Congrats @shawna281983 on Instagram for winning a ticket from Shows I’ve Seen to the 5th Avenue Theatre’s “Into the Woods” musical! Enjoy! And stay tuned for the next contest ticket giveaway soon.
Free Ticket to “Into the Woods” at 5th Avenue Theatre
Leave a comment on my Instagram post (https://www.instagram.com/p/CpR285mOBZ1/) with your favorite musical & I’ll choose a winner 24 hours from now. Bonus points if you’re a student or if I love the musical you mention.
This is a free single ticket worth about $120 to any of the remaining “Into the Woods” performances at 5th Avenue Theatre, which ends this wknd. Depending on the date you choose, you’ll be in Zone 3 (Blue) or 4 (Orange).
Read my review here: https://www.showsiveseen.com/into-the-woods-musical-5th-avenue-theatre/
Miss Step – Musical – Village Theatre
Elevator Thoughts (aka Tweet): Miss Step throwback musical at Village Theatre by Kit Yan and Melissa Li. Feel good love letter to the 80s that emphasized the “T” in LGBT! Bodacious dance ensemble. Totally tubular spandex aerobic-inspired choreography/costumes. Jane Fonda would be so proud.
Synopsis from the Theatre: Pam Carter is an unremarkable trans woman, working as a toll collector on the New Jersey turnpike. When a family tragedy uncovers her late father’s secret passion for competitive aerobics, Pam decides to step into her father’s sneakers and vault herself on a remarkable journey. This sweet, fun, 80’s throwback musical is a comedy for family members of all ages and genders. So slap on that spandex, throw on a headband, and get ready to clap your hands for MISS STEP!
Reviewed Performance: 2/16/23 Evening – Sorry for the late review. Since this wasn’t a press ticket and there were only two more shows left on this short run, I didn’t prioritize the review.
Type: Musical
World Premiere: “Pre-World Premiere” – It’s still in the development phase as part of the Village Originals Beta Series
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes – There was only a keyboardist and a drummer. I didn’t even notice there were so few musicians during the show. I was shocked there were only two band members listed in the playbill I read after the show.
Recommendation: See it!
Was This the First Time I Saw a Production of this Show: Yes
Would I See It Again 3 Years from Now: Absolutely! I’d love to compare and contrast this developmental production with the final world premiere production.
Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)
Equity Actors: 9
Total Number of Actors: 14
Length (Including Any Intermission): 2 hours but it felt like the perfect length
Intermission: No
Other Rave(s) Not Mentioned in Elevator Thoughts
- Transgender/Queer Representation: This musical normalized LGBT+ characters/actors especially those who are trans. I like how the song “Unremarkable” punctuated how commonplace it was to be trans in this world. However, it felt like the cast was missing a bisexual character and it wouldn’t hurt to add another trans man. I thought it was interesting when an audience member from the aftershow talkback pointed out the juxtaposition between an older trans woman character who subscribed to traditional gender binary roles while her child supported a more modern non-binary gender role.
- Cassi Q Kohl: I didn’t know Cassi Q Kohl (who played Cindy) had such a powerful voice! I’ve only seen her in Village Theatre’s previous production Cinderella where she played the fairy godmother. I guess her previous role didn’t let her showcase her voice as much.
- Ending Reveal: The revealing twist at the end with the father was pretty cleaver.
- Emcee: I previously saw Joel Domenico on-stage in Verlaine and McCann’s Land of the Sweets – The Burlesque Nutcracker as the charismatic emcee. He reprised a similar role in Miss Step as the competition emcee and as part of the energetic dance ensemble.
- 1980s Theme: As someone born in the 80s, it was fun being reminded of elements that were popular in my childhood like Michael Bolton, John Stamos, kazoos, Operation boardgame, ankle warmers, headbands, Madonna, leotards, New Kids on the Block, wrist slappers, corny humor, the ThighMaster, and effortless plot resolutions.
- Second Act Ballad: Janet (played by Bobbi Kotula) sung a wonderful ballad with a lovely melody. The playbill said the song was called “He Was My Trophy” but I thought it was called “It Wasn’t Me.” Since this was a dynamically-changing beta musical still in development, they might have added/changed the ballad after the playbill went to press.
Rant(s)
- Microphone Queuing: There were numerous instances when the microphone turned on late. I’ll give them the benefit of the doubt that it was because of the dynamically-changing nature of a beta musical in development.
- Accompaniment Key: There were 1-3 songs in the beginning that felt like the accompaniment key didn’t match well with the transgender performers’ best vocal range. The song(s) need(s) to be transposed.
