Preview Post – Black Nativity – Concert Musical – Intiman Theatre and The Hansberry Project

Black Nativity concert musical w/ singalong from Intiman Theatre and The Hansberry Project. Performing till 12/29/24. Stay tuned for my full review of this year’s production or read my review of last year’s production now. #blackChurch #xmas #christmas

Tickets: https://www.intiman.org/black-nativity/

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Clyde’s – Play – Review – ArtsWest & The Hansberry Project

@showsiveseen So #hungry from Lynn Nottage's "Clyde's" #play by ArtsWest & The Hansberry Project that I bought a #sandwich after the show. Wonderful realistic scenic design of a gritty #restaurant #kitchen from Jennifer Zeyl. Good commentary on #exfelons' reintegration into society. Performing until 6/30. #excriminals #exconvicts #theatre #showsiveseen #food ♬ Don't Let the Green Grass Fool You (2006 Remaster) [Single Version] – Wilson Pickett

Elevator Thoughts (aka Tweet): So hungry from Lynn Nottage’s Clyde’s play by ArtsWest & The Hansberry Project that I bought a sandwich after the show. Wonderful realistic scenic design of a gritty restaurant kitchen from Jennifer Zeyl. Good commentary on ex-felons’ reintegration into society. #excriminals #exconvicts

Recommendation
See it, especially if you enjoy plays that are more dialogue than action.


Synopsis from the Theatre or Licensor: In CLYDE’S, a truck stop sandwich shop offers its formerly incarcerated kitchen staff a shot at redemption. Even as the shop’s callous owner tries to keep them down, the staff members learn to reclaim their lives, find purpose, and become inspired to dream by their shared quest to create the perfect sandwich.

Attended Performance Date: Opening Weekend 6/8/24 – Keep your eyes peeled for preview posts on my website and social media if you want earlier notification of shows I’ve seen. Buy your tickets now since the run ends 6/30.

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: One, a kitchen

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: The script was less action and more dialogue. I usually don’t prefer dialogue plays, but this script was easier to enjoy than other plays with less story.

Equity Actors: 2

Total Number of Actors: 5

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 90 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Other Rave(s) Not Mentioned Above

  • Food-themed Plays: Incorporating food in live theatre is such an effective (and easy?) way to win over the audience. It awakens the primal hunger response in all of us. Even now, I’m still making sandwiches at home because of the play … and I usually don’t make sandwiches. I even started making my own mayonnaise!

Other Musing(s) and Observation(s)

  • Clyde: It took me a while to realize that Tracy Michelle Hughes was Clyde. I was expecting a guy.
  • Symbolism: The script makes you think. And I have so many unanswered questions on its symbolism. Like, what did the relish represent? What did Clyde represent? Did a sandwich represent hope? What did Clyde eating represent? What did the fire represent?
  • Ending (No Spoiler): Similarly, I didn’t understand play’s last couple seconds. Also, what was the script’s ultimate message?

Theatre Company: ArtsWest and The Hansberry Project

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: $40-45

Tickets: https://www.artswest.org/events/clydes/

Dates: June 6 to June 30, 2024

Seating: Assigned Seating

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

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Pictures: See pictures below and in video above by John Mclellan.

In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.

Preview Post – Clyde’s – Play – ArtsWest & The Hansberry Project

Happy opening weekend to Lynn Nottage’s Clyde’s play at ArtsWest with The Hansberry Project. Performing until 6/30. Stay tuned for my full review! #sandwich #hungry #food #felons #criminals #excons #restaurant #kitchen

Final Full Review (Posted 6/21/24): https://www.showsiveseen.com/clydes-play-review-artswest-the-hansberry-project/

Tickets: https://www.artswest.org/events/clydes/

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Preview Post – Black Nativity – Musical – Intiman Theatre

Black Nativity Xmas musical opening night by Intiman Theatre and The Hansberry Project at Broadway Performance Hall. Performing until 12/30/23. Stay tuned for my full review! #gospel #church #choir #christmas #showsiveseen #theatre

Final Full Review (Posted 12/26/23): https://www.showsiveseen.com/black-nativity-musical-review-intiman-theatre/

Tickets: https://www.intiman.org/black-nativity/

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Last Drive to Dodge – Play – Taproot Theatre & The Hansberry Project

Elevator Thoughts (aka Tweet): Andrew Lee Creech’s Last Drive to Dodge world premire play at Taproot Theatre w/ The Hansberry Project. Well-written dialogue, cute repartee, dimensional characters, and lots of audience reactions. #showsiveseen #theatre

