Congrats Matt on winning a ticket to STG’s and Broadway Seattle’s “Dear Evan Hansen” musical from Shows I’ve Seen in Instagram! Stay tuned for the next contest ticket giveaway soon!
Born Yesterday – Play – Theatre9/12
Elevator Thoughts (aka Tweet): Born Yesterday play w/ Theatre9/12. If Melania stood up to Donald Trump, it could have unfolded this way. Good commentary on political corruption.
Synopsis from the Theatre: Born Yesterday is a scathing comedy about the idealism visualized in the United States Constitution corrupted by greed, ignorance, self-service, and disillusion shortly after World War II. The self-made millionaire, Harry Brock, has thieved his way up the ladder to purchasing Senators. Paul Verral, an international journalist, sidles his way into Brock’s new Washington D.C. circle, endearing himself to the criminal who hires Paul to class up his main squeeze: a “showgirl” of great beauty and no desire to behave properly among the stuffed shirts, nor the effort needed to think. Without altering text or era, Theatre9/12 re-interprets this hysterical play paralleling today’s events.
Reviewed Performance: 3/4/23 Evening on Opening Weekend
Type: Play
World Premiere: No
Several or Few Scenes: Few – Only 3 scenes
Defined Plot/Storyline: Not extensive – There’s only so much that can occur in 3 scenes!
Recommendation: See it if you like supporting small intimate theatre and you’re okay with plays containing few scenes.
Was This the First Time I Attended a Production of this Show: Yes, and this is the first time I’ve attended a production from this theatre company. I was especially curious since they self-described the production as “presented through the Actors’ Equity Association Members’ Project Code,” which I’ve never heard of.
Would I See It Again 3 Years from Now: I’d consider it if a theatre company like Seattle Rep or ACT Theatre presented a full-blown professional equity production
Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)
Equity Actors: 2
Total Number of Actors: 11
Length (Including Any Intermission): 2 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
- Trans Visibility: This production uniquely casted a transgender actress in a lead role, which I think Helena Persephone Trolli performed well. It was hilarious when she suddenly used a deeper voice momentarily at the end. It reminded me of when my dad and I saw a recent performance at Teatro Zinanni and my dad didn’t “clock” the performer until they did the same thing at the end.
Rant(s)
- Stage Footprint: The acting space seemed too large for the performance. Maybe place the hotel door closer to the living room. Try moving the bar closer to the living room as well and don’t let the actors turn their back to the audience when pouring drinks.
Other Musing(s) and Observation(s)
- Comparison Between Acts: In the first act, I needed to try harder to process the actors’ dialogue. The second act felt easier to follow. I’d probably attribute this to the actual script and not the execution itself. But honestly, I feel like most plays and musicals require extra brain power from me for the first quarter of the show to figure out who’s who and their background!
Theatre Company: Theatre9/12
Venue: Trinity Parish Hall
Venue Physical Address: 609 8th Avenue, Seattle, WA 98104
Price: Pay-what-you-can based on what you enter on their website
Dates: March 3 to 26, 2023
Seating: General Admission
Parking: There’s free parking at Skyline’s garage at 801 Columbia St, Seattle, WA 98104. Entrance is on Columbia Street. Read the theatre company’s website for more details.
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Other Video +/- Pictures: See pictures in video and under video by Jeff Berryman
Cast and Production Team: See after pictures and video below
@showsiveseen “Born Yesterday” #play w/ Theatre9/12. If Melania stood up to Donald Trump, it could have unfolded this way. Good commentary on political #corruption. Review: showsiveseen.com/4192. Photos by Jeff Berryman. #theatre ♬ Anything Goes – Sutton Foster & Anything Goes New Broadway Company Orchestra
Role | Name |
Helena | Shelby Schill |
Willard Hotel Assistant Manager | Jeremy Steckler |
Manicurist/Barber/Waiter | Mohana Rajagopal |
Paul Verrall | Tyler Scowcroft |
Eddie | Anthony Duckett |
Harry Brock | David S. Klein |
Billie Dawn | Helena Persephone Trolli |
Ed Devery | Eric Smiley |
Bellhop/Shoe-Shiner | James Nove |
Senator Norval Hedges | Marvin Grays* |
Anna Hedges | Margaret Bicknell* |
— | — |
Director | Charles Waxberg |
Producing Director | Paul O’Connell |
Playwright | Garsin Kanin |
Artistic Associate | Terry Edward Moore |
Assistant Director | Rowan Gallagher |
Hair And Wig Master | Eric Smiley/Swing Salon |
Lighting Tech | Austin Krieg |
Costumes, Set Design, Graphics, Music Design | Theatre9/12 |
Free Ticket to Dear Evan Hansen
Leave a comment on my social media post w/ your favorite song from a musical (and why) then I’ll choose a winner 24 hours from now.