- Deadbeat Reasons: The show didn’t explained well why the dad left his family. The few potential reasons I gathered during the second act didn’t seem like compelling enough reasons to leave a family.
- First Act Ballad: There was a slower song that Pam (played by MJ Rawls) sang in the beginning that either started too abruptly from a more energetic scene or ended too abruptly to a more energetic scene. I don’t remember.
Theatre Company: Village Theatre
Venue: Village Theatre – Hunt Family Theatre First Stage
Venue Physical Address: 120 Front St N, Issaquah, WA 98027
Price: Cheap
Ticket Affordability Options: Pay-what-you-will on 2/16/23
Dates: February 11 to 19, 2023
Seating: Assigned Seating
Parking: Free street parking and free lot parking. If you park in the lot, make sure the spot is not reserved for a business. As a last resort, you can always find parking at the library (10 W Sunset Way, Issaquah, WA 98027) but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that most non-locals don’t know about.
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Buy a Ticket or Learn More:
- https://web.archive.org/web/20230129204532/https://villagetheatre.org/shows/miss-step/ – Village Theatre took down the original page after the show’s run
- https://www.missstepmusical.com/
Other Video +/- Pictures: See pictures in video and under video
Cast and Production Team: See after pictures and video below
@showsiveseen "Miss Step" throwback #musical at Village Theatre by @kityanpoet & Melissa Li. Feel good love letter to the #80s that emphasized the "T" in #LGBT! Bodacious dance ensemble. Totally tubular #spandex #aerobic-inspired choreography/costumes. Jane Fonda would be so proud. Review: showsiveseen.com/4076. Photos by @nikkilong_. #theatre #aerobics #1980s ♬ Jump (Originally Performed by Van Halen) [Instrumental] – Backing Track Central
Role | Name |
Gail | Kathryn Van Meter * |
Pam Carter | MJ Rawls * |
Janet | Bobbi Kotula * |
Cameron Carter Sr | Ethan Carpenter * |
Cindy | Cassi Q Kohl * |
Rachel Weissman | Bridgid Abrams * |
Eli | Vincent Milay |
Pauline | Irene Rising * |
Topaz | Leah Sainz-Jones |
Jay | Tom Avery |
Ensemble | Joel Domenico Mackenzie Mathotra Nehemiah Hooks * Tori Gresham * |
— | — |
Keyboard/Conductor | Elisa Money |
Drums | Scot Sexton |
— | — |
Director & Co-Choreographer | Connor Gallagher |
Co-Choreographer | Jay Jackson “Laganja Estranja” |
Writer/Composer | Kit Yan and Melissa Li |
Scenic Designer | Jason Sherwood |
Costume Designer | Chelsea Cook |
Lighting Designer | Chih-Hung Shao |
Sound Designer | Erin Bednarz |
Projection Designer | Ahren Buhmann |
Stage Manager | Jessamyn Bateman-Iino |
Gender Consultant | Josephine Kearns |
Dance Arrangements | David Dabbon |
New York Casting | Judy Bowman |
Music Director | Elisa Money |
Assistant Director | Charlie Johnson |
Assistant Stage Manager | Kallen Pishue |
Assistant Scenic Designer | Jeremy Hollis |
Production Assistants | Liam Nellis, Lainie Schwartz |
Vocal Coach | Danny Kam |
Head Stage Carpenter | Andrew Long |
Head Lighting Engineer | Zac Andersen |
Head Sound Engineer | Alex Wren |
Wardrobe Lead | Malena Langlie |
Projection Technician | Ahren Buhmann |
On the Market – Play – Burien Actors Theatre
Elevator Thoughts (aka Tweet): On the Market play w/ Burien Actors Theatre. Light modern romantic comedy w/ funny caricatures. Second chances are possible during middle age with love and life! #comedy #theatre
Synopsis from the Theatre: A former singer, now realtor, struggles with the modern dating scene after becoming a widow two years ago. Her life is turned upside down when she finds a mysterious note from her dead husband telling her it’s okay to “move on.” A touching modern, romantic comedy for grown-ups about love, loss, and finding your Forever Home.
Reviewed Performance: 2/25/23 Evening
Type: Play
World Premiere: No but almost. This play was first produced in Fall 2022. I looked it up since I was surpised how many modern references were in the show. For example, I’ve never seen a show that mentioned steaming services like Hulu Plus.