Synopsis from the Theatre: Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

Attended Performance Date: 9/22/23 (Opening Night) – Preview Posts

Type: Play

World Premiere: Yes, but it was well-developed

Several or Few Scenes: A couple of scenes

Several or Few Settings/Locations: A couple of locations on a ranch

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur on a ranch

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2.25 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: Probably not, but it was good

Recommendation: See it, especially if you either like 1) plays about race in the USA 2) or plays that are heavier on the dialogue than action

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Audience Reaction: You know it’s a good play when you hear lots of reactions from the audience like laughter, gasps, groans, “humphs,” and “hmmms.” I noticed these audience reactions more in the second act. I won’t spoil anything, but I specifically remember audibly groaning when somebody took off their hat in the second act.
  • Dimensional Characters: The characters in this play were not simply good or bad and black or white (no pun intended). The playwright added some depth to their backstory that influenced their motivations. Ironically, I enjoyed the least complex character (Millie played by Jonelle Jordan) the most since she had the funniest lines.
  • Dialogue: The dialogue was well-written and there were some sly funny random quips. I loved the way Ro (played by Dedra D Woods) dressed down Millie regarding Millie’s ignorance of her own personal white privilege. The climactic scene towards the end of the play when Ro and Prophet (played by Yusef Seevers) debated the unfairness of black responsibility reminded me of when Michelle Obama said her family faced more scrutiny under the public eye than other presidential families because of race.
  • Twist: The reveal at the end of the first act was unexpected.

Rant(s)

  • Audience Hazard: One of the actors hammered a fence post on-stage and particulates flew everywhere. This was a potential eye injury hazard especially since the audience was so close to the stage.

Other Musing(s) and Observation(s)

  • Montage (Slight Spoiler): What did the “I am” video montage mean in the second act? And who were the people in it?
  • Prophet vs Profit: In the second act, I realized the name “Prophet” also sounds like “profit.” I wonder if the playwright intentionally considered this.
  • Hook: They were probably taking advantage of the fact that sex sells during the play’s first act hook with the post-coital scene.

Theatre Company: Taproot Theatre and The Hansberry Project

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Regular Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: September 20 to October 21, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by Robert Wade Photography

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Andrew’s “Last Drive to Dodge” #worldPremire #play at @TaprootTheatre w/ The Hansberry Project directed by Valerie Curtis-Newton. Well-written dialogue, cute repartee, dimensional characters, & lots of audience reactions. Photos: Robert Wade. Review: showsiveseen.com/6768 #showsiveseen #theatre #cowboy #ranch #country ♬ It’s You – Tayler Holder
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Jonelle Jordan and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Yusef Seevers and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
RoleName
ProphetYusef Seevers *
Ro Dedra D. Woods *
Millie Jonelle Jordan
Bennett Tim Gouran
Prophet (Understudy)Jarron A Williams
Ro (Understudy)Esther Okech
Millie (Understudy) Marianna de Fazio
Bennett (Understudy) Nik Doner
Director Valerie Curtis-Newton**
Assistant Director Bretteney Beverly
PlaywrightAndrew Lee Creech
Scenic Designer Matthew Smucker^^
Costume Designer Melanie Burgess ^^
Casting Director Bretteney Beverly
Lighting Designer Brian Engel
Sound Designer Evan Mosher
Projection Designer Mark Lund
Fight Choreographer Alyssa Kay
Stage Manager Kathryn Louise*
Dramaturg Sonja Lowe
Dialect Coach Gin Hammond
Props Designer Bella Rivera
Assistant Stage Manager Tiana Price
Property Master Bella Rivera
Casting Consultant Jessica Spencer
Dresser Tiana Price
Draper Martha Mitchell
Draping Mentor Connie Rinchiuso
Stitchers Veronica Dimoff, Scian Hayes
Wig Designer Joyce Degenfelder
Wig Specialist Kelly Schmidt
Scenic Carpenter Tim Samland^
Light Board Operator Clint Bull
Sound Board Operators Marty Sisk, Andi Villegas
Master ElectricianAiyana Stephens
Electricians Clint Bull, Jayde McCarrell, Kody Smith, Anna Van Vleet, Eric Wu
Scenic Strike/Load-In Michael Adler^, Seth Branum^, Thomas Moore^
*Member of Actors Equity Association
**Members of the Stage Directors and Choreographers Society
^Member of IATSE No. 15
^^Member of United Scenic Artists Local 829