Georgiana & Kitty: Christmas at Pemberley – Play – Taproot Theatre

Elevator Thoughts (aka Tweet): Georgiana & Kitty play at Taproot Theatre. Final chapter in Lauren Gunderson’s and Margot Melcon’s “Christmas at Pemberley” Pride and Prejudice trilogy. Filled with the hallmark themes of Jane Austen’s stories. Relatable to online dating.

Recommendation
See it if you enjoyed Pride and Prejudice.


Synopsis from the Theatre: Georgiana Darcy is an accomplished pianist but wary of romance. Kitty Bennet is a bright-eyed optimist and a perfect best friend. These two younger sisters are ready for their own adventures in life and love, starting with the arrival of an admirer and secret correspondent. Meddlesome families and outmoded expectations won’t stop these determined friends from forging their own way in a holiday tale filled with music, ambition, sisterhood, and forgiveness. The third and final play in the trilogy by Lauren Gunderson and Margot Melcon.

Attended Performance Date: Opening Night 11/24/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: (Very?) Few

Static (Stationary) Set?: Yes

Prior Exposure/Knowledge Required: Pride and Prejudice is required reading (or “watching” if you prefer a movie/play) to understand and appreciate this play. Don’t worry if you didn’t see the previous two chapters in the “Christmas at Pemberley” trilogy. I saw the 2nd and 3rd chapters sequentially without seeing the 1st chapter and I still enjoyed the shows. But if you’re like me and you’re not an ardent Pride and Prejudice aficionado, I highly recommend reviewing the helpful family tree in the program on page A-3.

Defined Plot/Storyline: Yes

Equity Actors: 2

Total Number of Actors: 9

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good. Since I saw the 2nd and 3rd chapters of this trilogy, I’m now curious to see the 1st chapter.

Other Rave(s) Not Mentioned Above

  • Favorite Line: When Mr. Darcy said, “There’s always a letter” which was a wink to the audience on how Jane Austen’s conflicts often start with a letter.
  • Georgiana Casting: As someone regularly featured in Seattle’s theatre music scene, Clair Marx was perfectly cast as the virtuoso Georgiana Darcy.
  • Modern Dating: Whether or not it was the playwrights’ intention, I loved how the script evoked feelings experienced in online dating. The Jane Austen-esqe letters remind me of how chatting on the dating apps builds so much anticipation/expectation potentially leading up an endearingly awkward meeting in-person (or a horrible catfish!). There was one such meeting in the play that was reminiscent of an old HappySlip sketch (see 1:50 to 2:50).
  • Reprised Roles: Many key characters in this production were previously cast in Taproot Theatre’s past “Christmas at Pemberley” productions. For example, in the 1st and 3rd chapter, Shanna Allman played Mary Bennet and Melanie Hampton portrayed Jane Bingley. Annie Yim played Elizabeth Darcy (nee Bennet) in the 2nd and 3rd chapter. Throughout the entire trilogy, Kelley Karcher portrayed the narcissistic Lydia Wickam while Brian Pucheu played the cold Mr. Darcy. This role reprisal promoted a feeling of continuity and familiarity between productions.

Rant(s)

  • Keyboard: As I mentioned in Village Theatre’s current Beautiful production, there’s a Seattle live theatre problem with cheap-sounding on-stage electric keyboards. While I’m always happy to hear Claire Marx performing live music, I wish she could play a real piano on-stage in this production. An upright piano would have fit the bill perfectly for the small theatre space.

Other Musing(s) and Observation(s)

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Tickets: https://taproottheatre.org/shows/2023/georgiana-kitty-christmas-at-pemberley/

Ticket Affordability Options: TodayTix

Dates: November 22 to December 30, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures under video and in video by Robert Wade Photography.