Defined Plot/Storyline: Yes
Recommendation: See it if you like supporting community theatre
Was This the First Time I Saw a Production of this Show: Yes
Would I See It Again 3 Years from Now: Maybe if it was produced by an Equity theatre
Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)
Equity Actors: None
Total Number of Actors: 4
Length (Including Any Intermission): 90 mins
Intermission: No
Other Rave(s) Not Mentioned in Elevator Thoughts
- Cutting Insults: The “mean girl” in me loves to watch tense scenes where someone figuratively cuts a friend to the knees with insults. It was very “you’re a virgin who can’t drive.” But not to worry, this negative energy was only in a brief scene and was not the focus of the play.
Rant(s)
- Transitions: The scene transitions sometimes felt a little awkward. It may have something to do with the frequent lack of transition sounds or weird light queuing.
- On-stage Costume Changes: There was one scene where the actors hastily distractingly changed costumes several times on-stage in the background. I was a confused why they didn’t change costumes off-stage like in all the other scenes. UPDATE 3/4/23: A reader let me know that this “circusy” montage was actually written into the script to feel messy and improvised. I’m curious if the scene execution in this production was what the playwright envisioned.
Other Musing(s) and Observation(s)
- Mid-life Inspiration: I worry my dreams and ambitions are less realistic the more I age. This play inspired me to believe that middle age isn’t too late for dreams that will bring major life changes.
Theatre Company: Burien Actors Theatre
Venue: Kennedy Catholic High School
Venue Physical Address: 140 S 140th St, Burien, WA 98168
Price: Cheap
Dates: February 10 to March 5, 2023
Seating: General Admission
Parking: Huge free parking lot adjacent to the high school
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Buy a Ticket or Learn More:
Other Video +/- Pictures: See pictures in video and under video by Michael Brunk
Cast and Production Team: See after pictures and video below
@showsiveseen “On the Market” #play w/ Burien Actors Theatre. Light modern #romanticComedy w/ #funny caricatures. 2nd chances are possible during middle age w/ love & life! Review: showsiveseen.com/4048 #comedy #theatre ♬ Til There Was You (as made famous by The Beatles) – Abbey Road Players
Role | Name |
Diane, Eccentric Wife, Rustic Wife, Excited Girlfriend, Nice Wife | Amy Anderson |
Frank, Date #2, Date #4, Eccentric Husband, Chatty Husband 1, Rustic Husband, Nice Husband | John Dugaw |
Charlotte | Karin Rogers |
James, Grief Counselor, Date #1, Date Mark, Chatty Husband 2, Excited Boyfriend, Delivery Guy | Jalyn Green |
— | — |
Stage Directors | Rochelle Flynn, Maggie Larrick |
Playwright | Jason Odell Williams |
Production Managers | Eric Dickman, Maggie Larrick |
Stage Manager | Heather Bernadette |
Fight Choreographer | John Lynch |
Set Designer | Maggie Larrick |
Properties Designer | Cyndi Baumgardner |
Lighting Designer | Dave Baldwin |
Sound Designer | Eric Dickman |
Costume Designer | Maggie Larrick |
Set Dresser | Cyndi Baumgardner |
Vocal Coach | Aimee Hong |
Head Builder | Scott Barker |
Set Builders/Painters | Eric Dickman, Luise Frishholz, Paul Gould, Maggie Larrick, Devin Rodger |
Light & Sound Operator | Heather Bernadette |
Poster/Marketing Art Design | Stevie VanBronkhorst |
Photography | Michael Brunk |
Program | Maggie Larrick |
Webmaster | Lance Bowman |
Box Office | Eric Dickman, Jessica Lester |
Usher Managers | Maggie Larrick, Elaine Puderbaugh |
Concessions Managers | Barbara Reamer, Maggie Larrick |
Into The Woods – Musical – 5th Avenue Theatre
Elevator Thoughts (aka Tweet): Into The Woods fairy tale musical opening night at the 5th Avenue Theatre. After seeing this show a third time, I finally realized it’s filled with modern life lessons and difficult philosophical questions. Cinderella’s family and the witch (Porscha Shaw) were a hoot! #theatre
Synopsis from the Theatre: “Happily Ever After” has never been so complicated. That’s what Little Red, a Witch, Cinderella, the Baker, and his wife discover as they invade one another’s stories and find themselves tangled in a web of unexpected consequences. They quickly find this web is too big to untangle on their own and that they must work together to set everything right in the kingdom. Into the Woodsreminds us that only together can we defeat the wolves and giants of the world. With a stunning, unforgettable score featuring “No One is Alone,” “Children Will Listen,” and “Giants in the Sky,” this iconic show will enchant, entrance, and delight! A Tony Award®-winning Broadway hit and feature film sensation, Into the Woodscontinues to enthrall theater lovers more than three decades after its creation. This is the first of a rare and remarkable two-show celebration and exploration of the theatrical genius of Stephen Sondheim.
