Shows I've Seen | Theatre Reviews – Page 33 – Musicals, Plays, Concerts, Oh My! (and other Performing Arts)

The Hello Girls – Musical – Taproot Theatre

Elevator Thoughts (aka Tweet): The Hello Girls musical by Peter Mills and Cara Reichel at Taproot Theatre. Starring Cassi Q Kohl & Rico Lastrapes. Direction by Karen Lund and musical direction by Michael Nutting. Story about the unsung American female switchboard operators in WWI. #helloGirls #girlPower #war #theatre

Synopsis from the Theatre: “Imagine a time when the world was divided. … A world where freedom is under assault … A world where nationalism is on the rise… We’re talking about the year 1918, of course.” Helmet, check. Gas Mask, check… Lipstick, check. In this new musical, Grace Banker and her fellow switchboard operators are answering the call when the Bell Battalion Telephonic Ladies’ Switchboard Unit #1 makes history as America’s first female soldiers.

Reviewed Performance: 7/14/23 – Opening Night

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but you might appreciate this more if you’re a little familiar with World War I.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Recommendation: See it if you enjoy the specific genre of shows Taproot Theatre tends to produce like A Civil War Christmas, Bright Star, and The Spitfire Grill. You might also enjoy this show if you like women’s choral music like Seattle Women’s Chorus since there was a lot of female harmonies.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: I’d consider another professional production

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 10

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.75 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

Cassi Q Kohl: I didn’t even recognize Cassi compared to her recent roles in Cinderella and Miss Step! It goes to show her versatility as an actress.

Other Musing(s) and Observation(s)

Actor Musicians: Some actors in the show also were part of the band. I saw Jeremy Steckler on the bass and Rebecca Cort on the guitar. But I didn’t see the other actor musicians listed in the program like Rico Lastrapes on the clarinet, Jeremy Steckler on the guitar, Lauren Engstrom on the keyboard, and Casey Raiha on the keyboard. I wish I could also see these additional actors play their instruments. They were probably hidden in the back due to Taproot Theatre’s stage space constraints.
Uniform Purchase Requirement: Did (does) the army really not pay for uniforms? If you’re putting yourself in harm’s way and contributing a specialized skill to the war effort, the least the government can do is pay for your uniform.
Switchboard: This production would have greatly benefitted from a switchboard prop.
Costume Legs: I’ve never seen such weird leggings on American military uniforms that resembled culottes or knee breeches. But I guess they’re historically accurate since they resembled the pictures Google showed for “World War I American Uniform.”
In background: Miranda Antoinette. Left to right: Fune Tautala, Jeremy Steckler, and Casey Raiha in The Hello Girls at Taproot Theatre. Photo by John Ulman.

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: July 12 – August 12, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by John Ulman.

Cast and Production Team: See after pictures and video below

@showsiveseen "The Hello Girls" #musical by Peter Mills and Cara Reichel at @TaprootTheatre. Starring @Cassi Q Kohl & Rico Lastrapes. Direction by Karen Lund & musical direction by Michael Nutting. Story about the unsung American #female #switchboard operators in #WWI. Photos by John Ulman. Review: showsiveseen.com/6133 #helloGirls #girlPower #war #theatre ♬ original sound – Shows I've Seen

Left to right: Rebecca Cort, Miranda Antoinette, Cassi Q Kohl, Lauren Engstrom, and Jessica Ziegelbauer in *The Hello Girls* at Taproot Theatre. Photo by John Ulman.

Cassi Q Kohl in *The Hello Girls* at Taproot Theatre. Photo by John Ulman.

Lauren Engstrom in *The Hello Girls* at Taproot Theatre. Photo by John Ulman.