Cast and Production Team: See after pictures and/or video below

@showsiveseen "Georgiana & Kitty" #play at @TaprootTheatre starring Claire Marx & @Ays Garcia. Directed by Karen Lund. Final chapter of Lauren Gunderson's and Margot Melcon's "#Christmas at #Pemberley" #JaneAusten trilogy. Filled with the #hallmark themes of #PrideAndPrejudice. Relatable to online dating. Photos: Robert Wade. Review: showsiveseen.com/7519 #theatre #showsiveseen #xmas ♬ Please Santa Please – Pentatonix
William Eames and Jeremy Steckler in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
William Eames and Claire Marx in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Claire Marx and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Jeremy Steckler and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Claire Marx with Melanie Hampton, Kelly Karcher, Shanna Allman, and Annie Yim in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
ROLENAME
Kitty BennetAys Garcia*
Elizabeth DarcyAnnie Yim
Fitzwilliam DarcyBrian Pucheu
Henry GreyWilliam Eames
Georgiana DarcyClaire Marx
Jane BingleyMelame Hampton
Mary BennetShanna Allman
Lydia WickhamKelly Karcher*
Thomas O’BrienJeremy Steckler
Georgiana, Lydia, & Jane U/SRebecca Gelzer
Darcy & Thomas U/SElijah Spreier
Kitty, Lizzy, & Mary U/SAriel Rose
Darcy & Henry U/SDavid Breyman
PRODUCTION TEAM
DirectorKaren Lund**
Assistant DirectorBretteney Beverly
PlaywrightsLauren Gunderson, Margot Melcon
Original CompositionsMichael Nutting
Associate Artistic DirectorBretteney Beverly
Co-Scenic DesignerAmanda Sweger
Sound & Co-Scenic DesignerMark Lund
Costume DesignerPete Rush
Lighting DesignerTim Wratten
Stage ManagerNik Nolen*
Dialect CoachDimitri Woods
Property MasterAndrea Spraycar
Dramaturg TeamKelly Flynt, Sonja Lowe, Dami Munroe
Assistant Stage ManagerNicola Krause
Backstage Crew SwingAshley Burns
Casting DirectorBretteney Beverly
Casting ConsultantJes Spencer
DresserLuna McMeen, Brooke Thomas
DraperMartha Mitchell
StitcherVeronica Dimoff, Scian Hayes, Lucy Cavener
Wig DesignerJoyce Degenfelder
Wig SpecialistJenn Hill
Master ElectricianAiyana Stephens
Scenic CarpenterTim Samland ^
Light Board OperatorMatthew Ray
Sound Board OperatorAndi Villegas
ElectriciansClint Bull, Morgan Poirer, Matthew Ray, Anna Van Vleet, Jacob Viramontes
Scenic Strike/Load-inElke Johnson ^, Kimmy Mar ^, M. Stephanie Watson^
* Member of Actors’ Equity Association
** Member of Stage Directors and Choreographers Society
^ Member of IATSE Local No. 15

Preview Post – Georgiana & Kitty: Christmas at Pemberley – Play – Taproot Theatre

Georgiana & Kitty: Christmas at Pemberley play opening night w/ Taproot Theatre. Performing until 12/30/23. Stay tuned for my full review!

Final Full Review (Posted 12/12/23): https://www.showsiveseen.com/georgiana-kitty-christmas-at-pemberley-play-taproot-theatre/

Tickets: https://taproottheatre.org/shows/2023/georgiana-kitty-christmas-at-pemberley/

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Last Drive to Dodge – Play – Taproot Theatre & The Hansberry Project

Elevator Thoughts (aka Tweet): Andrew Lee Creech’s Last Drive to Dodge world premire play at Taproot Theatre w/ The Hansberry Project. Well-written dialogue, cute repartee, dimensional characters, and lots of audience reactions. #showsiveseen #theatre

Synopsis from the Theatre: Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

Attended Performance Date: 9/22/23 (Opening Night) – Preview Posts

Type: Play

World Premiere: Yes, but it was well-developed

Several or Few Scenes: A couple of scenes

Several or Few Settings/Locations: A couple of locations on a ranch

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur on a ranch

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2.25 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: Probably not, but it was good

Recommendation: See it, especially if you either like 1) plays about race in the USA 2) or plays that are heavier on the dialogue than action

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Audience Reaction: You know it’s a good play when you hear lots of reactions from the audience like laughter, gasps, groans, “humphs,” and “hmmms.” I noticed these audience reactions more in the second act. I won’t spoil anything, but I specifically remember audibly groaning when somebody took off their hat in the second act.
  • Dimensional Characters: The characters in this play were not simply good or bad and black or white (no pun intended). The playwright added some depth to their backstory that influenced their motivations. Ironically, I enjoyed the least complex character (Millie played by Jonelle Jordan) the most since she had the funniest lines.
  • Dialogue: The dialogue was well-written and there were some sly funny random quips. I loved the way Ro (played by Dedra D Woods) dressed down Millie regarding Millie’s ignorance of her own personal white privilege. The climactic scene towards the end of the play when Ro and Prophet (played by Yusef Seevers) debated the unfairness of black responsibility reminded me of when Michelle Obama said her family faced more scrutiny under the public eye than other presidential families because of race.
  • Twist: The reveal at the end of the first act was unexpected.

