Quixote Nuevo play-with-music opening night by Seattle Rep, Portland Center Stage, & South Coast Repertory. Performing until 2/11/24. Stay tuned for my full review! #showsiveseen #theatre #DonQuixote #Mexican #immigration #Chicano #puppetry #dementia #hallucinations #Tejano
Elevator Thoughts (aka Tweet): Kate Hamill’s Little Women play at Seattle Rep starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles and growing up. Pleasantly surprised to find a Christmas theme in this winter show. #tomboy #ComingOfAge #LittleWomen #xmas
Recommendation
See it, especially if you enjoy plays about defying traditional gender roles.
Synopsis from the Theatre: Jo March isn’t concerned with what’s “ladylike.” Actually, she’s not sure she wants to be a lady at all. An aspiring writer, the headstrong Jo must negotiate with rigid societal norms to realize her dreams of independence. Against the backdrop of the Civil War, the beloved March siblings grow together and apart, discovering love, joy, and friendship as they learn the importance of family and being true to oneself. Kate Hamill’s (Pride and Prejudice, 2017) fresh and lively adaptation of Louisa May Alcott’s classic novel will bring the entire family together this holiday season.
Attended Performance Date: Opening Night 11/15/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: Mostly no
Prior Exposure/Knowledge Required: You’d probably appreciate this play more if you read the original classic novel. I did not, but I constantly wondered during the performance how the book and the play differed.
Defined Plot/Storyline: Yes
Equity Actors: 9
Total Number of Actors: 9
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Probably not but it was good
Other Rave(s) Not Mentioned in Elevator Thoughts
Scenic Design: The dollhouse-like motif was well-chosen in light of the script’s “defy gender norms” message.
Christmas Theme: I’m typically not a fan of Christmas shows since they typically lack depth and seem more of a way for theatres to milk audiences for extra holiday revenue. But I appreciated how the playwright/author included Christmas themes while not making the story solely about Christmas. The theatre synopsis didn’t even tout this as a holiday show! The first act was heavy on the feel-good old-timey movie-like Christmas theme. To quote the script, it was like the “sentimental lady stories” Jo was instructed to write. On the other hand, I don’t think the second act mentioned Christmas much at all and it was less sentimental (aka better than the first act).
Favorite Quote: “Can’t you play something gayer?”
Rant(s)
Microphones: As I mentioned in my previous review of Seattle Rep’s I Am Not Your Perfect Mexican Daughter, I’m baffled that the theatre doesn’t use microphones for such a big space. You get accustomed to the low volume as the show progresses though. But, I’m curious to know how the theatre accommodates hearing impaired audience members.
Other Musing(s) and Observation(s)
Battle Hymn of the Republic: What’s the deal with the sisters singing “Glory, glory, halleluiah!” occasionally throughout the show?
Atrocity: A character committed a grave atrocity in the middle of the second act, but I don’t think they portrayed it to the audience (unless I missed it). I would have loved to see the drama of the scene occur, especially since it preceded a delicious argument scene.
Friends Episode: I kept thinking about the Friends TV show episode “The One Where Monica and Richard are Friends” where Joey was too emotionally invested in the characters when he read the book, especially when somebody (who honestly lived an insignificant life in my opinion) died. I kind of wish I didn’t know the book spoilers from that episode so I’d feel more surprised.
End of 1st Act: The first act uniquely didn’t end in a cliffhanger. It felt similar to when the first act of Into the Woods ended. I literally thought there wasn’t a second act in both shows!