This is a free single ticket to the front row S of mezzanine 31 (worth about $50) at the 3/12 evening performance of Dear Evan Hansen w/ Broadway at The Paramount & Seattle Theatre Group, which ends this weekend.
Dear Evan Hansen – Musical – Paramount Theatre – Second Review
Giveaway: I’m giving away a free ticket to this show. Enter the contest on Instagram! Update (3/11/23): Congrats to Matt!
Elevator Thoughts (aka Tweet): Dear Evan Hansen musical w/ Broadway at the Paramount Theatre and Seattle Theatre Group. Good visibility on depressed, lonely, awkward people who are obsessed w/ social media and who don’t fit in. #DearEvanHansen #suicide #depression
Synopsis from the Theatre: A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it. DEAR EVAN HANSEN has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says DEAR EVAN HANSEN is “one of the most remarkable shows in musical theatre history.” The New York Times calls it “a gut-punching, breathtaking knockout of a musical.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.” DEAR EVAN HANSEN features a book by Tony Award winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal).
Reviewed Performance: 3/7/23 Evening – Opening Night
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes
Recommendation: See it!
Was This the First Time I Attended a Production of this Show: No, I previously saw this years ago at the Paramount Theatre. I actually listen to the soundtrack in my car every so often.
Would I See It Again 3 Years from Now: I’d consider it, but I probably would only see a professional/equity production like this and not a community production.
Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)
Equity Actors: All of them
Total Number of Actors: 8
Length (Including Any Intermission): 2.75 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
- Projections and Lighting: I’m always a huge fan of modern design and clean lines. The spotlights and projections dramatically converged in “Waving Through a Window” and “You Will Be Found.” Most of the projections were inspired by social media and this production didn’t lazily use the projections as a crutch for the storyline. However, I wonder how long the projections will stay relevant. For example, today’s high schoolers don’t gravitate toward the social media platforms (like Facebook) mentioned throughout the show.
- Awkwardness: Anthony Norman portrayed Evan Hansen well as a weird loser who doesn’t fit it. There should be less snorts though. In my opinion, snorting on-stage or on-film is an overused crutch to portray awkward demeanor to the audience. I’ve never known someone to regularly snort in real life.
- Silence and Darkness: Similar to the recent Metamorphoses play at Seattle Rep, this show is uniquely lacks sound and color (in a good way), which is in contrast to most other musicals that usually more ostentatious. The silence was particularly fitting in the tense moments before Evan Hansen’s speech.
- “Waving Through a Window” Lyrics: I love how they allude to the smartphone social media experience in the chorus lyrics “cause I’m tap, tap, tapping on the glass. I’m waving through a window … is anybody waving back at me?”
- Favorite Line: “The only people that like high school are cheerleaders and football players.”
Rant(s)
- Pitch Issues: There were numerous moments someone sang slightly off key when attempting to reach high notes.
- “Sincerely, Me” Stiffness: The comedic relief song “Sincerely, Me” didn’t feel as playful as I remember from the first time I saw this musical. Move your arms and hands more please! Maybe it was the magic and wonder of seeing the show for the first time that made the song better for me back then.
- Paramount Theatre Seating: Like I mentioned in my previous Paramount Theatre show review, I’m thankful for the opportunity to review this show and my seats were great on paper but the Paramount Theatre is in desperate need of better seat staggering and a steeper slope. The people sitting in the two rows in front of me were clearly struggling with their view. And I could even hear the person behind me complaining that they couldn’t see. The seats are so terribly placed that the person two rows down from me was blocking my view. A part of me thinks that it isn’t worth shelling out upwards of $100 per ticket to only hear the show and not see it adequately. Make sure your seat is in the first row of a section!
