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Contest Winner – Hello, Dolly! – Village Theatre
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Shows I've Seen | Theatre Reviews
Musicals, Plays, Concerts, Oh My! (and other Performing Arts)
Update 6/14/23: Congrats Anthony!
Leave a comment mentioning the first “real” #musical you attended and what was memorable about it. I’ll choose a winner after 6/13 11:59 PM.
Post your comment submission on my Facebook, Instagram, or Twitter. This is a free SINGLE ticket for any available section B seat (worth about $60) to any remaining “Hello, Dolly!” performance at Village Theatre Issaquah or Everett. The production run ends July 2nd in Issaquah and July 30th in Everett. Read my review at showsiveseen.com/5737 #theatre #HelloDolly
Giveaway: I’m giving away a free ticket to this show. See details here. Congrats Anthony!
Elevator Thoughts (aka Tweet): Hello, Dolly! musical at Village Theatre starring Bobbi Kotula as the iconic matchmaker. Light, classic, traditional musical. Reminiscent of The Music Man.
Synopsis from the Theatre: Starring the incomparable Bobbi Kotula as Dolly Gallagher Levi, Hello, Dolly! triumphantly comes to Village Theatre this summer. Often revered as one of the greatest collections of songs in all of musical theatre history, this legendary musical follows the romantic and comedic exploits of Dolly Gallagher Levi, turn-of-the-century matchmaker and “woman who arranges things.” Hello, Dolly! celebrates a brilliant pioneering woman forging her own path in a world that constantly underestimates her. Through a cavalcade of joy, glorious song, and stunning dance, this is classical musical theatre at its best! “Put On Your Sunday Clothes” and catch this definitive musical “Before The Parade Passes By!”
Reviewed Performance: 5/27/23 – Opening Weekend
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Prior Exposure/Knowledge Required: No
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes
Recommendation: See it, especially if you like old-timey musicals like The Music Man.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Maybe if it was on Broadway or if it was a national tour
Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)
Equity Actors: 11
Total Number of Actors: 24
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.75 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Other Musing(s) and Observation(s)
Theatre Company: Village Theatre
Venue: Village Theatre
Venue Physical Address:
Price: Medium
Ticket Affordability Options: Check out their discount tickets page. TodayTix and Goldstar usually offer good options too.
Dates:
Seating: Assigned Seating
Parking:
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Other Video +/- Pictures: See pictures in video and under video by Angela Sterling.
@showsiveseen "Hello, #Dolly!" #musical at Village Theatre starring Bobbi Kotula as the iconic #matchmaker. Light, classic, traditional musical. Reminiscent of "The Music Man." Unique vintage ad-themed scenic design by Carey Wong. Directed by Timothy McCuen Piggee. Photos by Angela Sterling. Review: showsiveseen.com/5737 #theatre ♬ Hello, Dolly!
Leave a comment tagging your favorite live theatre venue or theatre company and why. I’ll choose a winner after 5/23 11:59 PM.
Post your comment submission on my Facebook, Instagram, or Twitter. This is a free SINGLE ticket for any section B seat to any of the remaining How to Break musical performances at Village Theatre in EVERETT, Washington. The production run ends this weekend. Read my review at showsiveseen.com/4676 #theatre
Elevator Thoughts (aka Tweet): How to Break hip hop Latino mashup dance musical at Village Theatre. Interesting to attend the final concept after already seeing as a developing beta musical years ago. Cleaver lyrics. #dancing #theatre #Cancer #Latin
Synopsis from the Theatre: An electrifyingly innovative world-debut Mainstage production of new work developed by Village Theatre! Featuring a dynamic kaleidoscope of music, poetry, breakdancing, and beatboxing, How to Break follows two hospitalized teenage hip-hop dancers and how they navigate their adolescence in the confines of a hospital room, finding ways to love and learn amidst IV bags and chemotherapy as inspired by real-life events in writer Aaron Jafferis’ time as an artist in residence at a children’s hospital. Part commentary on the American health care system, part moving autobiography, and part profound journey through the joy and pain of growing up, How to Break reveals just how resilient the human spirit is in the face of change and transformation.
Reviewed Performance: 3/31/23 Opening Night – Sorry for the late review! But in my defense, you have about 2 months to see it. 🙂
Type: Musical
World Premiere: Yes
Several or Few Scenes: Several
Several or Few Settings: Several
Defined Plot/Storyline: Yes, but most (if not all) of the scenes took place in a single hospital ward and there’s only so much that can occur unless it’s a TV show like Grey’s Anatomy!
Live Band/Orchestra: I don’t think there was a live band especially since they didn’t credit a band in the program. I assumed it was mostly pre-recorded synthesized music. However, Olivia Griffin’s character played the guitar and John Kent Rickenbacker Jr’s character beatboxed, which was a unique mashup.
