Category: Seattle Children’s Theatre

Elevator Thoughts (aka Tweet): The Wonderful Wizard of Oz play at Seattle Children’s Theatre. Vibrant scenic design and costumes. Fabulous scarecrow portrayal from Nicolas Japaul Bernard.

Synopsis from the Theatre: Growing tired of her life in Kansas, Dorothy and her little dog Toto discover a new adventure in the wonderful and magical Land of Oz after a cyclone swoops them “somewhere over the rainbow.” While following the yellow brick road to the Emerald City, Dorothy meets the Scarecrow, the Tin Man, and the Cowardly Lion, who quickly become her new friends. Together, they overcome their fears of witches, flying monkeys, and a haunted forest to learn if the Wizard can make their dreams come true.

Reviewed Performance: 4/7/23 Opening Night – Sorry for the late review! I was busy obtaining pictures and clarifying guidelines with the theatre. Fortunately, you still have more than a month to see this production.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: Several

Prior Exposure Required: None but it wouldn’t hurt to have seen the classic movie

Defined Plot/Storyline: Yes

Recommendation: See it if you want to treat your kids to live theatre. This show targeted audiences younger than teenagers. In contrast, most other Seattle Children’s Theatre shows I’ve chosen to attend like The Boy Who Kissed the Sky and The Diary of Anne Frank could be enjoyed by adults without kids.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Yes, if I had kids and it was another professional production

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 12

Length (Including Any Intermission): 1 hour

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

• Design: The set and costumes were gorgeous. What a treat that children can experience the same level of production value as other professional theatres! See the pictures at the end of this review.
• Scarecrow: Nicholas Japaul Bernard was delightful as the fabulous flamboyant scarecrow providing comic relief with Pippi Longstocking hair. His portrayal reminded me of his previous role as Pharus in Choir Boy at ACT Theatre.
• Filipino Elements: Did they incorporate a barong and pagmamano (bless) in this show? If so, I’m digging the visibility as a Pinoy! It reminded me of Village Theatre’s production of Mamma Mia.

Rant(s)

• Mask: One of the performers was wearing a mask. While I acknowledge a person’s right to continue wearing one in the workplace, this is probably the second or third time I’ve ever seen an actor wear a mask on-stage even when theatres reopened Fall 2021 … and I’ve seen almost 200 shows since COVID started! Masks on-stage are visually distracting and they muffle actors’ lines. For the record, I’m not a staunch anti-masker. I actually still occasionally wear an N95 when I’m in the theatre to ensure my packed show schedule (of about 3 shows per week) is uninterrupted.
• Stage Crew Visibility: It was a little distracting seeing the stage crew moving set pieces.
• Tornado: I would have personally preferred the tornado scene to be more violent and treacherous … but I guess we don’t want the young audience members to have nightmares!
• Auditory Stimulation: The show felt a little too silent for kids, who are already accustomed to sensory overstimulation from the media. Plus, the colorful vibrant set begged to be accompanied with more sound. Maybe add more background audio.

Other Musing(s) and Observation(s)

• Slippers: I didn’t know the original book described the magic slippers as silver instead of the classic ruby red. Today I learned that the classic film’s studio wanted to show off the new technicolor technology with more vibrant props.
• Youth Actors: This production incorporated two sets of alternating youth actor casts. I’m sure the young people in the audience got a kick out of seeing their peers on stage.

Theatre Company: Seattle Children’s Theatre

Venue: Seattle Children’s Theatre

Venue Physical Address: 201 W Thomas St, Seattle, WA 98109

Price: Cheap to Medium

Ticket Affordability Options: Each performance has a value option available online. Also check out the theatre’s discount page.

Dates: April 4 to May 21, 2023

Seating: Assigned Seating

Parking: Paid street parking or various paid parking lots/garages. Street parking is sparse when there’s a major Seattle Center or Climate Pledge Arena event. I usually have good luck finding street parking around Lenny Wilkins Way next to the theatre on non-event days. I try to take the bus on event days since even the event street parking costs more than $12.

Like/Comment/Share my Social Media Posts About this Performance:
Instagram | TikTok | Twitter | Facebook | YouTube

Buy a Ticket or Learn More:

• https://www.sct.org/onstage/productions/the-wonderful-wizard-of-oz-2/
• Program

Other Video +/- Pictures: See pictures in video and under video below by Truman Buffett

Cast and Production Team: See after pictures and video below

@showsiveseen “The Wonderful Wizard of Oz” #play by @dulcia.25 at Seattle Children’s Theatre. Vibrant scenic design & costumes. Fabulous scarecrow portrayal from @djpaul90. Photos by Truman Buffet. Review: showsiveseen.com/4793 #WizardOfOz #Oz #theatre ♬ Munchkinland Musical Sequence – The Munchkins

Role	Name
Scarecrow	Nicholas Japaul Bernard
Wizard of Oz/Wicked Witch Of The West	Roz Cornejo
Uncle Henry / Cowardly Lion	Jerik Fernandez
Aunt Em / Locasta, Good Witch of the North	Annelih Hamilton
Tin Woodman	Chad Kelderman*
Dorothy	Marena Kleinpeter
King of the Winged Monkeys / Glinda, Good Witch of the South / Hungry Wildcat	Dedra D. Woods*
—	—
Munchkin / Flying Monkey	Ian Bartlett, Ariadne Taw, Penelope Tobin, Emberly Hoke, Fiona Hurley, or Lillian Morris
Munchkin / Hungry Wildkitten / Flying Monkey	Zella Davidson or Tabitha Murphy Madden
Guardian of the Gates / Flying Monkey	Reagan Nino or Audrey Conner
Understudies	Gloria Alcalå Avery Clark* Bethanie Willis
—	—
Director	Jéhan Òsanyin**
Playwright	Adapted by Jacqueline E. Lawton from the novel by L. Frank Baum
Choreographer	Alice Gosti**
Scenic Designer	Julia Hayes Welch^
Costume Designer	Taya Pyne
Lighting Designer	Adem Hayyu^
Sound Designer	Erin Bednarz
Fight Director	Geoffrey Alm**
Wig & Hair Designers	Kafi Masika Modest Roberts
Costume Design Assistant	Natalie Shih
Makeup Artist	Meredith Keister
Stage Manager	Jamie J. Kranz*
Assistant Stage Manager	Quinn Chase*
Production Assistant	P. Alyda Sorm
Youth Cast Supervisor	Amy Jurkiewicz
Swing Youth Cast Supervisor	Lillia Nelson

@showsiveseen “Watsons Go to Birmingham – 1963” stage #play adaptation of the book w/ dad. A well-to-do northern family is shaken by racism in the #JimCrow #DeepSouth ♬ Aesthetic – Tollan Kim