Ain’t Too Proud – The Life and Times of the Temptations – Musical – Paramount Theatre

Elevator Thoughts (aka Tweet): Ain’t Too Proud – The Life and Times of the Temptations jukebox musical w/ Broadway at the Paramount and Seattle Theatre Group. Imagine a mashup of the musicals Motown and Jersey Boys. Tight harmonies and smooth dance moves. Even the synchronized stage clapping sounded good! #theatre #retro

Synopsis from the Theatre: Ain’t Too Proud – The Life and Times of The Temptations is the electrifying, new smash-hit Broadway musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. With their signature dance moves and silky-smooth harmonies, they rose to the top of the charts creating an amazing 42 Top Ten Hits with 14 reaching number one. Nominated for 12 Tony® Awards and the winner of the 2019 Tony Award for Best Choreography, Ain’t Too Proud tells the thrilling story of brotherhood, family, loyalty, and betrayal, as the group’s personal and political conflicts threatened to tear them apart during a decade of civil unrest in America. Written by three-time Obie Award winner Dominique Morisseau, directed by two-time Tony Award winner Des McAnuff (Jersey Boys), and featuring the Tony-winning choreography of Sergio Trujillo (Jersey Boys, On Your Feet!), the unforgettable story of this legendary quintet is set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” “Papa Was a Rolling Stone,” and so many more.

Reviewed Performance: 1/24/23 – Opening Night

Type: Jukebox Musical

World Premiere: No

Awards: 2019 Tony Award for Best Choreography

Defined Plot/Storyline: Plot was semi-defined but not strong. But this is typical in a jukebox musical. It is also expected from shows written in biographical form (like this one). There is no strong plot in real life!

Live Band/Orchestra: Yes

Recommendation: See it especially if you’re a fan of the Temptations group. You don’t need to be a fan of their music to enjoy the show. I only knew 1/4 of the songs and my dad only knew 2 of the songs.

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Maybe

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: All of them

Number of Actors: 22

Length: 2.5 to 2.75 hours, which felt a little longer than what I’m used to

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Voices: Obviously, all the actors had amazing voices. But a special shoutout goes to Devin Price (Al Bryant) with his powerful tenor in “(You Make Me Want to) Shout.” Elijah Ahmad Lewis (David Ruffin) was a great replacement for Devin when the Temptations kicked Devin’s character out the group. The tenors don’t get all the glory in this show though. Harrell Holmes Jr showcased his incredible bass voice as Melvin Franklin. He “got bass lower than the devil!”
  • Lighting Design: The stage haze elegantly highlighted the simple clean lines of the bright spotlights dramatically shining directly downward on each of the Temptations. The marquees on the set reminded me of ritzy classic showbiz. The large lightbulbs that suddenly shined directly behind the Temptations were elegant and glamourous. The designers even included details like “hot lights” on TV set video recorders in the American Bandstand scenes.
  • Costumes: The costumes conveyed a vintage feel. I was strangely drawn to the funeral attire, which was very elegant, simple, and old money. The classic black umbrellas were also a nice addition to the funeral scene.
  • Supremes: I was pleasantly surprised that they included some numbers sung by the Supremes like “Can’t Buy Me Love.”

Rant(s)

  • Views in the Paramount Theatre: Warning, soapbox ahead! Let me just start out saying that I’m extremely thankful for the opportunity to review this show and my seat was well-placed. It was on the aisle at the center where I could theoretically see everything. It was also not too close or far from the stage. However, most patrons at the Paramount Theatre tend to significantly obstruct the view of the person directly behind them. I’ve been burned too many times by this. I’ve even sat in the third row of the center main floor orchestra and a head still annoyingly blocked my view, which was very disappointing especially after paying more than $100 on that ticket. Several regular Seattle theatre patrons have voiced the same concern with Paramount Theatre seats. It is ironic that the arguably most prestigious theatre in the city (which also hosts most touring Broadway shows) also has the highest possibility of an obstructed view. I’ve never experienced this at 5th Avenue Theatre, Village Theatre, or ACT Theatre. Unfortunately, at the Paramount Theatre, you’re only safe with a view in a section’s first row (whether orchestra or mezzanine) with a walkway buffer in front of you. You’d also be safe in the back row of a section propped up by two seat pillows. I wish the Paramount Theatre could change the elevation grade/slope to be steeper and I also wish they would stagger the seats better. Hopefully the “Save a Seat” program will prevent obstructed views that make it difficult to review/enjoy shows. First world problems, right? 😛

Other Thought(s)

  • Historical Anecdotes: A couple interesting historical facts were mentioned throughout the show. For example, apparently there have been more than 25 Temptations members since the group’s inception. Also, one of the past members was known for sneaking on-stage to perform after the group fired him!