Rant(s)

  • Audience Hazard: One of the actors hammered a fence post on-stage and particulates flew everywhere. This was a potential eye injury hazard especially since the audience was so close to the stage.

Other Musing(s) and Observation(s)

  • Montage (Slight Spoiler): What did the “I am” video montage mean in the second act? And who were the people in it?
  • Prophet vs Profit: In the second act, I realized the name “Prophet” also sounds like “profit.” I wonder if the playwright intentionally considered this.
  • Hook: They were probably taking advantage of the fact that sex sells during the play’s first act hook with the post-coital scene.

Theatre Company: Taproot Theatre and The Hansberry Project

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Regular Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: September 20 to October 21, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by Robert Wade Photography

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Andrew’s “Last Drive to Dodge” #worldPremire #play at @TaprootTheatre w/ The Hansberry Project directed by Valerie Curtis-Newton. Well-written dialogue, cute repartee, dimensional characters, & lots of audience reactions. Photos: Robert Wade. Review: showsiveseen.com/6768 #showsiveseen #theatre #cowboy #ranch #country ♬ It’s You – Tayler Holder
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Jonelle Jordan and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Yusef Seevers and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
RoleName
ProphetYusef Seevers *
Ro Dedra D. Woods *
Millie Jonelle Jordan
Bennett Tim Gouran
Prophet (Understudy)Jarron A Williams
Ro (Understudy)Esther Okech
Millie (Understudy) Marianna de Fazio
Bennett (Understudy) Nik Doner
Director Valerie Curtis-Newton**
Assistant Director Bretteney Beverly
PlaywrightAndrew Lee Creech
Scenic Designer Matthew Smucker^^
Costume Designer Melanie Burgess ^^
Casting Director Bretteney Beverly
Lighting Designer Brian Engel
Sound Designer Evan Mosher
Projection Designer Mark Lund
Fight Choreographer Alyssa Kay
Stage Manager Kathryn Louise*
Dramaturg Sonja Lowe
Dialect Coach Gin Hammond
Props Designer Bella Rivera
Assistant Stage Manager Tiana Price
Property Master Bella Rivera
Casting Consultant Jessica Spencer
Dresser Tiana Price
Draper Martha Mitchell
Draping Mentor Connie Rinchiuso
Stitchers Veronica Dimoff, Scian Hayes
Wig Designer Joyce Degenfelder
Wig Specialist Kelly Schmidt
Scenic Carpenter Tim Samland^
Light Board Operator Clint Bull
Sound Board Operators Marty Sisk, Andi Villegas
Master ElectricianAiyana Stephens
Electricians Clint Bull, Jayde McCarrell, Kody Smith, Anna Van Vleet, Eric Wu
Scenic Strike/Load-In Michael Adler^, Seth Branum^, Thomas Moore^
*Member of Actors Equity Association
**Members of the Stage Directors and Choreographers Society
^Member of IATSE No. 15
^^Member of United Scenic Artists Local 829

Preview Post – Last Drive to Dodge – Play – Taproot Theatre and The Hansberry Project

Andrew Lee Creech’s Last Drive to Dodge play packed opening night at Taproot Theatre w/ The Hansberry Project. Performing until 10/21/23. Stay tuned for my full review! #showsiveseen #theatre

Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

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The Hello Girls – Musical – Taproot Theatre

Elevator Thoughts (aka Tweet): The Hello Girls musical by Peter Mills and Cara Reichel at Taproot Theatre. Starring Cassi Q Kohl & Rico Lastrapes. Direction by Karen Lund and musical direction by Michael Nutting. Story about the unsung American female switchboard operators in WWI. #helloGirls #girlPower #war #theatre

Synopsis from the Theatre: “Imagine a time when the world was divided. … A world where freedom is under assault … A world where nationalism is on the rise… We’re talking about the year 1918, of course.” Helmet, check. Gas Mask, check… Lipstick, check. In this new musical, Grace Banker and her fellow switchboard operators are answering the call when the Bell Battalion Telephonic Ladies’ Switchboard Unit #1 makes history as America’s first female soldiers.

