Elevator Thoughts (aka Tweet): Octavio Solis’s Quixote Nuevo amusing play-w/-music by Seattle Rep, Portland Center Stage, & South Coast Repertory starring Herbert Siguenza as Don Quixote. Alluring portrayal of dementia hallucinations from the patient’s perspective. Ernie González Jr stole the show with his Sancho Panza comedic relief. #Mexican #Chicano #puppetry #dementia #tejano #immigration #border
Recommendation See it, especially if you enjoy Chicano, Tejano, or Mexican culture. This play would also be up your alley if you liked the amusing nature of Between Two Knees and Peter and the Starcatcher.
Synopsis from the Theatre: Aging Cervantes professor Jose Quijano isn’t going down without a fight. When his family tries to move him to an assisted living facility, Jose escapes on his valiant tricycle steed in search of his long-lost love. Reality and fantasy blur in the Texas desert, as Jose dubs himself Don Quixote and embarks on a fantastic, death-defying journey to discover the truth of his past. Underscored by vibrant Tejano music, Quixote Nuevo is a humorous and heartfelt quest towards becoming the hero of your own story.
Attended Performance Date: Opening Night 1/24/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen.
Type: Musical-like Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set? Mostly yes
Prior Exposure/Knowledge Required: You’d probably understand this play more if you’re already familiar with Chicano, Tejano, or Mexican expressions, language, and culture. It would have been harder for me to grasp if I didn’t grow up in San Antonio. There was a surprising amount of untranslated Spanish that the common Seattleite would have not understood. Additionally, it obviously helps if you’re also familiar with the classic Don Quixote story.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Mostly no, but this wasn’t a true musical. Occasionally, the performers played a guitar.
Equity Actors: 9
Total Number of Actors: 9
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Maybe
Other Rave(s) Not Mentioned Above
Elements of a Musical: This play occasionally exhibited elements of a musical similar to Peter and the Starcatcher. Raul Cardona even performed a minute of boot tap dancing! The few harmonies (especially the theme song) reminded me of national Broadway touring shows.
Puppetry: Even though I don’t typically enjoy stage puppetry, I could appreciate its effectiveness in this production. Just like in Wolf Play, life-sized puppets portrayed the child characters.
Death: For some reason, I’m drawn to death personifications in art like the movie Meet Joe Black or the musical Hadestown. Raul Cardona was well-cast as Papa Calaca (translated as “Father Skull”) who was a narrator-like guide (with a fit torso!) in this play.
Dementia Hallucinations: I was drawn to Don Quixote’s breaks of full-on hallucination throughout the show especially when the sound effects transformed the actors’ voices to the demonic. During these scenes, the actors danced in interesting costumes inspired by Día de Muertos, which isn’t something you see often on stage.
“I’m Telling You” Meme: I’m 75% sure they intentionally included a line referencing the “I’m Telling You” meme. If I’m correct, I’m so disappointed that the audience didn’t get it.
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Like/Comment/Share my Social Media Posts About this Performance:
Quixote Nuevo play-with-music opening night by Seattle Rep, Portland Center Stage, & South Coast Repertory. Performing until 2/11/24. Stay tuned for my full review! #showsiveseen #theatre #DonQuixote #Mexican #immigration #Chicano #puppetry #dementia #hallucinations #Tejano
Elevator Thoughts (aka Tweet): Kate Hamill’s Little Women play at Seattle Rep starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles and growing up. Pleasantly surprised to find a Christmas theme in this winter show. #tomboy #ComingOfAge #LittleWomen #xmas
Recommendation
See it, especially if you enjoy plays about defying traditional gender roles.
Synopsis from the Theatre: Jo March isn’t concerned with what’s “ladylike.” Actually, she’s not sure she wants to be a lady at all. An aspiring writer, the headstrong Jo must negotiate with rigid societal norms to realize her dreams of independence. Against the backdrop of the Civil War, the beloved March siblings grow together and apart, discovering love, joy, and friendship as they learn the importance of family and being true to oneself. Kate Hamill’s (Pride and Prejudice, 2017) fresh and lively adaptation of Louisa May Alcott’s classic novel will bring the entire family together this holiday season.