Theatre Company: National Tour from Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine Street, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees and students are eligible for an organization discount.

Dates: January 24 – February 5, 2023

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures under video

@showsiveseen “Ain’t Too Proud: The Life & Times of the #Temptations#jukebox #musical w/ @seattletheatregroup at Paramount #Theatre. Imagine a mashup of the musicals #Motown & Jersey Boys. Tight harmonies & smooth dance moves. Even the synchronized stage clapping sounded good! Review: showsiveseen.com/3482 @motownrecords #retro @officialtemptations ♬ My Girl (from “My Girl”) – Hollywood Session Singers
National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Original Broadway Company of Ain’t Too Proud. Photo by Matthew Murphy.
Harrell Holmes Jr., Jalen Harris, Harris Matthew, Marcus Paul James, James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Jalen Harris and the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Harrell Holmes Jr., Elijah Ahmad Lewis, Jalen Harris, Marcus Paul James, James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Traci Elaine Lee, Deri’Andra Tucker, Shayla Brielle G. from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Elijah Ahmad Lewis, Jalen Harris, Marcus Paul James, Harrell Holmes Jr., James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Marcus Paul James, Jalen Harris, Elijah Ahmad Lewis, Harrell Holmes Jr., James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.

Moulin Rouge! The Musical – Paramount Theatre

Elevator Thoughts (aka Tweet): Moulin Rouge! The Musical w/ Broadway at The Paramount & Seattle Theatre Group. Ostentatious dazzling scenic design. Fabulous costumes. Endless catchy modern pop culture song mashups not in the movie. Dances set to exciting heart-pounding beats. Truth, beauty, freedom, love! #bohemia #extravaganza #theatre #jukebox

Synopsis from the Theatre: Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award® winner John Logan; music supervision, orchestrations, and arrangements by Tony Award® winner Justin Levine; and choreography by Tony Award® winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

Reviewed Performance: 12/16 Opening Press Night – There were major call outs that required the understudies. Denzel Tsopnang portrayed the Duke, which was usually David Harris. Andrew Brewer portrayed Christian, which was usually Conor Ryan. And Adéa Michelle Sessoms portrayed La Chocolat, which was usually Harper Miles.

Type: Musical

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it whether or not you watched the movie. I’m still in awe at how breathtaking and entertaining the show was.

Was This the First Time I Saw a Production of this Show: Yes but I’ve seen the movie

Would I See It Again 3 Years from Now: Yes!

Rating Compared to Other Shows with the Same Production Value:
5 Stars (Out of 5 Stars)

Equity Actors: The program doesn’t mention this but I assume all of them are Equity.

Length: 2.5 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Song Mashups: I’m simply amazed at the number of pop culture songs they fit into this jukebox musical. They must pay through the nose in royalties! The original classic songs in the movie (like “Diamonds Are a Girl’s Best Friend”) were outnumbered by reimagined mashups of more modern songs written after the film was released. There were times I couldn’t determine if the heavy thump in my chest was from the orchestra’s strong driving beat or my excitement from hearing songs like Britney Spears’s “Toxic” and Lady Gaga’s “Bad Romance.” The chorus in Katy Perry’s “Firework” was also particularly spectacular. A couple other favorites include Adele’s “Rolling in the Deep,” Regina Spektor’s “Fidelity,” Natalie Imbruglia’s “Torn,” & Sia’s “Chandelier.”
  • Scenic Designs: Gorgeous, stunning, gaudy, and glamorous! There were lots of diamonds, hearts, and saturated colors everywhere. At times, it felt like Valentines Day and Lisa Frank exploded on stage … in a good way! The sets of the Parisian scenes outside the Moulin Rouge establishment were starkly opposite and it definitely shows the range of talent from the scenic designers.
  • Male Lead Understudy: Andrew Brewer, the understudy for Christian, had such a nice voice.
  • Opening Scene: The performers effectively hooked the audience early on with the glitz and glamour of the Moulin Rouge establishment. This is in contrast to other musicals like Wicked and The Wiz that honestly start out a little boring.
  • Absinthe: Novel green-lit props showed absinthe’s eerie properties and the amount the characters consumed.
  • Breakup Scene: Maybe it’s the “Mean Girl” in me but the way Satine (Courtney Reed) cut Christian at the knees for his safety was particularly delicious.
  • Costumes: They were extravagant, interesting, and intricate. Two favorites were the tuxedo tutu dresses and the headpiece that looked like fallopian tubes.
  • Favorite Lines: A couple include “Gaga ooo la la? Hmmm … we might want to rethink that” and “I want to make desperate love to each and every one of you.” The double entendre scene where Satine was talking about sex while Christian was talking about singing was also particularly funny. When Baby Doll replied, “Tell me about it” to Satine saying, “This corset hurts like hell, I’m all tied down,” were they making a drag queen joke about tucking? Let me know in my social media links below!