Theatre Company: Seattle Rep
Venue: Bagley Wright Theater at Seattle Rep
Venue Physical Address: 155 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Other Video +/- Pictures: See pictures under video by Bronwen Houck
Cast and Production Team: See after pictures and/or video below
@showsiveseen @Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on t@Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen he original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen♬ Reasons – STAR SEED
Katie Peabody, Amelio García, Cy Paolantonio, and Rebecca Cort in Little Women. Photo by Bronwen Houck. Katie Peabody, Rebecca Cort, Cy Paolantonio, and Amelio García in Little Women. Photo by Bronwen Houck. Chiké Johnson and Katie Peabody in Little Women. Photo by Bronwen Houck. Rebecca Cort, Katie Peabody, Colleen Madden, Amelio García, and Cy Paolantonio in Little Women. Photo by Bronwen Houck. Amelio García and Austin Winter in Little Women. Photo by Bronwen Houck. Rebecca Cort, Cy Paolantonio, Katie Peabody, and Amelio García in Little Women. Photo by Bronwen Houck. Richard Nguyen Sloniker, Colleen Madden, Amelio García, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
Role
Name
Amy March
Rebecca Cort
Jo March
Amelio Garcia
Hannah/Mrs. Mingott/Messenger
Macall Gordon
Mr. Laurence/Robert March/Doctor
Chiké Johnson
Marmee March/Aunt March
Colleen Madden
Meg March
Cy Paolantonio
Beth March
Katie Peabody
John Brooks/Parrot/Mr. Dashwood
Richard Nguyen Sloniker
Laurie
Austin Winter
Understudy for Beth/Meg/Hannah/Mrs. Mingott/Messenger
Cheyenne Barton
Understudy for Laurie/Brooks/Parrot/Mr. Dashwood
Miguel Castellano
Understudy for Marmee March/Aunt March
Macall Gordon
Understudy for Mr. Laurence/Robert March/Doctor
Vincent “VJ” Orduna
Understudy for Jo/Amy
Leah Sainz-Jones
—
—
Playwright
Kate Hamill adapted from the novel by Louisa May Alcott
Celebrating Seattle Rep’s 60th anniversary at the Little Women play opening night w/ a special visit from the Seattle mayor. Performing until 12/17/23. Stay tuned for my full review! #littleWomen #showsiveseen #theatre
Elevator Thoughts (aka Tweet): Finn Anderson & Stewart Melton’s Islander musical at Seattle Rep staring Sylvie Stenson, Stephanie MacGaraidh, Lois Craig, & Julia Murray. Novel audio concept that every played accompaniment & sound effect was dynamically recorded on-stage minutes/seconds earlier. High improv-like stakes!
Recommendation
See it if either 1) you like non-traditional musicals with a novel gimmick like Freestyle Love Supreme 2) you appreciate modern British theatre 3) or you’re okay with small-cast shows.
Synopsis from the Theatre: Myth and reality collide when the tide washes a mysterious stranger onto the shore of Eilidh’s lonely island, changing her life forever. Join us for a musical showcase of epic storytelling, intimately staged with a contemporary Scottish folk-inspired score. Two actors embody a host of characters while weaving, building, and layering their voices using live looping technology. This internationally acclaimed hit will create an expansive, ethereal soundscape for the ears and imagination as Seattle Rep kicks off the North American Tour.
Attended Performance Date: 10/25/23 (Opening Night) – See my previous preview posts here.
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: Yes, because it was austere
Prior Exposure/Knowledge Required: You need to understand fast British accents.
Defined Plot/Storyline: Yes
Live Band/Orchestra: The performers and the mixing boards were the “band” in that they recorded sounds on-stage and dynamically generated an accompaniment when they weren’t singing acapella. There were no instruments or pre-recorded tracks … although we can’t prove the absence of pre-recorded tracks!
Equity Actors: Zero but I assume it was because this tour was from the UK
Total Number of Actors: 2
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 1.5 hours
Was there an intermission? No
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Other Rave(s) Not Mentioned in Elevator Thoughts
Unique Audio Source: All the sound effects and accompaniment were recorded and mixed on-stage in front of the audience. Seconds or minutes later, the audience would hear the sounds interleaved in an audio track with different autotuned pitches and rhythms. Every time I heard a new sound, I tried to determine what portion of the show it was recorded from. Sometimes the actors would later harmonize with a recording of their own voice. This was very similar to how Taylor Swift performed her 1989 world tour “Blank Space” song in this clip (see 3:45 – 5:15). In musicals, performers are expected to dance, act, and sing. Add “operate a mixing board” to that list of duties in this musical!
Storm Scene Lighting: The strobe-like flashing lights were a cool (albeit easy) way to depict a lightning and rain storm.
Favorite Line: “Can I ask you something?” “You just did.”
Rant(s)
Story Comprehension: It was difficult to differentiate between characters since there was extensive cast doubling with only two performers. Plus, there were no costume changes between characters. The strong British accents also made it difficult to follow the dialogue. This is coming from someone who doesn’t attend much Shakespeare because the old English is hard to understand.
Other Musing(s) and Observation(s)
Pedal: Will anybody enlighten me what happened when someone pressed the foot pedal? Leave a comment on my social media links below!
Theatre Company: National Tour
Venue: Seattle Repertory Theatre
Venue Physical Address: 155 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Stephanie MacGaraidh and Sylvie Stenson in Islander. Photo by Nate Watters.Stephanie MacGaraidh and Sylvie Stenson in Islander. Photo by Nate Watters.Julia Murray and Lois Craig in Islander. Photo by Sayed Alamy.Sylvie Stenson and Stephanie MacGaraidh in Islander. Photo by Steve Tanner.Sylvie Stenson and Stephanie MacGaraidh in Islander. Photo by Steve Tanner.Lois Craig and Julia Murray in Islander. Photo by Steve Tanner.Julia Murray and Lois Craig in Islander. Photo by Steve Tanner.
Islander Scottish musical opening night of the national tour at Seattle Rep. Performing until 11/19/23. Stay tuned for my full review! #showsiveseen #theatre #Scotland