com/2627 #play #xmas #Christmas #Santa #santaClaus #theatre ♬ Santa Claus Is Comin’ to Town – Mariah Carey
Ben St. Hilaire (as Michael), Shaylyn Reed (Jessie), Gwynn Hawley (Kara), Jay Jenkins (Nick), Bill Kusler (AJ), and Drew Sage (Caleb). Not pictured: Codie Wyatt as Beth.
Jay Jenkins plays Nick, who has to convince a judge that he is the “real” Santa Claus
Kara (Gwynn Hawley) and her mom Jessie (Shaylyn Reed) connect with friends over Zoom

The Flight Before Xmas – Play – Macha Theatre Works

Elevator Thoughts (aka Tweet): The Flight Before Xmas play w/ Macha Theatre Works @ West of Lenin. Delayed holiday flights at Seattle-Tacoma International Airport! Interesting tidbits of world Christmas traditions. Shelley Douma nailed her Karen vibes. Cute voice/energy from Lila Bahng. Novel catwalk shaped stage. #theatre #airport #SeaTac

Synopsis from the Theatre: With all the stress of the holidays, spending Christmas Eve stranded in an airport with a bunch of strangers is the last thing anyone needs! With endless delays, kids shuttling between stepfamilies, a rogue cat on the loose, an important business deal at stake, and missing your grandson’s first Christmas morning, the holiday spirit can disappear quicker than your lost luggage. But sometimes, all you need is to be a little late in order to truly appreciate what you’re rushing toward.

Reviewed Performance: 12/3 Afternoon – Opening Weekend!

Type: Play

World Premiere: No

Recommendation: See it if you’re looking for a family-friendly Christmas play.

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 0

Length: 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Favorite Line: Something like “Why are we wearing matching shirts as a family? We look like a cult!”

Rant(s)

  • Missing Cat Discovery: It took a bit too long for the characters to realize the cat was missing. It only takes a second to see a cat isn’t in a cage … not 15 seconds!

Other Thought(s)

  • Immersive Theatre: If they wanted to add a touch of immersive theatre energy to the play, the actors could use the empty seats in the audience front rows as airport chairs.

Theatre Company : Macha Theatre Works

Venue: West of Lenin

Venue Physical Address: 203 N 36th St #204, Seattle, WA 98103

Price: Cheap

Dates: December 2 – 23, 2022

Seating: General Admission

Parking: There’s paid lot parking or free street parking. I can usually find spots in the streets behind the theatre closer to the water.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

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Other Video +/- Pictures: Pictures in video and under video are by Joe Iano

@showsiveseen “The Flight Before #Xmas#play w/ Macha Theatre Works @ West of Lenin. Delayed #holiday flights at Seattle-Tacoma International Airport! Interesting tidbits of world #Christmas traditions. Shelley Douma nailed her Karen vibes. Cute voice/energy from Lila Bahng. Novel catwalk shaped stage. Review: showsiveseen.com/2599 #theatre #airport #SeaTac ♬ (There’s No Place Like) Home for the Holidays (1959 Version) – Perry Como

Dashing Through The Snow – Play – The Phoenix Theatre

Elevator Thoughts (aka Tweet): Dashing Through the Snow play at The Phoenix Theatre. Four short comedy stories at a Texas bed and breakfast. Unexpected Mrs. Claus affair twist. The dramatic self-involved thespian story was hilarious! #corny #xmas #inn #christmas

Synopsis from the Theatre: A mad-capped comedy that’s more fun than a joyride with friends in a one-horse open sleigh! Meet Trina the innkeeper of the Snowflake Inn in Tinsel, Texas. She’s frantically trying to prepare for the holidays while dealing with a mixed bag of challenging guests and employees who leave comedic chaos in their wake

Reviewed Performance: 12/2 Evening

Type: Play

World Premiere: No

Recommendation: See it if you like 1) plays by Jones Hope Wooten, 2) ABC Family TV shows with a laugh track 3) or plays portraying stereotypical Texans.

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 0

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Texas Portrayal: While a lot of the Texan/Southern acting was purposefully over the top and overtly stereotypical (thankfully there were no cowboys!), the play reminded me of when I used to live in Texas especially when I lived in a tiny town with only had one stop light. The actors also portrayed fancy trailer trash really well in the last segment!
  • Favorite Line: When Mrs. Claus seductively said something like “You were the LARGEST elf. That’s why I noticed you.”

Rant(s)

  • Scene Length: The scenes felt too long but this is likely just a problem with the script.
  • Offstage Dialog: I usually don’t like watching actors conversing with someone offstage via intercom, telephone, or even yelling to someone the audience can’t see. I want to see both speakers involved in the dialog.

Theatre Company : The Phoenix Theatre

Venue: The Phoenix Theatre

Venue Physical Address: 9673 Firdale Ave, Edmonds, WA 98020

Price: Cheap

Dates: November 25 – December 18, 2022

Seating: Assigned

Parking: Free lot parking

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

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Other Video +/- Pictures: There are also pictures under the video below.