Rant(s)

  • Trumpets: The actors playing the trumpets should make it look more realistic.
  • “Shut Up and Dance” Song: I was pleasantly surprised to hear them include this Walk the Moon song in the Moulin Rouge! The Musical repertoire since it’s often played in my car playlist. But I was a little disappointed with the weak execution. I think it’s an inherant problem with the composition since the original Broadway cast recording of this song sounds weak too.

Other Thought(s)

  • Tuberculosis: As a healthcare professional especially in the COVID era, I couldn’t stop thinking about how Satine was just spreading her consumption to all her friends. Mask up gurl!
  • Sword Trick: What stage magic allowed the actors to swallow swords in the beginning? Leave a comment in my social media links below if you have any ideas!

Theatre Company: Broadway Across America Tour and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Expensive

Dates: Dec 14, 2022 – Jan 1, 2023

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, the usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: There are additional picture under below video below.

@showsiveseen @moulinrougebway #jukebox #musical at the Paramount Theatre w/ @seattletheatregroup. #Ostentatious dazzling scenic design. #Fabulous costumes. Endless catchy modern pop culture song #mashups not in the movie. Dances set to exciting heart-pounding beats. Truth, beauty, freedom, love! Review: showsiveseen.com/2828 #bohemia #extravaganza #theatre #MoulinRouge ♬ original sound – Shows I’ve Seen

Courtney Reed and Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed and David Harris in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed and Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Austin Durant and the cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian and Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Harper Miles, Libby Lloyd, Nicci Claspell and Andres Quintero in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Gabe MartÍnez as Santiago and Libby Lloyd as Nini in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian, Gabe MartÍnez as Santiago, André Ward as Toulouse-Lautrec and Austin Durant as Harold Zidler in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
David Harris as The Duke of Monroth in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Adéa Michelle Sessoms and Jennifer Wolfe in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian and Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade

Blue Man Group – Performance Art Show – Paramount Theatre

Elevator Thoughts (aka Tweet): Blue Man Group w/ Seattle Theatre Group at the Paramount Theatre. Mime-like wordless skits w/ catchy percussion & a spectacular visual feast. Similar to Cirque du Soleil w/o the acrobatics. Lots of audience participation. The alien-like blue man even walked through my leg room space to drag a “lucky” audience member on-stage! #drums #blueMan #blueManGroup

Synopsis from the Theatre: More than 35 million people around the world have experienced the smash hit phenomenon that is BLUE MAN GROUP and now it’s your turn! BLUE MAN GROUP returns to Seattle for a limited engagement on their new North American tour. It’s everything you know and love about BLUE MAN GROUP—signature drumming, colorful moments of creativity and quirky comedy—the men are still blue but the rest is all new! Featuring pulsing, original music, custom-made instruments, surprise audience interaction and hilarious absurdity, join the Blue Men in a joyful experience that unites audiences of all ages.

Reviewed Performance: 11/25 Evening – Opening Night

Type: Performance Art Show

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it especially if you like percussion, visual special effects, performance art, or audience members dragged on stage. This show is also kid friendly. Throughout the performance, I could hear kids calling out things like “Pick me!”

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: The program didn’t specify any Equity information. Maybe they didn’t mention this because the show wasn’t a play or musical. However, the show’s caliber felt just like other touring Equity musical productions that perform at the Paramount Theatre.

Length: 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Instruments: They designed several unique looking/sounding instruments. My favorites were the adjustable-pitch PVC pipe drum and the giant dulcimer-looking xylophonic percussion instrument.
  • Gumball Trick: I was impressed how one of the blue men caught several gumballs in his mouth. I’m still wondering what stage magic allowed him to fit them all in there.

Rant(s)

  • VR Skit: There was a section where the Blue Men captured a live video feed around the stage and audience. Later, they took the camera offstage and performed a skit involving virtual reality headsets. I’m assuming the offstage portion was pre-recorded. I’m usually not impressed when live shows display pre-recorded video as a segment of the show. I attended to see a live performance, not something I could find on YouTube. If you think this segment was actually performed live offstage, please leave me a comment in my social media to explain.