Attended Performance Date: Opening Night 11/15/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: Mostly no
Prior Exposure/Knowledge Required: You’d probably appreciate this play more if you read the original classic novel. I did not, but I constantly wondered during the performance how the book and the play differed.
Defined Plot/Storyline: Yes
Equity Actors: 9
Total Number of Actors: 9
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Probably not but it was good
Other Rave(s) Not Mentioned in Elevator Thoughts
Scenic Design: The dollhouse-like motif was well-chosen in light of the script’s “defy gender norms” message.
Christmas Theme: I’m typically not a fan of Christmas shows since they typically lack depth and seem more of a way for theatres to milk audiences for extra holiday revenue. But I appreciated how the playwright/author included Christmas themes while not making the story solely about Christmas. The theatre synopsis didn’t even tout this as a holiday show! The first act was heavy on the feel-good old-timey movie-like Christmas theme. To quote the script, it was like the “sentimental lady stories” Jo was instructed to write. On the other hand, I don’t think the second act mentioned Christmas much at all and it was less sentimental (aka better than the first act).
Favorite Quote: “Can’t you play something gayer?”
Rant(s)
Microphones: As I mentioned in my previous review of Seattle Rep’s I Am Not Your Perfect Mexican Daughter, I’m baffled that the theatre doesn’t use microphones for such a big space. You get accustomed to the low volume as the show progresses though. But, I’m curious to know how the theatre accommodates hearing impaired audience members.
Other Musing(s) and Observation(s)
Battle Hymn of the Republic: What’s the deal with the sisters singing “Glory, glory, halleluiah!” occasionally throughout the show?
Atrocity: A character committed a grave atrocity in the middle of the second act, but I don’t think they portrayed it to the audience (unless I missed it). I would have loved to see the drama of the scene occur, especially since it preceded a delicious argument scene.
Friends Episode: I kept thinking about the Friends TV show episode “The One Where Monica and Richard are Friends” where Joey was too emotionally invested in the characters when he read the book, especially when somebody (who honestly lived an insignificant life in my opinion) died. I kind of wish I didn’t know the book spoilers from that episode so I’d feel more surprised.
End of 1st Act: The first act uniquely didn’t end in a cliffhanger. It felt similar to when the first act of Into the Woods ended. I literally thought there wasn’t a second act in both shows!
Theatre Company: Seattle Rep
Venue: Bagley Wright Theater at Seattle Rep
Venue Physical Address: 155 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Other Video +/- Pictures: See pictures under video by Bronwen Houck
Cast and Production Team: See after pictures and/or video below
@showsiveseen @Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on t@Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen he original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen♬ Reasons – STAR SEED
Role
Name
Amy March
Rebecca Cort
Jo March
Amelio Garcia
Hannah/Mrs. Mingott/Messenger
Macall Gordon
Mr. Laurence/Robert March/Doctor
Chiké Johnson
Marmee March/Aunt March
Colleen Madden
Meg March
Cy Paolantonio
Beth March
Katie Peabody
John Brooks/Parrot/Mr. Dashwood
Richard Nguyen Sloniker
Laurie
Austin Winter
Understudy for Beth/Meg/Hannah/Mrs. Mingott/Messenger
Cheyenne Barton
Understudy for Laurie/Brooks/Parrot/Mr. Dashwood
Miguel Castellano
Understudy for Marmee March/Aunt March
Macall Gordon
Understudy for Mr. Laurence/Robert March/Doctor
Vincent “VJ” Orduna
Understudy for Jo/Amy
Leah Sainz-Jones
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Playwright
Kate Hamill adapted from the novel by Louisa May Alcott
Celebrating Seattle Rep’s 60th anniversary at the Little Women play opening night w/ a special visit from the Seattle mayor. Performing until 12/17/23. Stay tuned for my full review! #littleWomen #showsiveseen #theatre