Other Musing(s) and Observation(s)
- Fundraiser: The teens in the story were not fundraising for a worthy cause. Why not raise money for something that will actually prevent suicides and depression? What a waste!
- Alana Beck: Such an annoying character. She needs to mind her own business and stop using people. I also didn’t buy her explanation for her motives.
Theatre Company: National Tour Coordinated by Broadway Across America and Seattle Theatre Group
Venue: Paramount Theatre
Venue Physical Address: 911 Pine St, Seattle, WA 98101
Price: Medium to Expensive
Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees and students are eligible for an organization discount.
Dates: March 7 to 12, 2023
Seating: Assigned Seating
Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.
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Buy a Ticket or Learn More:
- https://www.stgpresents.org/calendar/12860/dear-evan-hansen
- https://seattle.broadway.com/shows/dear-evan-hansen/
- https://dearevanhansen.com/
- Program
Other Video +/- Pictures: See pictures under video
Cast and Production Team: See after pictures and video below
@showsiveseen “Dear Evan Hansen” #musical at Paramount Theatre w/ @seattletheatregroup. Good visibility for depressed, lonely, awkward people who don’t fit in and who are obsessed w/ #socialMedia. Review: showsiveseen.com/4148 #DearEvanHansen #suicide #depression #theatre ♬ Waving Through A Window – Ben Platt & Original Broadway Cast of Dear Evan Hansen
Role | Name |
Zoe Murphy | Alaina Anderson |
Jared Kleinman | Reese Sebastian Diaz was the understudy for Pablo David Laucerica during the 3/7/23 performance |
Connor Murphy | August Emerson |
Alana Beck | Micaela Lamas |
Larry Murphy | John Hemphill |
Evan Hansen | Anthony Norman (Jeffrey Cornelius on Saturday Matinee and Sunday Evening) |
Heidi Hansen | Coleen Sexton |
Cynthia Murphy | Lili Thomas |
— | — |
Evan Hansen, Connor Murphy, Jared Kleinman Understudy | Reese Sebastian Diaz |
Evan Hansen, Jared Kleinman Understudies | Jeffrey Cornelius, Pierce Wheeler |
Jared Kleinman, Connor Murphy Understudies | Ian Coursey |
Heidi Hansen, Cynthia Murphy Understudies | Isabel Santiago, Kelsey Venter |
Alana Beck, Zoe Murphy Understudies | Valeria Ceballos, Gillian Jackson Han |
Larry Murphy Understudy | Daniel Robert Sullivan |
— | — |
Music Director/Conductor/Keyboard | Garret Healey |
Associate Conductor | Michael Uselmann |
Guitar | Matt Brown, Eric Stockton |
Drums | Ryan McCausland |
Bass | Jack Helsley |
Violin/Concertmaster | Eugene Kaler |
Viola | Michi Aceret |
Cello | Caitlin Thomas |
Additional Orchestrations | Christopher Jahnke |
Keyboard Programmer | Randy Cohen |
Associate Keyboard Programmer | Jeremy King |
Ableton Programmers | Enrico De Trizio, Scott Wasserman |
Music Copying | Emily Grishman Music Preparation |
— | — |
Director | Michael Greif |
Author | Steven Levenson |
Composers and Lyricists | Benj Pasek & Justin Paul |
Choreographer | Danny Mefford |
Music Supervision, Orchestrations & Additional Arrangements | Alex Lacamoire |
Scenic Designer | David Korins |
Projection Designer | Peter Nigrini |
Costume Designer | Emily Rebholz |
Lighting Designer | Japhy Weideman |
Sound Designer | Nevin Steinberg |
Hair Designer | David Brian Brown |
Associate Music Supervisor | Ben Cohn |
Music Director | Garret Healey |
Music Coordinators | Michael Keller and Michael Aarons |
Vocal Arrangements, Additional Arrangements | Justin Paul |
Production Supervisor | Judith Schoenfeld |
Stage Manager | Jovon E. Shuck |
Company Manager | Deann L. Boise |
Senior Associate Director | Danny Sharron |
Senior Associate Choreographer | Mark Myars |
Executive Producers | Wendy Orshan and Jeffrey M. Wilson |
Dance Captain | Kelsey Venter |
The Taming – Play – Red Curtain Foundation for the Arts
Elevator Thoughts (aka Tweet): The Taming play at Red Curtain Foundation for the Arts. A lesbian republican, Miss #America, and a liberal social justice warrior are trapped together in a hotel room to debate USA politics/history. Pleasantly surprised that Girl Scouts sold cookies in the lobby. How American! #theatre
Synopsis from the Theatre: In this hilarious, raucous, all-female “power-play,” Miss America contestant Katherine has political aspirations to match her beauty pageant ambitions. All she needs to revolutionize the American government is the help of one ultra-conservative senator’s aide on the cusp of a career breakthrough, and one bleeding-heart liberal blogger who will do anything for her cause. Well, that and a semi-historically-accurate ether trip. Here’s lookin’ at you, America.