@showsiveseen "Dashing Through the Snow" #play at The Phoenix Theatre. Four short #comedy stories at a #Texas #BedAndBreakfast. Unexpected Mrs. Claus affair twist. The dramatic self-involved thespian story was hilarious! Review: showsiveseen.com/2564 #xmas #inn #christmas #theatre ♬ Favorite Time Of Year – Carrie Underwood

Q Brothers Christmas Carol – Musical – ArtsWest

Elevator Thoughts (aka Tweet): Q Brothers Christmas Carol hip hop musical at ArtsWest. Clever lyrics. Funny cast doubling. Loved the pitiful gangsta Tiny Tim segments. Chriss-my-ass-mas! #theatre #rap #christmas #xmas #CharlesDickens #Scrooge #AChristmasCarol

Synopsis from the Theatre: In this hip-hop remix of Dickens’ classic tale, Ebenezer Scrooge is visited by the Ghosts of Hip-Hop Past, Present, and Future…and a Jamaican Jacob Marley. As Scrooge is shown the path of rhythm and redemption, will he throw off his selfish chains and join the beat? Q BROTHERS CHRISTMAS CAROL mixes everything from reggae to rock, updating and funkifying this beloved tale of love, forgiveness, and Christmas spirit – and transforming it into something altogether new.

Reviewed Performance: 12/1 Evening

Type: Hip Hop (or Rap?) Musical

World Premiere: No

Live Band/Orchestra: No

Recommendation: See it if 1) you’re familiar with A Christmas Carol, 2) you want to see something different than the traditional play of this story, 3) and you like Hamilton, rap, or hip hop.

Would I See It Again 3 Years from Now?: I’d be curious to see Q Brothers from Chicago perform this.

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: 0 but they were all good

Length: 85 mins

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Set and Scenic Design: I’m surprised this is the first time I’ve seen a show set designed like a department store. It reminded me of Target. However, the story only briefly took place at the department store. Side note, someone should really make play or musical with the story staged mostly in a department store.
  • Tiny Tim: I’m actually not a fan of the Tiny Tim character in the book or traditional plays. He’s usually portrayed as too cute, too sentimental, and too pitiful, which I find really annoying. Similarly, Gretl von Trapp from the Sound of Music annoys me too. I LOVED how this musical poked fun of the traditional Tiny Tip portrayal and depicted him as a pitiful hard rapper in a plush gangsta coat w/ a cane instead of a crutch.
  • Belle and Young Scrooge: The romantic scenes with Belle and Ben (aka eBENnezer Scrooge) were hilarious especially the parody “Let’s Get Fiscal” instead of the Olivia Newton-John song “Let’s Get Physical.”
  • Ghost Light: I don’t know if it was intentional but it was cleaver using a theatre ghost light-looking prop as part of the ghost of Christmas past segment.
  • Scrooge Dances: It looked cool when the spirits used their magic to make Scrooge dance

Rant(s)

  • Pitch: In the first number, I could hear someone going out of pitch, which worried me for what was in store for the rest of the show. Fortunately, those pitch issues eventually resolved after that opening number when the lyrics became more rap-like. Or maybe the offender just needed one song to warm up their voice.
  • Accompaniment: A live band would significantly elevate this show. Had I known that there was no live band, I might not have given this show a chance since pre-recorded accompaniment tends to make musicals more karaoke-like. Plus, I can usually hear when the singers aren’t in-sync with the recorded accompaniment as opposed to a live band making impromptu timing adjustments to follow the singer’s rhythm. Despite the recorded accompaniment, I did not notice these two common problems in this show, and I have no regrets attending. It probably helped that the music was hip hop (or rap?) which tends to have more synthesized sounds that don’t typically require a traditional musical band. Plus, rappers tend to focus more on rhythm than typical singers in a musical, so synchronization problems are probably less.

Other Thought(s)

  • Burp: Will someone leave me a comment in my social media links below telling me what the burping thing was in the Cratchit household? Was it their youngest baby? Were they talking about eating it? Thanks Corinne (@tigersandgold) and Hannah (@paintastory) for clarifying in Instagram. Yes, the burps were from their other kid and yes they were talking about eating him. LOL, weird!
  • Christmas Light Necklace: There were Christmas light necklaces (see my video below) placed on random chairs. It’s a fun idea but I was a little confused if we were supposed to wear them during the performance, turn them on during the last number, turn them on after the “curtain call,” and/or or take them home as a gift, etc. Let me know your ideas on the intention in my social media comment links below! I think the most fun scenario would have been for the performers to tell the audience during the last song “Let me see your lights yall! If you don’t have a necklace, wave your phones in the air!” or something.

Theatre Company : ArtsWest

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: Cheap to Medium – They have easy pay-what-you-can options in the online ticketing portal so you don’t need to shamefully verbally tell the box office you can’t afford regular-priced tickets.

Dates: November 25 – December 23, 2022

Seating: Assigned

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

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@showsiveseen #QBrothers #ChristmasCarol #hipHop #musical at #ArtsWest. Clever lyrics. Funny cast doubling. Loved the pitiful gangsta #TinyTim segments. Chriss-my-ass-mas! Review: showsiveseen.com/2519 #theatre #rap #christmas #xmas #CharlesDickens #Scrooge #AChristmasCarol ♬ It’s Christmas Time (feat. Dan Caplen) – Macklemore