Role	Name
Suzanne Prevot	Rebecca Cort
Helen Hill	Lauren Engstrom
Bertha Hunt	Jessica Ziegelbauer
Louise Lebreton	Miranda Antoinette
Grace Banker	Cassi Q Kohl *
Man 2/PVT Eugen Matterson	Jeremy Steckler
Man 3/Dempsey/Morris/German Soldier	Casey Raiha
Man 1/Wessen/Ackerman/Beaumont	Fune Tautala
Gen. John Pershing	Jeff Church
Cpt. Joseph Riser	Rico Lastrapes *
—	—
Bertha Hunt / Suzanne Prevot (u/s)	Jacqueline Tardanico
Grace Banker / Louise Lebreton (u/s)	Keola Kapulani Holt
Helen Hill (u/s)	Abigail Brittle
Riser / Pershing (u/s)	Brandon Riel
—	—
Plano Conductor	Michael Nutting, David Taylor Gomes
Violin	Jeremy Lynch
Cello	Matthew Tevenan
Drums	Scot Sexton
Bass	Jeremy Steckler
Clarinet	Rico Lastrapes *
Additional Guitar	Rebecca Cort, Jeremy Steckler
Additional Keyboard	Lauren Engstrom, Casey Raiha
—	—
Director	Karen Lund **
Composer and Lyricist	Peter Mills
Playwright	Peter Mills, Cara Reichel
Music Director	Michael Nutting
Associate Director	Bretteney Beverly
Assistant Director	Nik Nolan
Scenic/Sound Designer	Mark Lund
Costume Designer	Nanette Acosta
Lighting Designer	Ahren Buhmann
Choreographer	Katy Tabb **
Stage Manager	Rachel Victoria Miller *
Dramaturg	Rowan Gallagher
Dialect Coach	Marianna de Fazio

*Appearing through on agreement between Taproot Theatre and Actors’ Equity Association.
**Members of the Stage Directors and Choreographers Society

Six The Musical – Paramount Theatre

Giveaway: I’m giving away a free ticket to this show. See details here. (Update 7/20/23: Congrats to Rylie!)

Elevator Thoughts (aka Tweet): Amazing seats to Six The Musical by Toby Marlow and Lucy Moss at Seattle Theatre Group and Broadway at the Paramount Theatre. All-female cast/band portray the stories of King Henry VIII’s #six queen wives and find individual significance independent of a man. Packed energetic audience. Shoutout to the incredible Khaila Wilcoxon and Storm Lever! #musical #girlPower #Tudor

Synopsis from the Theatre: Divorced, beheaded, died, divorced, beheaded, survived. From Tudor Queens to Pop Icons, the SIX wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st century girl power! This new original musical is the global sensation that everyone is losing their head over!

Reviewed Performance: 7/12/23 – Opening Night

Type: Concert-like Storytelling Musical

World Premiere: No

Several or Few Scenes: Storytelling several scenes

Several or Few Settings/Locations: Storytelling several locations

Prior Exposure/Knowledge Required: You might appreciate this more if you’re familiar with King Henry VIII’s wives. I personally only knew a little about Anne Boleyn.

Defined Plot/Storyline: Not really, it was 6 queens singing/telling their own separate stories

Live Band/Orchestra: Yes

Recommendation: See it if either you enjoy

Pop diva or girl group concerts
Or concert-like musicals similar to Striking 12, Hedwig and the Angry Inch, and Pump Boys and Dinettes where the actors address the audience and tell stories (as opposed to acting out the stories)

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not, but it was good

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: The program didn’t mention this, but I’d be surprised if all the actors in a national tour show like this weren’t Equity.

Total Number of Actors: 6

Perceived Pace of the Show: Medium to fast

Length (Including Any Intermission): 1.5 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Favorite Queen Divas: My favorite actress was Khaila Wilcoxon (Catherine of Aragon) for her animated expressions and attitude. For some reason, she also reminded me of Patina Miller. A close second was Storm Lever (Anne Boleyn), who wouldn’t stop mentioning her beheading. I recognized her voice from Summer The Donna Summer Musical as Duckling Donna. It’s good to see her back in Seattle!
Tinder: I loved how they incorporated catfishing and swiping in Anne of Cleves (Oliva Donalson) story.
Costumes: The metal-looking costumes were shiny, glittery, and brilliant. They sort of reminded me of samurai suits.
Quips: The biting repartee between the queens was delightful. I especially enjoyed when the witty remarks were cutting. Clap back!

Other Musing(s) and Observation(s)

Hype: As one of the most popular shows on-stage today, the excitement around Six The Musical show was palpable. The audience was enthusiastic and even a guy on the front row stood up and danced in the middle of a song. But like Hamilton, I feel like Six The Musical is overhyped. Both shows were obviously well-written and well-executed masterpieces, but the overhyped worldwide buzz around the two musicals made me expect more. That being said, if you ever have the opportunity, you should definitely see Six The Musical … it’s just no The Wiz, The Prom, or The Book of Mormon.

Theatre Company: National Tour with Broadway Across America

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees and students are eligible for an organization discount.

Dates: July 12 – 23, 2023

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under video by Joan Marcus and Patrick Gray.