Other Thought(s)

  • Gender Spin: With gender issues on the forefront of the theatre scene (and the political stage), it’s time for a “Blue Woman Group.” Or maybe switch out one of the three men with one woman. Or instead of women, maybe recruit transgender performers. Shake it up a bit!
  • Audience Plants : Throughout the first half of the show, I assumed the audience members they involved in the show were audience plants. However, the reactions from someone who was dragged on-stage and their friends in my row made me think otherwise. I wonder how they plan for volatile audience members called on-stage who could derail the show’s planned narrative. Like what’s the contingency plan if someone says pro-Nazi rhetoric in the microphone during the telephone skit?
  • Earplugs and Ponchos: Before the performance, the theatre handed out free earplugs to everybody and ponchos to those on the front couple of rows, which worried me of what was to come. Fortunately, I never needed the earplugs, and it didn’t look like the Blue Men splashed the front row.
  • Blue Skin Magic: Since one of the blue men was literally in my personal leg room space to drag someone else on stage, I saw his “skin” up close. It made me wonder what stage magic made his skin blue. I’m pretty sure they wear blue gloves instead of painting their hands. Since he had no ears, I’m assuming part of his blue skin was not painted human skin but maybe some painted latex-like covering. However, I couldn’t determine where the latex-like covering and the human skin would have bordered. I was even more puzzled when I saw a shiny sweat-like sheen on him, which could mean there was no latex-like covering! Leave a comment in my social media posts below if you have any ideas what stage magic is involved.

Theatre Company : National Tour brought by Seattle Theatre Group and Broadway Across America

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Medium to Expensive

Dates: November 25 – 27, 2022

Seating: Assigned

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101).

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Cast and Production Team: See under the multimedia below.

Other Video +/- Pictures: Credit for pictures in video are in picture captions below video.

@showsiveseen @bluemangroup w/ @seattletheatregroup at Paramount Theatre. #Mime-like wordless skits w/ catchy #percussion & a #spectacular visual feast. Similar to @cirquedusoleil w/o the acrobatics. Lots of audience participation. The alien-like #blue man even walked through my leg room space to drag a “lucky” audience member on-stage! Review + Photo Credit: showsiveseen.com/2247 #drums #blueMan #blueManGroup #performanceArt ♬ Blue (Da Ba Dee) (Gabry Ponte Ice Pop Radio) – Eiffel 65
Blue Man Group Paint Drumming, Photo by Lindsey Best
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Portrait, Photo by Lindsey Best
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Toss and Catch, Courtesy of Blue Man Productions
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
RoleName
Blue MenMERIDIAN
MIKE BROWN
JOSH WILLS
ADAM ZUICK
BandCORKY GAINSFORD
CHRIS REISS
CHRIS SCHULTZ
Director
MICHAEL DAHLEN
WritersJONATHAN KNIGHT
MICHAEL DAHLEN
BLUE MAN GROUP
Set DesignerJASON ARDIZZONE-WEST
Lighting DesignerJEN SCHRIEVER
Costume DesignerPATRICIA MURPHY
Sound DesignerCREST FACTOR
Video DesignerLUCY MACKINNON
Tour Costume DesignEMILIO SOSA
SFX DesignerBILL SWARTZ
Creative DirectorJONATHAN KNIGHT
Music DirectorBYRON ESTEP
Production Stage ManagerERIN ALBRECHT
Company ManagerALANNA SWOVELIN
General ManagementGENTRY & ASSOCIATES
PEARCE LANDRY-WEGENER
Tour Booking, Marketing and Publicity DirectionBOND THEATRICAL GROUP
Production ManagementNETWORKS PRESENTATIONS
WALKER WHITE
Line ProducerJENNIE RYAN
Executive ProducersWENDY EDWARDS & SETH WENIG

Jagged Little Pill – Musical – Paramount Theatre

Elevator Thoughts (aka Tweet): Alanis Morissette’s jagged little pill jukebox musical at the Paramount Theatre w/ Seattle Theatre Group. Love good implosions in the perfect suburbs. Wish there was a way to explore the addiction storyline more without diminishing the #meToo one. Costumes were deliciously 90s alternative grungy Seattle.