Reviewed Performance: 2/17/23 on opening night
Type: Musical
World Premiere: No
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes
Recommendation: See it if you like Stephen Sondheim musicals.
Was This the First Time I Saw a Production of this Show: No, I’ve seen it once in a Galveston, TX community theatre and once at Village Theatre.
Would I See It Again 3 Years from Now: Since I’ve seen it so many times and I’m not a huge fan of Stephen Sondheim, I’d probably only see the national tour in the future.
Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)
Equity Actors: All
Total Number of Actors: 15
Length (Including Any Intermission): 2.75 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
- Deeper Meanings: Since this was the third time I’ve seen the show and because I usually watch shows for their entertainment value, I was finally able to grasp some of the deeper meanings in the musical. Little Red Riding Hood’s wolf was a life lesson for young women to be wary of men with a “bad boy” appeal. Additionally, they asked difficult philosophical questions when was okay to kill or is it worth it sacrificing a few for the greater good? I liked how Cinderella and the Baker juxtaposed two potential deaths simultaneously.
- Princes and Wolf: Casey Raiha and Antonio Mitchell’s over-the-top flamboyant portrayal of the princes were a nice comedic relief. The same also applies to Casey’s wolf portrayal. Kudos to Casey for filling in as Louis Hobson’s understudy on opening night!
- Cinderella Family and Witch: Shaunyce Omar, Trina Mills, Shanelle Nicole Leonard, and Porscha Shaw added a desperately-needed groovy flair as Cinderella’s family and the witch. I always loved Shaunyce’s role in her past shows and her afro-tastric stepmother portrayal was no exception. The stepsisters’ fabulous costumes also reminded me of trendy outfits from the movie Clueless.
- Stage: It looks like the 5th Avenue Theatre reused the same thin horizontal catwalk-like platform downstage in front of the orchestra that they used in The Wiz (their previous show) to allow the actors closer access to the audience. The novelty of it has not worn off on me yet. I’m still a fan!
- Baker’s Wife Voice: There were at least two songs that showcased Cayman Ilika’s strong and brilliant voice.
Rant(s)
- Stagehands: There was a scene transition that required the stagehands to wheel in a ladde centerstage. It was a little obtrusive and might have been less distracting if the actors wheeled it in themselves.
Other Musing(s) and Observation(s)
- Magic Beans: What happened to the last magic beans that were thrown on the ground?
- Witch: What happened to the witch at the end?
- Witch Transformation: Why did the witch need to run offstage for a hot second during the transformation scene if the transformation eventually occurred on-stage? Could the stage magic occur without running offstage?
- Malfunctioning Prop?: Was there a malfunction when the goose prop did not lay a golden egg? If so, the actors played off the malfunction well in a comedic way.
- Scenic Design: I was surprised that they chose an austere theme. I half expected to see an actual forest like in The Wiz. The design reminded me of a hip dance club with modern fluorescent/neon lights.
- 1st Act vs 2nd Act: Into the Woods is notorious for leaving audience members confused at the end of the first act since all the stories seem to already conclude with some sort of finality. The first act unfolds with familiar fairy tales, but in the second act, the audience might be thinking “WTF is happening to these familiar fairy tales!”
- Stephen Sondheim: Honestly, I personally don’t prefer Stephen Sondheim’s style and I’m a little sad the 5th Avenue Theatre is producing two of his shows this season. Sacrilege, I know … especially since he just passed away in 2021. Honestly, the 5th Avenue Theatre is probably producing two of his shows as a tribute to his legacy due to his recent passing. I’ve seen Assassins, Company, Sweeney Todd, and Into The Woods. I found all 4 inherently tepid. The songs have a weird quality where the actors sometimes talk their lyrics without a pitch. A mainstream beat is also hard to find and there’s too much dissonance. In the end, the songs are not memorable, you often can’t sing along, and I wouldn’t listen to them in my car. That being said, I don’t doubt that he’s a genius and a legend etc. It’s just not my cup of tea.