@showsiveseen Amazing seats to @SIX 👑 by Toby Marlow & Lucy Moss at @Seattle Theatre Group & Broadway at the Paramount Theatre. All-female cast/band portray the stories of King Henry VIII's #six #queen wives & find individual significance independent of a man. Packed energetic audience. Shoutout to the incredible @Khaila Anye Wilcoxon & @Storm Lever. Photos by Joan Marcus & Patrick Gray. Review: showsiveseen.com/6075 #musical #girlPower #theatre #Tudor ♬ Ex-Wives – SIX

The North American *Six* Aragon tour. Photo by Joan Marcus.

Storm Lever as Anne Boleyn (center) in the North American *Six* Aragon tour. Photo by Joan Marcus.

Olivia Donalson as Anna of Cleves (center) in the North American *Six* Aragon tour. Photo by Joan Marcus.

Khaila Wilcoxon as Catherine of Aragon (center) in the North American *Six* Aragon tour. Photo by Joan Marcus.

Gabriela Carrillo as Catherine Parr (center) in the North American *Six* Aragon tour. Photo by Joan Marcus.

Courtney Mack as Katherine Howard in the North American *Six* Aragon tour. Photo by Patrick Gray.

The North American Aragon tour of *Six*. Photo by Patrick Gray.

Solaris – Play – Book-it Repertory Theatre

Elevator Thoughts (aka Tweet): Solaris play by David Greig based on Stanislaw Lem’s novel. Starring Jay Woods & Ian Bond. Directed by Gus Menary. Book-it Repertory Theatre is closing its doors on a high note. Mysterious sci-fi story w/ many interesting layers. Timely piece in light of today’s rapid AI neural network development. Great scenic design. I’d be interested to read the book one day. Contender for one of my favorite 2023 shows. #theatre

Synopsis from the Theatre: Solaris is a haunting story of love and loneliness on the edge of space that asks the big question: What happens when humans encounter, for the first time, a truly alien intelligence? For the scientists aboard the space station orbiting Solaris, the strange new planet is a manifestation of their life’s work – a dream come true. To explore an unknown world, learn its nature and design, discover its secrets – isn’t this the meaning of life? But as their mission forces them to confront their own unexplored grief and pain, science proves woefully inadequate, and they must each decide for themselves where the true boundaries to reality lie… and whether the ghosts from their pasts will help or hinder them in building humanity’s future. This 1961 novel is a heady science fiction gem that suggests that the real final frontier might just be the hazy place where memory and reality intertwine. This heartfelt (and sometimes hair-raising) story presents a message about the dangers of intrusion into the realms of the unknown.

Reviewed Performance: 6/17/23 – Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Maybe 3 to 5 rooms on a space station

Prior Exposure/Knowledge Required: You might appreciate this more if you read the book. I did not read the book, but I might one day because the play was so good.

Defined Plot/Storyline: Mostly yes, but there’s only so much action that can occur in 3-5 locations.

Recommendation: See it, especially if you like sci-fi

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: I’d consider seeing another Equity production of this play

Rating Compared to Other Shows with the Same Production Value:
4.75 stars (Out of 5 Stars)

Equity Actors: 3 equity actors and 1 actor from the Stage Directors/Choreographers Society

Total Number of Actors: 6

Perceived Pace of the Show: It felt slow at the beginning, but the pace picked up a little as the story unfolded. In its defense, the slower pace also contributed to the mysterious ambience of the play.

Length (Including Any Intermission): 2.75 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

Non-traditional Alien Concept: The Stanislaw Lem created alien life form “characters” that weren’t your run-of-the-mill ET aliens. I wonder if the Avatar movie borrowed concepts from the original Solaris book.
Consciousness: It was interesting to see how consciousness, sentience, and self-awareness can potentially evolve from nothing. Like I touched on earlier, this concept is vogue in today’s AI craze. It kind of reminded me of Adam and Eve’s inception.
Captions: The diary captions displayed periodically above the stage were well chosen. I assume they were actual quotes from the original book. I’d love to reread them already knowing how the story unfolds.
Escapism Theme: For some reason, I’m drawn to stories that deal with escapism, dreaming, and a Matrix-like existence. The last play I saw She Kills Monsters at SecondStory Repertory had a similar theme. Maybe that’s why I’m into live theatre in general.
Humanity: Good commentary on the destructiveness of humanity and our effects on the environment. However, the solution in the play isn’t feasible on Earth.
Bookends: Good use of bookends in the first and last scene

Rant(s)

Scarring: It wasn’t clear what the characters were referring to when they talked about inducing a scar. The script should dwell on the subject more especially since the sci-fi lore sounded intriguing.
Table Jump: One character jumped on a table in distress. If someone was in such distress, they wouldn’t jump on a table. They would lean on the table or collapse on the floor.