Synopsis from the Theatre: Joy, rage, love, heartache, strength, wisdom, catharsis, LIFE: everything we’ve been waiting to see on a Broadway stage is back, in this exhilarating, fearless new musical based on Alanis Morissette’s world-changing music. Nominated for 15 Tony Awards® (the most of any show), and a recent Grammy® winner for Best Musical Theater Album, this electrifying production about a perfectly imperfect American family “vaults the audience to its collective feet” (The Guardian). You live, you learn, you remember what it’s like to feel truly human… at JAGGED LITTLE PILL.

Reviewed Performance Date: 11/9/22 Evening. Sorry, I would have prioritized this review sooner if the theatre company gave me a press ticket.

Type: Musical

World Premiere: No

Live Band: Yes

Recommendation: See it whether or not you’re a fan of Alanis Morissette! I actually only remotely knew 3 songs in the musical.

Would I See It Again 3 Years from Now?: Yes!

Rating (Out of 5 Stars): 4.5 stars

Equity Actors: All of them!

Length: 2 hours and 40 minutes

Intermission?: Yes

Other Rave(s)

  • Enjoyed the witty quips from the lesbian girlfriend (Jo). My favorite line in the whole show was “She’s [your mother is] one salad away from a psychotic break.”
  • Loved how the cast performed “Smiling” while depicting MJ’s day in reverse. It reminded me of when the Hamilton cast performed “Satisfied.”
  • Lauren Chanel’s voice was so beautiful!
  • #meToo picket sign slogans were cleaver. Two of my favorites were “Don’t tell me how to dress, tell them not to rape!” and “Don’t Get Raped!”
  • The ensemble’s alternative grungy costumes contrasted well with the perfect Stepford suburbia costumes.
  • Thrilled that they included my profession (pharmacy)!

Other Thought(s)

  • This show so woke. Liberal Seattle surely ate it it up. I hope they paid attention to the racial commentary though.

Theatre Company : National Tour Coordinated by Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Expensive

Dates: November 8 – 13, 2022

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101).

Social Media Posts: Instagram | TikTok | Facebook | Twitter | YouTube

Link(s):

Cast and Production Team: See under the multimedia below.

Other Video +/- Pictures:

@showsiveseen @alanis’s @jaggedlittlepill #jukebox #musical at Paramount #Theatre w/ @seattletheatregroup. Love good implosions in the perfect #suburbs. Wish there was a way to explore the #addiction storyline more without diminishing the #meToo one. Costumes were deliciously 90s alternative grungy Seattle. showsiveseen.com/2036 #theatre #jaggedlittlepill ♬ You Learn – Original Broadway Cast Of Jagged Little Pill
RoleName
The Chorus
Lee H. Alexander
Delaney Brown
Jada Simone Clark
Lani Corson
Jason Goldston
Rishi Golani
Zach Hess
Cydney Kutcipal
Jordan Leigh Mccaskill
Alana Pollard
Daniel Thimm
Kei Tsuruharatani
Jena Vanelslander
Mary Jane HealyHeidi Blickenstaff
Steve HealyChris Hoch
Nick HealyDillon Klena
Frankie HealyLauren Chanel
JoJade Mcleod
BellaAllison Sheppard
AndrewJason Goldston

Sean Doherty for this performance
PhoenixRishi Golani
Pharmacist/TherapistJordan Leigh Mccaskill

Maya J. Christian for this performance
BaristaJada Simone Clark
Jill/TeacherLani Corson
DeniseDelaney Brown
CourtneyJena Vanelslander
Drug DealerDaniel Thimm
DoctorLee H. Alexander
SwingsMaya J. Christian
Claire Crause
Sean Doherty
Charles P. Way
Dance CaptainClaire Crause
Assistant Dance CaptainCharles P. Way
Conductor/KeyboardMatt Doebler
Guitar 1Will Yanez
Guitar 2David Manning
BassJennifer Giammanco
Drums And PercussionLucy Ritter
Concertmaster/ViolinDwayne Beach
ViolaCarolina Diaz Chan
CelloCalvin Chan
Assistant ConductorDavid Manning
Music CoordinatorMichael Aarons
Music PreparationEmily Grishman
Keyboard ProgrammerRandy Cohen
LyricsAlanis
Morissette
MusicAlanis
Morissette
Glen Ballard
Michael Farrell
Guy Sigsworth
BookDiablo Cody
DirectorDiane Paulus
Scenic DesignRiccardo Hernández
Costume DesignEmily Rebholz
Lighting DesignJustin Townsend
Sound DesignJonathan Deans
Video DesignLucy Mackinnon
Hair, Wig, & Makeup DesignJ. Jared Janas
Music Director/ConductorMatt Doebler
Music CoordinatorMichael Aarons
CastingC12 Casting
Jillian Cimini
Marketing & Publicity DirectionBond Theatrical
Production Supervising Stage ManagerIra Mont
Production Stage ManagerJustin Myhre
Jenn Gallo
Ashanti Smith
Company ManagerMichael Sanfilippo
Production ManagerHudson Theatrical Associates
General ManagerRCI Theatricals
David Richards
Shaun Moorman
Exclusive Tour DirectionThe Road Company
Stephen Lindsay
Brett Sirota
Music Supervisor, Orchestrator, and ArrangerTom Kitt
Movement Director and ChoreographerSidi Larbi Cherkaoui