Reviewed Performance: 3/3/23 Evening – Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Few – Only 3
Defined Plot/Storyline: No
Recommendation: See it if either 1) you like supporting community theatre 2) you’re into American politics/history 3) you reveled in the educational parts of Hamilton 4) or if you enjoyed What the Constitution Means to Me
Was This the First Time I Attended a Production of this Show: Yes
Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)
Equity Actors: 0
Total Number of Actors: 3
Length (Including Any Intermission): 2 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
- Curtain Call: I liked that they let the stagehands take a bow. The stage crew is one of the many undercelebrated essential elements in live theatre.
Rant(s)
- Lip Sync Segment: Needs to be removed or shortened. Lip synching on-stage is one of my pet peeves.
- Scene Changes: The props and set furniture movement was distracting between scenes. However, I acknowledge the budget constraints of community theatre.
Other Musing(s) and Observation(s)
- Comedic Props: The codpiece was a funny addition, but I was originally under the impression those were more popular in England during an earlier time period. I wonder if the codpiece and the shake weight were part of the script or if they were added by the theatre company.
- Controlled Chaos: Props were falling and rolling everywhere! There were lots of over-the-top reactions and fight choreography.
Theatre Company: Red Curtain Foundation for the Arts
Venue: Red Curtain Foundation for the Arts
Venue Physical Address: 9315 State Ave #J, Marysville, WA 98270
Price: Cheap
Dates: March 3 to 19, 2023
Seating: General Admission
Parking: Free lot parking in the strip mall where this theatre is located.
Like/Comment/Share my Social Media Posts About this Performance:
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Buy a Ticket or Learn More:
Other Video +/- Pictures: See pictures under video by Kenny Randall
Cast and Production Team: See after pictures and video below
@showsiveseen "The Taming" #play at @redcurtainarts by #LaurenGunderson. A lesbian ultra conservative, #MissAmerica, & a liberal social justice warrior are trapped together in a hotel room to debate #USA #politics/#history. How #American that Girl Scouts sold cookies in the lobby! Review: showsiveseen.com/4146. #theatre ♬ original sound – Shows I've Seen
Role | Name |
Katherine | Katie Wallace |
Patricia | Britta Grass |
Bianca | Grace Helmcke |
— | — |
Director | Scott B. Randall |
Playwright | Lauren Gunderson |
Stage Manager | Davine Sholdez |
Fight Choreographer | Rowan Gallagher |
Dramaturg | Jeryn Pasha |
Props & Set Dressing | Courtney Calkins |
Costumes/Dresser | Laura Klein |
Set Design | Scott B Randall |
Set Construction Lead | Werner “Randy” Randall |
Set Construction | Scott Randall, Mike Pieckiel, Aiden Pieckiel, Spencer Greer |
Lighting Design | Scott Randall |
Lighting Technician | Layton Gaskins |
Light Board Operator | Aiden Pieckiel |
Sound Design | Daniel Hanlon |
Sound Board Operator | Mike Pieckiel |
Spotlight Operators | Paula Van Dalen, Sarah Tallman |
Stage Crew | Andy Wallington, Krista Patt, Layton Gaskins, Krishan Aggarwal, Paul Grass |
Promotional Photos | Kenny Randall |
Marketing & Publicity | Beckye Randall |
Bar Manager | Michele Beito |
Concessions Manager | Kim Shumway |