Other Musing(s) and Observation(s)

“Overture” Scene (Slight Minor Spoiler): Before the play began, the theatre broadcasted an overhead announcement like a plane or spaceship would take off in 3 minutes and then played sci-fi music in the background. The 3 minutes weirdly ended anticlimactically, but it wasn’t a terrible experience since it introduced a feeling of mysterious anticipation before the play began.
Liquid Nitrogen: They should place dry ice in the liquid nitrogen container to simulate the vapors we usually see when dealing with liquid nitrogen in real life.

Theatre Company: Book-it Repertory Theatre

Venue: Center Theatre at Seattle Center Armory

Venue Physical Address: 305 Harrison St, Seattle, WA 98109

Price: Medium

Ticket Affordability Options: Check out the discount section of their ticketing page. Goldstar and TodayTix usually offer good options too.

Dates: June 17 to July 9, 2023

Seating: Assigned Seating

Parking: Paid street parking or paid lot/garage parking. I usually like to park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though so I ended up parking in South Lake Union since I’m cheap!

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Other Video +/- Pictures: See pictures in video and under video by Anthony Floyd.

@showsiveseen “Solaris” #play by David Greig based on Stanislaw Lem’s novel. Starring Jay Woods & Ian Bond. Director Gus Menary is leaving Book-it Repertory Theatre on a high note. #Mysterious #scifi story w/ many interesting layers. Timely piece in light of today’s rapid AI neural network development. I’d be interested to read the book one day. Great scenic design. Contender for one of my favorite 2023 shows. Photos by Anthony Floyd. Review: showsiveseen.com/5995 #theatre ♬ Padam Padam

She Kills Monsters – Play – SecondStory Repertory

Elevator Thoughts (aka Tweet): She Kills Monsters play by Qui Nguyen at SecondStory Repertory directed by Kate Swenson. Starring Rebecca Cauthorn and Erin Elkins. Nerd out with Dungeons and Dragons in live theatre! Lots of fight choreography and cosplay-worthy costumes/props. #theatre

Synopsis from the Theatre: She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons and Dragons notebook, however, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

Reviewed Performance: 6/9/23 on opening night – Sorry for the late review!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: You’d probably enjoy this more if you played Dungeons and Dragons or if you grew up in the 80-90s. I’ve actually never played Dungeons and Dragons, but I was born in the 80s. I only know how the game roughly works because I saw Steve and his friends play it on American Dad.

Defined Plot/Storyline: Yes

Recommendation: See it if either

You’re looking for a different kind of show
You play(ed) Dungeons and Dragons
You like to pretend
You like cosplay
or you liked the Starmites musical

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 10

Perceived Pace of the Show: Medium to fast

Length (Including Any Intermission): 1.75 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Double Entendre: There was a funny scene where one person was talking about Dungeons and Dragons while the other person thought they were talking about sex.
Character/Actor Highlights:
- Stav Hinenzon (Orcas) projected his voice well
- Jack Anderson was funny as a dorky high school teenager Chuck
- Why do I love seeing mean cheerleaders on-stage and on-screen? It must be fun for Jillian Faulk (as Evil Gabbi) and Grace Madland (as Evil Tina) to play succubus cheerleaders. Very Glee and Mean Girls.
Moral of the Story: I like the message throughout the play (especially at the end) on why Dungeons and Dragons was important to Tilly in her friends.

Other Musing(s) and Observation(s)

Projector: The old-school projector displays reminded me of Book-it Repertory Theatre’s charming Everything is Illuminated play. See one of the pictures at the end of this article.

Theatre Company: SecondStory Repertory

Venue: SecondStory Repertory

Venue Physical Address: 7325 166th Ave NE Ste F250, Redmond, WA 98052

Price: Cheap

Dates: June 9 to June25, 2023

Seating: General Admission

Parking: Free lot or free garage parking provided by the Redmond Town Square outdoor mall where the theatre company resides.

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Buy a Ticket or Learn More:

https://www.secondstoryrep.org/product-page/she-kills-monsters

Other Video +/- Pictures: See pictures in video and under video by Michael Brunk.