To Kill a Mockingbird – Play – Paramount Theatre

Elevator Thoughts (aka Tweet): To Kill a Mockingbird on Broadway play at Paramount Theatre & Seattle Theatre Group. Delightful accents. Loved the 3 precocious young narrators esp Dill. Powerful commentary on racism especially when naive Atticus broke the 4th wall. Reminds me that there are far worse areas than woke PNW.

Type: Play

Recommendation: See it!

Would I See It Again 3 Years from Now?: Yes if it was done professionally again.

Rating (Out of 5 Stars): 4.5 stars

Other Thought(s) – Full disclosure, I didn’t read the book. Gasp!

  • Who was the killer? Did the author leave it open-ended on purpose or did I just miss that detail?
  • Who was the crazy guy? They needed to give him or or his background more airtime for those who didn’t read the book.

Theatre Company : Seattle Theatre Group and Broadway at the Parmount

Venue: Paramount Theatre – 911 Pine St, Seattle, WA 98101

Price: $$$$ (Expensive)

Dates: October 11 – 16, 2022

Seating: Assigned Seating

Parking: Street or Garage. I like the old convention center garage w/ the entrance on Pike and 9th.

Social Media Posts: Instagram | TikTok | Facebook | Twitter | YouTube

Link(s):

Other Media: Clips of performance in the video are provided by the touring company and Seattle Theatre Group.

@showsiveseen "To Kill a Mockingbird" #play at Paramount Theatre & Seattle #Theatre Group. Delightful accents. Loved the 3 precocious young narrators esp Dill. #Powerful commentary on #racism especially when naive #Atticus broke the 4th wall. Reminds me that there are far worse areas than woke PNW. #South #mockingbird ♬ original sound – Shows I've Seen
Melanie Moore (“Scout Finch”) and The Company of To Kill a Mockingbird. Photo by Julieta Cervantes
Anthony Natale (“Link Deas”), Melanie Moore (“Scout Finch”), Steven Lee Johnson (“Dill Harris”) and Justin Mark (“Jem Finch”). Photo by Julieta Cervantes
Melanie Moore (“Scout Finch”) and Jacqueline Williams (“Calpurnia”). Photo by Julieta Cervantes
Yaegel T. Welch (“Tom Robinson”), Stephen Elrod, Jacqueline Williams (“Calpurnia”) and Richard Thomas (“Atticus Finch”). Photo by Julieta Cervantes
Justin Mark (“Jem Finch”), Richard Thomas (“Atticus Finch”), Melanie Moore (“Scout Finch”) and Steven Lee Johnson (“Dill Harris”). Photo by Julieta Cervantes
Jacqueline Williams (“Calpurnia”). Photo by Julieta Cervantes
Melanie Moore (“Scout Finch”) and Richard Thomas (“Atticus Finch”). Photo by Julieta Cervantes
Arianna Gayle Stucki (“Mayella Ewell”), Richard Thomas (“Atticus Finch”), Stephen Elrod (“Bailiff”), Richard Poe (“Judge Taylor”), Greg Wood (“Mr. Roscoe”) and Joey Collins (“Bob Ewell”). Photo by Julieta Cervantes
Travis Johns (“Boo Radley”), Melanie Moore (“Scout Finch”), Steven Lee Johnson (“Dill Harris”) and Justin Mark (“Jem Finch”). Photo by Julieta Cervantes
Jacqueline Williams (“Calpurnia”). Photo by Julieta Cervantes
Richard Thomas (“Atticus Finch”), Yaegel T. Welch (“Tom Robinson”) and The Company of To Kill a Mockingbird. Photo by Julieta Cervantes
Melanie Moore (“Scout Finch”). Photo by Julieta Cervantes
Mary Badham (“Mrs. Henry Dubose”). Photo by Julieta Cervantes