Reviewed Performance: 7/14/23 – Opening Night

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but you might appreciate this more if you’re a little familiar with World War I.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Recommendation: See it if you enjoy the specific genre of shows Taproot Theatre tends to produce like A Civil War Christmas, Bright Star, and The Spitfire Grill. You might also enjoy this show if you like women’s choral music like Seattle Women’s Chorus since there was a lot of female harmonies.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: I’d consider another professional production

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 10

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.75 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Cassi Q Kohl: I didn’t even recognize Cassi compared to her recent roles in Cinderella and Miss Step! It goes to show her versatility as an actress.

Other Musing(s) and Observation(s)

  • Actor Musicians: Some actors in the show also were part of the band. I saw Jeremy Steckler on the bass and Rebecca Cort on the guitar. But I didn’t see the other actor musicians listed in the program like Rico Lastrapes on the clarinet, Jeremy Steckler on the guitar, Lauren Engstrom on the keyboard, and Casey Raiha on the keyboard. I wish I could also see these additional actors play their instruments. They were probably hidden in the back due to Taproot Theatre’s stage space constraints.
  • Uniform Purchase Requirement: Did (does) the army really not pay for uniforms? If you’re putting yourself in harm’s way and contributing a specialized skill to the war effort, the least the government can do is pay for your uniform.
  • Switchboard: This production would have greatly benefitted from a switchboard prop.
  • Costume Legs: I’ve never seen such weird leggings on American military uniforms that resembled culottes or knee breeches. But I guess they’re historically accurate since they resembled the pictures Google showed for “World War I American Uniform.”
    In background: Miranda Antoinette. Left to right: Fune Tautala, Jeremy Steckler, and Casey Raiha in The Hello Girls at Taproot Theatre. Photo by John Ulman.

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: July 12 – August 12, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

Like/Comment/Share my Social Media Posts About this Performance:
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Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by John Ulman.

Cast and Production Team: See after pictures and video below

@showsiveseen "The Hello Girls" #musical by Peter Mills and Cara Reichel at @TaprootTheatre. Starring @Cassi Q Kohl & Rico Lastrapes. Direction by Karen Lund & musical direction by Michael Nutting. Story about the unsung American #female #switchboard operators in #WWI. Photos by John Ulman. Review: showsiveseen.com/6133 #helloGirls #girlPower #war #theatre ♬ original sound – Shows I've Seen
Left to right: Rebecca Cort, Miranda Antoinette, Cassi Q Kohl, Lauren Engstrom, and Jessica Ziegelbauer in The Hello Girls at Taproot Theatre. Photo by John Ulman.
Cassi Q Kohl in The Hello Girls at Taproot Theatre. Photo by John Ulman.
Lauren Engstrom in The Hello Girls at Taproot Theatre. Photo by John Ulman.
Cassi Q Kohl in The Hello Girls at Taproot Theatre. Photo by John Ulman.
RoleName
Suzanne PrevotRebecca Cort
Helen HillLauren Engstrom
Bertha HuntJessica Ziegelbauer
Louise LebretonMiranda Antoinette
Grace BankerCassi Q Kohl *
Man 2/PVT Eugen MattersonJeremy Steckler
Man 3/Dempsey/Morris/German SoldierCasey Raiha
Man 1/Wessen/Ackerman/BeaumontFune Tautala
Gen. John PershingJeff Church
Cpt. Joseph RiserRico Lastrapes *
Bertha Hunt / Suzanne Prevot (u/s)Jacqueline Tardanico
Grace Banker / Louise Lebreton (u/s)Keola Kapulani Holt
Helen Hill (u/s)Abigail Brittle
Riser / Pershing (u/s)Brandon Riel
Plano ConductorMichael Nutting, David Taylor Gomes
ViolinJeremy Lynch
CelloMatthew Tevenan
DrumsScot Sexton
BassJeremy Steckler
ClarinetRico Lastrapes *
Additional GuitarRebecca Cort, Jeremy Steckler
Additional KeyboardLauren Engstrom, Casey Raiha
DirectorKaren Lund **
Composer and LyricistPeter Mills
PlaywrightPeter Mills, Cara Reichel
Music DirectorMichael Nutting
Associate DirectorBretteney Beverly
Assistant DirectorNik Nolan
Scenic/Sound DesignerMark Lund
Costume DesignerNanette Acosta
Lighting DesignerAhren Buhmann
ChoreographerKaty Tabb **
Stage ManagerRachel Victoria Miller *
DramaturgRowan Gallagher
Dialect CoachMarianna de Fazio
*Appearing through on agreement between Taproot Theatre and Actors’ Equity Association.
**Members of the Stage Directors and Choreographers Society