Cast and Production Team: See after pictures and video below

@showsiveseen "She Kills Monsters" #play by Qui Nguyen at SecondStory Rep directed by Kate Swenson. Starring Rebecca Cauthorn & Erin Elkins. Nerd out w/ "Dungeons & Dragons" in live #theatre ♬ House of Memories

Name	Role
Rebecca Cauthorn	Agnes Evans
Erin Elkins	Tilly Evans
Miki Murray	Kaliope/Kelly
Katie Wallace	Lilith/Lilly
Jillian Faulk	Vera/Evil Gabbi/The Beholder
Grace Madland	Narrator/Evil Tina/Farrah the Faurie
Tadd Morgan	Miles
Jack Anderson	Chuck
Alex Otto	Steve
Stav Hinenzon	Orcus/Ronnie
—	—
Qui Nguyen	Playwright
Kate Swenson	Director
Steven Hochteil	Fight Choreographer
Elizabeth Shipman	Costume Designer
SueAnne Luchenta and Kasey Christie	Costume Assistant
Mark Chenovick	Set/Light/Sound/Projection Design
Annie Simonton	Stage Manager
Weapons	Ken Michels
Photography	Michael Brunk

Cost of Living – Play – Sound Theatre Company

Elevator Thoughts (aka Tweet): Cost of Living play at Sound Theatre Company + 12th Ave Arts by Martyna Majok, directed by Teresa Thuman. Starring Drew Hobson, Teal Sherer, Viviana Garza, and Gerald Waters. People need people! #homeHealth #theatre

Synopsis from the Theatre: Martyna Majok’s Pulitzer Prize-winning play will leave you breathless. Co-Artistic Director Teresa Thuman (Gaslight (Angel Street), Peeling) returns to the director’s seat for this deeply touching drama about isolation, alienation, and the yearning for human connection. Majok does not shy away from the truths of our world today, yet paints a beautiful portrait of four individuals across stratas of disability, race, gender, immigration status, class, care-giving and care-receiving. In the late-COVID times, this story is prescient. In it, we may discover small pockets of tender humanity when we extend a helping hand.

Reviewed Performance: 6/10/23

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: Around four

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: It was more dialogue and less storyline

Recommendation: See it if you like plays that explore what it means to be human

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it wasn’t bad

Rating Compared to Other Shows with the Same Production Value:
4.25 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Scenic Design: I love the way Bryan Boyd designed John’s apartment. I’m always a sucker for modern designs. There was even a functioning shower with water!
Multitasking Dialogue: The shower/dress scene reminded me of the mesmerizing cakemaking scene in Seattle Public Theatre’s recent Hometown Boy. It was an enlightening to see how cumbersome simple activities of daily living can be for someone who relies on home health care. We take mundane things for granted!
Climactic Moments (No Spoilers): There were two gasp-worthy incidents toward the end of the play. One scene made the audience audibly gasp and the person sitting next to me muttered “Where the hell is he?!” The other scene was a deliciously cringy slow-moving car crash of rejection.

Rant(s)

Opening Scene: While well delivered, the rambling soliloquy-like opening scene was too long and wasn’t a good audience hook. However, I’d be interested to see it again through the lens of what I know from the entire show.

Other Musing(s) and Observation(s)

People Need People: It was ironic that the characters who seemingly needed others the most were opposite of who I initially expected.

Theatre Company: Sound Theatre Company

Venue: 12th Ave Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap

Ticket Affordability Options: Self-select ticket prices as low as $5 depending on your financial situation in the online ticketing website

Dates: June 8 to July 1, 2023

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. Cheapest paid lots are on 11th Ave next to the park. I highly suggest parking far away or taking the bus since the lots are expensive in Capitol Hill.

Like/Comment/Share my Social Media Posts About this Performance:
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Buy a Ticket or Learn More:

https://soundtheatrecompany.org/2023-season/cost-of-living/

Other Video +/- Pictures: See pictures in video and under video by Aaron Jin and Nikeesha Gooding.

@showsiveseen "Cost of Living" #play at Sound Theatre Company + 12th Ave Arts by Martyna Majok, directed by Teresa Thuman. Starring Drew Hobson, Teal Sherer, Viviana Garza, and Gerald Waters. People need people! Photos by Aaron Jin and Nikeesha Gooding. Review: showsiveseen.com/5891 #homeHealth #theatre #isolation ♬ THATS WHAT I WANT