Theatre Company: The 5th Avenue Theatre
Venue: The 5th Avenue Theatre
Venue Physical Address: 1308 5th Ave, Seattle, WA 98101
Price: Medium to Really Expensive
Ticket Affordability Options: Check out their discounts page. Goldstar or TodayTix usually offer good options too.
Dates: February 10 to March 5, 2023
Seating: Assigned Seating
Parking: When I don’t walk to the theatre, I park in the paid garage at the Motif hotel NW of the theatre. The entrance is on 5th Ave. Do NOT park in the Hilton garage (entrance on 6th ave). That’s where most of the audience parks so it’s a nightmare to leave. However, the Hilton garage is the closest garage to the theatre and it has underground access to the theatre if you wanted to avoid the elements. But this benefit is not worth it in my opinion.
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Other Video +/- Pictures: See pictures in video and under video by Mark Kitaoka and Tracy Martin
Cast and Production Team: See after pictures and video below
@showsiveseen “#IntoTheWoods” #Sondheim #musical at 5th Ave Theatre. After seeing this show a 3rd time, I finally realized it’s filled with modern life lessons & difficult philosophical questions. Cinderella’s family & the witch (@musenmelanin) were a hoot! Review: showsiveseen.com/3995. Photos by Mark Kitaoka & Tracy Martin. #theatre #fairyTale #StephenSondheim ♬ I Know Things Now – Stephen Sondheim & Michelle Dowdy
Role | Name |
Narrator | Mari Nelson |
Cinderella | Sarah Russell |
Jack | Joshua Miller |
Jack’s Mother | Shermona Mitchell |
Baker | Eric Ankrim |
Baker’s Wife | Cayman Ilika |
Cinderella’s Stepmother | Shaunyce Omar |
Florinda | Trina Mills |
Lucinda | Shanelle Nicole Leonard |
Little Red Ridinghood | Sarah “SG” Garcia |
Witch | Porscha Shaw |
Wolf/Cinderella’s Prince | Louis Hobson |
Rapunzel | Miranda Antoinette |
Rapunzel’s Prince (Dance Captain) | Antonio Mitchell |
Steward | Brian Lange |
— | — |
Narrator (Understudy) | Ann Cornelius |
Cinderella (Understudy) | Simone Alene |
Jack (Understudy) | CJ Lorentz |
Baker (Understudy) | Brian Lange |
Jack’s Mother/Cinderella’s Stepmother (Understudy) | Melyssa Stone |
Baker’s Wife (Understudy) | Trina Mills |
Little Red Ridinghood/Florinda/Lucinda/Rapunzel (Understudy) | Rebecca Cort |
Witch (Understudy) | Shanelle Nicole Leonard |
Cinderella’s Prince/Wolf/Rapunzel’s Prince/Steward (Understudy) | Casey Raiha |
— | — |
Production Stage Manager | Erin B. Zatloka |
Assistant Stage Manager | Rachael Dorman and Tori Thompson |
Swing Stage Manager | Jr Welden |
Composer and Lyricist | Stephen Sondheim |
Author | James Lapine |
Director | Bill Berry |
Scenic Designer | Lex Marcos |
Understudy Director | Jéhan Osanyin |
Costume Designer | Melanie Taylor Burgess |
Lighting Designer | Ben Zamora |
Sound Designer | Haley Parcher |
Associate Director | Nicholas Japaul Bernard |
Associate Music Director | Michael Nutting |
Music Supervisor | Matt Perri |
Associate Scenic Designer | Alex Winterle |
Associate Sound Designer | Brent Warwick |
Costume Design Assistant | Taya Pyne |
Assistant Lighting Designer | Maryalice Weed |
Director of Production | Joan Toggenburger |
Production Manager | Ryan Gastelum |
Costume, Wardrobe, & Hair Director | Shannin Strom |
Casting Director | Cordelia Miller |
Music Director | R.J. Tancioco |
Choreographer | CY Paolantonio |
— | — |
Conductor | Matt Perri and R.J. Tancioco |
Piano | Michael Nutting |
Synth | Rebecca Smith |
Bass | Ramon Salumbides |
Horn | Rodger Burnett |
Trumpet | Brad Allison |
Percussion | Alec Wilmart |
Flute | Dane Andersen |
Clarinet | Jennifer Nelson |
Bassoon | Francine Petersen |
Violin 1 | Tom Dziekonski |
Violin 2 | Quinn Price |
Viola | Rick Neff |
Cello | Page Smith/Virginia Dziekonski |
Keyboard Programmer | Dave Pascal |
Music Assistant | Andrew Pang |
Rehearsal Pianist | Rebecca Smith |