Recommendation: See it if either
Was This the First Time I Attended a Production of this Show: No, I previously saw this as a developing beta musical.
Would I See It Again 3 Years from Now: No, I think twice is enough for me. In my defense, I’d say the same thing about Hamilton. I know, sacrilege!
Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)
Equity Actors: 3
Total Number of Actors: 6
Length (Including Any Intermission): 2 hours, which seemed a bit long especially without an intermission
Intermission: No
Other Rave(s) Not Mentioned in Elevator Thoughts
Rant(s)
Other Musing(s) and Observation(s)
Theatre Company: Village Theatre
Venue: Village Theatre – Issaquah
Venue Physical Address: 303 Front St N, Issaquah, WA 98027
Price: Medium
Ticket Affordability Options: Check out their discount tickets page. TodayTix and Goldstar usually offer good options too.
Dates: Issaquah March 29 – April 30, 2023 | Everett May 5 – May 28, 2023
Seating: Assigned Seating
Parking: Free street parking and some free parking lot. Lot parking is pretty difficult to find availability though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, I think you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that most non-locals don’t know about.
Like/Comment/Share my Social Media Posts About this Performance:
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TikTok |
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Facebook |
YouTube
Buy a Ticket or Learn More:
Other Video +/- Pictures: See pictures in video and under video below
Cast and Production Team: See after pictures and video below
@showsiveseen "How to Break" #hipHop #Latino mashup #dance #musical at Village Theatre. Interesting to attend the final concept after already seeing as a developing beta musical years ago. Cleaver lyrics. Photos: Angela Sterling. Review: showsiveseen.com/4676 #dancing #theatre #cancer #Latin #theatre ♬ Girl That Was Perfect – Alina Smith
Role | Name |
Ana | Cheryse Dyllan |
Joel | Cristian Rodriguez |
Dr. Aden | Talia Thiesfield* |
Nurse Bowen | John Kent Rickenbacker Jr. |
Maddy | Olivia Griffin* |
Mr. Ramos | Andrés Lopez-Alicea* |
— | — |
Ana u/s | Ash Fetherbay |
Joel u/s | Dan Haile |
Dr. Aden u/s | Charles L. Simmons* |
Nurse Bowen u/s | Edward-Vincent Montemayor Bantasan |
Maddy u/s | Jasmine Joshua |
Mr. Ramos u/s | Quetzie Taborga |
— | — |
Director | Logan Vaughn |
Writer and Lyricist | Aaron Jafferis |
Composers | Jacinth Greywoode, Rebecca Hart, and Kiriakos “Yako 440” Prodis |
Conceived by the Mixing Texts Collective | Aaron Jafferis, Adam Matta, Christopher Edwards, Gabriel “Kwikstep” Dionisio, & Ana “Rokafella” Garcia |
Scenic Designer | Jack Magaw |
Projection Designer | Elizabeth Barrett |
Choreographer | Kevin Boseman |
Lighting Designer | Robert J. Aguilar |
Sound Designer | Andrea Allmond |
Music Director | Jacinth Greywoode |
Costume Designer | Pete Rush |
Stage Managers | Miranda C. Pratt, Erin B. Zatloka |
Assistant Stage Manager | Isabella Marziello |
Director of Breaking | Jerome Aparis |
Dramaturg | Morgan Smart |
Associate Director | Tré Cotten |
Intimacy Choreographer | Moises “Moy” Hinojos |
Assistant Projection Designer | Hannah Gibbs |
Associate Lighting Designer | Casey Price |
Original Projection Content | Marcy Suarez |
Production Assistant | Kimberly Le |
NYC Casting | Base/Valle Casting (Gama Valle and Harriet Bass) |
— | — |
Head Stage Carpenter (Issaquah) | Whitman Paylor |
Head Stage Carpenter (Everett) | Chris Mikolaizik |
Head Sound Engineers (Issaquah) | Lisa Finkral, Abigail Graham |
Head Sound Engineer (Everett) | Josh Blaisdell |
Lead Stagehand — Deck (Issaquah) | Justin Babbitt |
Lead Stagehand — Deck (Everett) | Kyle Morgan |
Lead Stagehand — Props | Chandler Eichele |
Head Electrician (Everett) | Brandon Cullinan |
Head Electrician (Issaquah) | Paul Arnold |
Head Wardrobe (Issaquah) | Kate Simpson |
Head Wardrobe (Everett) | Courtney Kessler-Jeffrey |
Head Projection Techs | Derick Avitt, Hannah Tran |
Programmer | Zac Andersen |
Followspots | Casey Leugemors, Olof Sander |
Scenic Painter | Gabrielle Duong |
Scenic Carpenter | Blake Whitmore |